20th Century Mixed Media

Horse race  is an artwork attribuited to Monique Boillat (1933, France).  Work made on paper, placed between two sheets of glass.  21 x 25 cm; Sheet 13 x 6 cm. Very good conditions. 

This untitled abstract work by Constance Powell-Teeples is a stark contrast to her usual work, prints of the Detroit skyline and local monuments and buildings. The work is flushed with colors that are reminiscent of the Detroit Tigers...

Untitled Printed paper collage elements on cardboard, 1960 Signed in pencil lower right Condition: Excellent Board size: 13 3/8 x 15 1/2 inches Provenance: Estate of the Artist ...

RICHARD ANUSZKIEWICZ Grey Tinted Rainbow, 1992 Assemblage with 14 Color Silkscreen and Lithograph Edition of 40 Pencil signed and numbered 11/40 on the front Frame included: elegantl...

Contemporary abstract painting by Houston-based artist Virgil Grotfeldt. The work features metallic gold-toned gestural strokes created with acrylic paint and bronze powder. Signed, titled, and dated on the reverse. Currently unframed, but options are available. Artist Biography: Virgil Grotfeldt was born in 1948 in Decatur, Illinois, and studied at Eastern Illinois University and the Tyler School of Art in Philadelphia. After a brief stay in Chicago, he settled in Houston in 1977, where emerging galleries and alternative spaces such as Diverse Works and the University of Houston Lawndale Annex were fostering a vibrant new art scene. His last teaching position was at Houston Baptist University. Although Grotfeldt frequently collaborated with the Dutch artist (and former student of Joseph Beuys) Waldo Bien beginning in the late 1980s, and remained close to the artist community in Houston, he maintained a deeply personal sensibility. Preferring a monochromatic palette of earth tones, which contributed to his work’s sense of timelessness, Grotfeldt emphasized texture as an expressive device. He experimented with materials, working with coal powder, clay, ground metal, acrylic, and metal dust on paper, which he combined with carbon, watercolor, or oil. He incorporated found letters, antique maps, and nautical charts to initiate a dialogue between conscious systems of order and the expressive freedom of the subconscious. One of Virgil Grotfeldt’s last bodies of work, a series of sixteen oil paintings completed during the final year of his illness, was based on MRI scans of his brain. With utmost clarity, these works document Grotfeldt’s key ambition to make sense of the many forces life entails its contradictions, inflictions, and puzzles. By making the MRI scans his material of choice, he abstracted the records documenting the failing health of his body. But by painting on them as a point of departure, he was able to create something vivid and vibrant, a home for the imagination built by an undeterred spirit. Grotfeldt had numerous national and international solo exhibitions. His work is part of the Menil Collection, Houston; the Whitney Museum of American Art, New York; the Chengdu Museum, China; and the Fritz Becht Collection, Amsterdam. In 2003, a major publication of his work, entitled Virgil Grotfeldt, with text by Patrick Healy, an introduction by Walter Hopps...

Alan Shields Untitled double sided mixed media work, 1974 Mixed media: watercolor, string, and torn paper held in custom standing frame Signed, dated, and numbered lower edge '10/12 ...

Bessie Smith - If You Don't Like My Peaches - Don't Shake My Tree Collage, 1980 Signed and dated in pencil lower right (see photo) Titled in pencil lower left Original price verso '...

made from old Japanese newspapers, maple frame. woven

Nails on painted wooden board by unknown artist inspired by Bernard Aubertin. W/frame

Fantasy Landscape is an artwork realized by Mario Sinisca in 1980s.  Oil on Canvas, 140 x 180 cm.  140 x 180 cm.  Very good conditions

This stunning bouquet of roses exudes a vibrant energy through the artist's expressive energy. It is a perfect balance between freedom and control, allowing the subject matter to com...

"...Blue has no dimensions, it is beyond dimensions, whereas the other colours are not.... All colours arouse specific associative ideas, psychologically material or tangible, while ...

