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Mixed Media. Female centric. About the Artist: Cabell Molina is a contemporary artist transplanted from California to the east. Where Cabell has proved herself exceptional is ...

#mandala #spiritualart #introspecction #sculpture #nature #landscape #information #outdoors #contemporaryart #clay #sun #energy #moon #female JUANA MARTÍNEZ (Tlalpujajua, Michoac...

#mandala #spiritualart #introspecction #sculpture #nature #landscape #information #outdoors #contemporaryart #stone #color #energy #seed #ambar #wood JUANA MARTÍNEZ...

Una performance di Joseph Beuys, registrata alla Staatliche Kunstakademie di Düsseldorf nel 1968. Interpreti: J. Beuys in collaborazione con H. Christiansen e J. Stüttgen. Questa è...

Yayoi Kusama - DOTS OBSESSION: BLACK BIG DOTS Date of creation: 2018 Medium: Screen print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint conditions, brand n...

Yayoi Kusama - DOTS OBSESSION: RED BIG DOTS Date of creation: 2018 Medium: Screen print on Canadian maple wood Edition: Open Size: 80 x 20 cm Condition: In mint condition, brand new ...

Contemporary work of art by Christine Graf. A collage work of art created using rust, canvas and book. Graf skillfully employs unconventional materials and everyday objects when cre...

Contemporary work of art by Christine Graf. A collage work of art created using rust, string and vintage book. Graf skillfully employs unconventional materials and everyday objects ...

Contemporary work of art by Christine Graf. A collage work of art created using wood, vintage book and canvas. Graf skillfully employs unconventional materials and everyday objects ...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

'Foxfire Ottoman' 45 x 45 x 45 cm, 2023 Woven jacquard acrylic yarn, 100% natural sheepskin, wood and medium density foam. Edition of 2 only. The jacquard textile is woven from ac...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. General Idea was both prolific and multi-disciplinary long before it became de rigueur. Together, they worked across photography, sculpture, painting, mail art, video, installation, multiples, and performance. The group also made a significant number of unconventional editioned works and were inspired by the idea of the anti-art object. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. They were particularly interested in (European) crests used for centuries to represent a city, district, or even a creative or professional guild. General Idea both appropriated and reinterpreted existing crests (often by replacing a lion with a poodle) as well as creating crests that were entirely of their own imagination. Between 1988 and 1989, General Idea created 8 chenille crests with some of their most iconic motifs. These crests recalled their traditional European antecedents and the aesthetics of high-school sports teams and varsity jackets. "When the Fur Flies" is the most colorful and curious example from the series. A pink poodle, which appears almost as a curly abstraction, mimics the lion's pose often seen in traditional European iconography. Behind the famous General Idea mascot are stylized three yellow mushroom clouds. This design is a classic General Idea; subversive, zany, queer, and mischievous. While these crests were intended to be an unlimited edition, according to the General Idea Editions catalog raisonné, less than 100...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. General Idea was both prolific and multi-disciplinary long before it became de rigueur. Together, they worked across photography, sculpture, painting, mail art, video, installation, multiples, and performance. The group also made a significant number of unconventional editioned works and was inspired by the idea of the anti-art object. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. They were particularly interested in (European) crests used for centuries to represent a city, district, or even a creative or professional guild. General Idea both appropriated and reinterpreted existing crests (often by replacing a lion with a poodle) as well as creating crests that were entirely of their own imagination. Between 1988 and 1989, General Idea created 8 chenille crests with some of their most iconic motifs. These crests recalled their traditional European antecedents and the aesthetics of high-school sports teams and varsity jackets. "Ouroboros" features General Idea's most famous mascot, the poodle, who mimics the lion's pose often seen in traditional European iconography. Entangled in the twists and curls of its tail, the poodle appears to be consuming the tip of it, embodying the full 'ouroboros' or circle of life. Completed in a menacing palette of black, forest green, and electric red, this design is a classic General Idea; subversive, zany, and mischievous. While these crests were intended to be an unlimited edition, according to the General Idea Editions catalog raisonné, less than 100...