Elizabeth Murray Crossing, 1999 Unique hand-colored paper assemblage with collage on Rives BFK on white Rising 4-ply museum support board Signed and dated in pencil 19 1/2 × 30 × 4 inches Framed: held in acrylic shadow box frame Unique hand-colored paper assemblage with collage on Rives BFK on white Rising 4-ply museum board support, signed and dated in pencil. This mixed media paper construction with hand coloring is housed in an acrylic box shadow frame, part of the "Crossing Series" of 33 works, each entirely unique, published by Gemini G.E.L., Catalogue Reference: Gemini 1776 Provenance: the Family Collection of Harry W. and Mary M. Anderson Artist Biography: Elizabeth Murray (b. 1940, Chicago, IL—d. 2007, Granville, NY) was an artist at the forefront of American painting for five decades and is considered one of the most important postmodern abstract artists of her time. Her drive and determination produced a singularly innovative body of work characterized by a Cubist-informed Minimalism and streetwise Surrealism. Throughout her career, she reveled in the physicality of paint and approached her work through the constructive vocabulary of sculpture, warping, twisting, splintering, and knotting her canvases. In her innovative and deeply imaginative body of work, Murray not only reclaimed the medium of paint as her own but shared personal evocations of birth and death, laughter and confusion, fullness and loss. From an early age, Murray wanted to be an artist—a cartoonist actually. With the support of her high-school art teacher, Elizabeth Stein, Murray enrolled at the School of the Art Institute of Chicago with the aim of becoming a commercial artist. However, she would spend more time learning from the works on view in the museum than in the classroom, gravitating toward the paintings of El Greco, Francisco de Zurbarán, Georges Seurat, Henri Matisse, and Pablo Picasso. Above all, it was the work of Paul Cézanne and Willem de Kooning that fueled her commitment to becoming a painter. After graduating in 1962, she went on to continue her studies at Mills College in Oakland, California. In 1967, she moved to New York City, where she would live and work until her death in 2007. Murray’s works from the 1960s reflect an irreverent embrace of the materiality of paint. Here, the artist experimented with elements of sculpture while maintaining allusions to the figure informed by her long-standing affinity for cartooning. Murray’s childhood love of Walt Disney and comics would underpin many aspects of her art throughout her career. During the 1970s, Murray dismantled—then rebuilt—many of the compositional strategies and theories associated with Minimalism. Using curved lines and complex shapes loosely informed by mathematical ideas, she introduced geometries that transform scale, shape, and form to her thickly painted and layered compositions. In the following decade, Murray introduced three-dimensionality to her canvases, bringing about a complete break from traditional, flat, rectilinear compositions. Muddied, moody, and gestural, the paintings of the 1980s blazed a course of international recognition and notoriety. In these works, interiors, tables, coffee cups, shoes, and other signature themes emerge from skeins of spray paint and graffiti-like markings. During the 1990s, Murray’s works became flatter while retaining a high degree of compositional elaboration and chromatic exuberance. In the final years of her career, the artist offered new visions of her characteristic motifs in vibrantly painted, multipaneled paintings. Throughout her stellar career, Murray was a much sought-after instructor, visiting artist, and lecturer. Appointments include instructor at Rosary Hill College (1965–67), visiting artist at Wayne State University and the School of the Art Institute of Chicago (1973), instructor at Bard College (1974–77), visiting instructor at California Institute of the Arts (1975–76), lecturer at Princeton University (1977), instructor at Yale University (1977–80), instructor at School of Visual Arts in New York (1978–80), lecturer at Skowhegan School of Painting and Sculpture (1979, 1985, and 1992), lecturer at Maryland Institute College of Art (1981), lecturer at New York Studio School of Drawing, Painting and Sculpture (1987), guest curator of Artist’s Choice: Elizabeth Murray at The Museum of Modern Art, New York (1995), visiting professor of studio arts at Bard College (1999–2003), and instructor at Brooklyn College (2003–07). Murray received numerous honors in recognition of her work, including the Walter M. Campana Award from The Art Institute of Chicago (1982), an award from American Academy of Arts and Letters (1984), Medal for Painting from Skowhegan School of Painting and Sculpture (1986), an honorary doctorate from School of the Art Institute of Chicago (1992), induction as an elected member of the American Academy of Arts and Letters, New York (1992), Larry Aldrich Award (1993), an honorary degree from Rhode Island School of Design (1993), MacArthur Fellowship (1999), an honorary doctorate from The New School (2001), National Artist Award from Anderson Ranch Art Center (2002), Distinguished Artist Award for Lifetime Achievement from College Art Association (2007), and an award from CITYarts (2007). Significant public commissions include two New York City Transit mural projects: Blooming (1996) at Lexington Avenue/59th Street and Stream (2001) at 23rd Street/Ely Avenue. Monographic institutional presentations include Elizabeth Murray: Drawings 1980–1986 at Carnegie Mellon University Art Gallery (1986), Elizabeth Murray: Paintings and Drawings at Dallas Museum of Art (1987, traveled to List Visual Arts Center at MIT; Museum of Fine Arts, Boston; Museum of Contemporary Art, Los Angeles; Des Moines Art Center; Walker Art Center; and Whitney Museum of American Art), Elizabeth Murray: New Work at San Francisco Museum of Modern Art (1988), Elizabeth Murray Prints: 1979–1990 at Barbara Krakow Gallery (1990, traveled to Bates College Museum of Art, David Winton Bell Gallery at Brown University, Davison Art Center at Wesleyan University, and Florida Gulf Coast Art Center), Elizabeth Murray: Recent Work at Wexner Center for the Arts at The Ohio State University (1991), Elizabeth Murray at Nerman Museum of Contemporary Art at Johnson County Community College (1993), and Elizabeth Murray: Works on Paper, Virginia Commonwealth University (1998). In 2005, Murray earned the distinction of becoming only the fifth woman to receive a career retrospective at The Museum of Modern Art, New York, following Louise Bourgeois, Lee Krasner, Helen Frankenthaler, and Jackie Winsor...