Hans Haacke Mia San Mia (Hand signed by Hans Haacke), 2001 Hardback monograph (hand signed by Hans Haacke) Signed by Hans Haacke in black marker on the title page 10 × 8 × 1 inches Provenance Hand signed by Hans Haacke for the present owner at a special event held at 192 Books in Manhattan (owned by Paula Cooper) This exquisite European hardcover monograph with dust jacket was hand signed by Hans Haacke in black marker on the title page for the present owner at a special event held at 192 Books in Manhattan (owned by Paula Cooper). Highly collectible. Makes an excellent gift. Published by the Generali Foundation, Austria on the occasion of the eponymous exhibition. About the exhibition: Hans Haacke (born in 1936 in Cologne, GER, has lived in New York, USA, since 1965) focused on "a single problem area: how the country deals with its history and national identity. More than I care for, these questions stir up emotions both in Austria and Germany." Haacke had been originally concerned with physical and biological systems. Very early on, his artistic practice also included the analysis of and reflection on socio-political phenomena. Haacke's work deals with social and political themes. He considers the debates arising from his works - fierce at times - to be an integral part of them. "Mia san mia" (We Are Who We Are...

Tête, Pablo Picasso, 1950's, Terracotta, Earthenware, Sculpture, Ceramic, Design Ed. 106/200 pcs White earthenware clay, decoration in engobes under brushed glaze, blue, pink, yello...

Naoe Koide, a distinguished Bizen Ware Potter, reflected on his lifelong journey, one ignited by a profound curiosity about the concealed marvels within the world. In his childhood, ...

Visage dans carré Ed. 59/100 pcs 1956 White earthenware clay, engobe decoration under partial brushed glaze, ivory, blue D. 42.2 cm Numbered, incised and stamped on the reverse : 59/...

Collana di Perle di mare coltivate. Anni 1960. Chiusura in oro bianco 18 carati e smeraldini. La chiusura in oro bianco e creata artigianalmente a ...

John Baldessari Pillow Cases in Bespoke Presentation Box (one pillowcase hand signed by John Baldessari) for The Thing Quarterly Issue 22, 2014 Silkscreen on 100% cotton 320 thread count sateen pillowcases (Hand signed by John Baldessari) Boldly signed in ink by John Baldessari on one of the pillowcases (see photo) Unframed One of the pillowcases is hand signed in ink by John Baldessari: John Baldessari was one of the artists who were invited to contribute an object (or "thing") with text for a special project for "The Thing" publication (read on for more on "The Thing") ; the conceptual object therefore had to incorporate text. Baldessari's contribution in 2014 was a silkscreened pillowcase with text. A limited (unknown) number of these pillowcases were marketed and sold as a set of two in a bespoke box. However, exceptionally, Baldessari hand signed a very few of pillowcases in ink. This is one of the very special sets bearing one hand signed pillow case - purchased directly from "The Thing". (a copy of the 2014 receipt is shown here.) The rest of these boxed sets were not hand signed. The pillowcase is brand new, and will look gorgeous once pressed and framed by a professional framer. More about this boxed set: Issue 22 of THE THING Quarterly is by LA-based conceptual artist John Baldessari. It consists of two 100% cotton sateen pillowcases featuring an image of a woman clutching a pillow. The black and white image is taken from a Hollywood film still in Baldessari's collection and has been silkscreened on each pillowcase with environmentally-friendly, water-based ink. The pillowcases are standard-sized and envelope-style. For those who like their thread count high, the issue clocks in at a solid 320 thread count. Measurements: Box 10.5 inches by 13 inches by 2 inches Pillow 20 inches vertical by 26 inches What was The Thing Quarterly? THE THING was an experimental publication created in collaboration with Will Rogan as part of an artist residency. We saw it as a quarterly periodical in the form of an object. Each year, four artists, writers, musicians or filmmakers were invited to create an everyday object that somehow incorporates text. The object is reproduced and hand wrapped at wrapping parties and then mailed to the homes of the subscribers with the help of the United States Postal Service. It began as part of an artist residency in San Francisco’s Southern Exposure. Will and I had met in grad school at UC Berkeley and discovered our mutual affinity for quarterlies. He was a librarian at SFAI for five years and I had been a high school teacher for five years. WE were both interested pushing the boundaries of publication. Our plan was to create a 1 year publication with four artists, but from the very start the project generated so much interest and international excitement that we found ourselves running a publication complete with a brick and mortar storefront and a staff of four individuals. After 10 years, 34 issues, 59 projects and countless live events, we decided to end the publication in order to pursue our individual projects. We are still working together on a less ambitious new project, and hope to launch it at some point in 2021. CONTRIBUTORS: have included John Baldessari, Dave Eggers, Miranda July...

Jenny Holzer is one of the most important and original artists of the 20th century. Her body of work, with an emphasis on text, is consistently provocative and occasionally frightening, manipulating the language of both pop culture and government slogan to produce commentary on global issues notably power structures and warfare. Holzer's iconic "Inflammatory Essays", produced between 1979 and 1982, were first pasted on walls throughout heavily populated metro areas including New York and other cities. Composed of anonymous statements, printed on friendly or calm colored papers, the statements were influenced by writings of major political figures such as Emma Goldman...

Homage to Wonder Woman. Made completely of legos. About the Artist: Joseph Kraham is an "engineering artist". He combines thousands of Lego pieces...

Aditya Basak - Untitled - 24 x 20 inches (unframed size) Acrylic on Canvas, 2017 ** This work will be shipped in a roll form. "Through the medium of the fantasy, Basak probes the ...

Dennis Oppenheim Dennis Oppenheim: Selected Works 1967-90 : And the Mind Grew Fingers (with handwritten signed letter laid in separately), 1992 Softback book with separate hand signed letter...

Marina Abramović Untitled hourglass drawing, 1992 Drawing done in black marker, hand signed and annotated and held inside the softback catalogue for the artist's 1992 Beaux Arts exhi...

Paper Collage

Exceptional example of mid-century conceptual art constructed of wood and finished in flat black. Sculpture for the wall. Dimensional; unique presentation from each side and angle. N...

Paper Collage

Paper Collage

Paper Collage

A large ceramic shoulder vase by Carstens-Tönnieshof from its high-end Atelier Series helmed by designer Gerda Heuckeroth. This form is accented by textured glazes in hues of green, ...

Paper Collage

Paper Collage

Paper Collage

Le Pêcheur, Picasso, 1950's, Fisherman, Bowl, Ceramic, Multiples, Figurative Ed. 100 pcs, 1955 White earthenware decorated with partially enamelled oxidized paraffin, metallic ename...

Pichet gravé gris Ed. 500 pcs, 1954 White clay with grey engobe painting, partially glazed in white and black with incised decor. H. 30 cm Stamped underside : Madoura, Edition Picass...

Tom Pfannerstill was born in Milwaukee, Wisconsin, in 1951. He earned is bachelor’s degree in 1975 from Western Kentucky University. Pfannerstill has been a full-time studio artist s...

Taureau et Toreador, Picasso, Bull, Corrida, Design, Tile, Ceramic, 1950's Taureau et Toreador Unique work 11.2.1957 Painted and partially glazed ceramic, hexagonal tomette tile 15 ...

Hermann Schütte (1893 Osnabrück - 1973 Hamburg), White Mask on Violet Ground. Enameled copper plate on wooden base, 37 x 29.5 cm, monogrammed and dated "S[chütte] [19]62" in the lowe...

Buste de faune, Picasso, Ceramic, Terracotta, Faune, Mythological, Design Buste de faune Unique piece Partially glazed terracotta 18.5 x 9.3 cm 40 x 32 cm (with frame) Certificate o...

glass treasury, volume IX no. 13, smoky gray with a wooden lid Drago is a sculptural glassware that explores the concept of a treasury — the power of a container object to reflect ...

glass treasury, volume IX no. 10, steamy translucent Drago is a sculptural glassware that explores the concept of a treasury — the power of a container object to reflect the value ...

This is a one of a kind original artwork by local San Diego artist, Ron Carlson. This sculpture has a rhino at the top and depicts rhino skulls within the container. This reliquary s...

Nature morte, Still Life, Pablo Picasso, 1950's, Polychrome ceramic, Design Ed. 400 pcs 1953 Polychrome glazed ceramic 32 x 39 cm Signed and stamp on the back : Editions Picasso, D'après Picasso, Madoura Plein Feu Picasso : Catalogue of the edited...

Sea View Tapestry, Picasso, Carpet, Design, Wool, 1960's, Interior, Cream, Green Sea View tapisserie 1965 Wool 182 x 240 cm Dated : 6.4.65. ; Signed on the back After a cardboard by...

Cavalier et cheval, Picasso, 1950's, Pitcher, Ceramic, Design, Earthenware, Clay Cavalier et cheval Ed 231/300 pcs 1952 White earthenware clay, dec...

Visage noir Moucheté, Picasso, Plate, Portrait, Naif, Multiples, Earthenware Visage noir moucheté Ed. 39/200 pcs 1948 white earthenware clay, decoration in engobes under glaze 31 x ...

Visage au trait oblique, Picasso, 1960's, Portrait, Male face, Terracotta Visage au trait oblique Ed. 22/100 circa 1968-1969 Red erthenware tile painted in ...

Vase aux Chèvres, Picasso, 1950's, Vase, Goat, Decoration, Ceramic, Multiples Vase aux chèvres Ed. 40 pcs 06.06.1952 White earthenware clay, deep engraving filled with oxidized para...

Ina Abuschenko-Matwejewa - "Berlin Buttons". Berlin Buttons series, 6 pieces, price per artwork: Based on the video of the same name produced by Ina Abuschenko-Matwejewa. The occasi...

Picador, Pablo Picasso, Ashtray, Design, Sculpture, Ceramic, White, Edition Picador Ed. 500 pcs 1952 White earthenware clay, oxidized paraffin decoration, white enamel D. 15.2 cm St...

Il Trovatore, Chirico, Multiples, 1970's, Bronze, Sculpture, Surrealiste Il trovatore Ed. 250 pcs 1971 Bronze with silver patina H. 31 cm Signed and dated on the base : Editions Art...

Scène de tauromachie, Picasso, 1950's, edition, earthenware, terracotta, scene Scène de tauromachie Ed.274/500 pcs 1957 Red earthenware clay, eng...

Paysage, Pablo Picasso, 1950's, Plate, Design, Ceramic, Figuratif, Editions Paysage Ed.200 pcs 08.12.1953 White earthenware clay, decoration in engobes, knife engraved, under glaze ...

Pichet Poule, by Pablo Picasso, Pitcher, 1950's, Design, Blue, Decoration Pichet Poule Ed. 500 pcs 1954 Shaped piece turned in white faience earth with blue oxide decoration on white enamel 13.5 x 17 x 10 cm Stamped under the base: Madoura plein feu, Edition Picasso, Edition Picasso, Madoura Catalogue Raisonné de l'oeuvre céramique de Picasso de 1947 à 1971, by Alain Ramié, Madoura, 1988, illustrated under no.250, p.133. For this ceramic, Picasso uses...

Tête de faune, Picasso, Tile, Terracotta, Design, Sculpture, Unique, Mythology Tête de faune Unique work 27.02.1961 Red terracotta tile, painted and glazed white 15 x 15 cm 20 x 15 ...

Chouette, Picasso, Pitcher, Design, 1950's, Ceramic, Black and white, Animal Chouette femme Ed. 500 pcs 1951 Earthenware ceramic vase with engobe and ...

Faune aux marottes, Picasso, 1950's, Earthenware, Unique work, 1950's, Design Faune aux marottes Unique work 1.12.1956 Earthenware, decoration with engobes and metallic oxides 15.1 ...

Visage à la grille, Picasso, Edition, 1950's, Face, Plate, White, Naif, Ceramic Visage à la grille Ed.100 pcs 1956 White earthenware clay, engobe decoration under partial brushed gl...