Keith Haring was an American artist and representative of American Pop Art of the 1980s. He first came to public attention with his chalk drawings in the New York underground, which ...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 18 x 20 inches. Artwork size 12 x 13.75 inches. Artwork is in excellent conditi...

Alighiero Boetti (Turin 1940 - Rome 1994), Untitled (Time) (1985) Mixed media on paper 70 x 50 cm signed in the bottom center, also at the bottom is an openwork inscription I vedent...

Martin Wong (untitled) Cowboy Sacred Heart 1978: Martin Wong constructed this endearing mail art piece for his close friend John Rotter in 1978. This rare high collectible Wong mixe...

Artist: Peter Max (1937) Title: Angel with Heart Year: circa 1998 Medium: Silkscreen and watercolor on Arches paper Size: 15 x 11 inches Condition: Excellent Inscription: Signed in g...

This artwork titled "Window, The Afternoon" 1986 is an original mixed media with collage on museum board by American artist Daniel Joshua Goldstein, b.1950. It is hand signed, titled, dated and numbered 76/100 in pencil by the artist. It is in excellent condition. About the artist: Solo Exhibitions Gallery 443 PAS, NYC 2012 Durka Chang Gallery, San Francisco CA 2002 Foster Goldstrom Gallery, New York, NY 1994 Concept Gallery, Pittsburgh, PA 1993 Neville/Sargent Gallery, Chicago, IL 1988, 1989 Portfolio Gallery, Auckland, New Zealand 1988 Neville/Sargent Gallery, Chicago, IL 1986 Belle Arts Gallery, New York, NY 1986 Concept Gallery, Pittsburgh, PA 1985 Dubins Gallery, Los Angeles, CA 1984 Concept Gallery, Pittsburgh, PA 1983 Neville/Sargent Gallery, Chicago, IL 1983 The Brooklyn Museum, Brooklyn, NY 1983 Dubins Gallery, Los Angeles, CA 1982 Getler/Pall Gallery, New York, NY 1982 Spector/Brown Gallery, Santa Cruz, CA 1982 Art Forms, San Francisco, CA 1982 Smith Gallery, UC Santa Cruz, CA 1978 Getler/Pall Gallery, New York, NY 1977 ADI Gallery, San Francisco,CA 1977 Group Exhibitions (selected) “Art, AIDS, America” MOCA Los Angeles 2015 “Through the Eyes of Love” 2010 Miami International University of Art and Design, Miami, FL “Medicine Men” and “Through Positive Eyes” 2010 2010 International AIDS Conference, Vienna, Austria “Because We Are”, Station Museum of Contemporary Art, Houston, TX “Crossoverwise”, Manresa Gallery, San Francisco, CA 2010 “Good Friday”, Museum of Contemporary Religious Art, St Louis, MO 2009 “Not Alone”, Durban Museum, Durban, South Africa and The Castle of Good Hope Museum, Cape Town, South Africa 2009 “Make Art/ Stop Aids, Fowler Museum, UCLA 2008 Los Angeles, CA Green Room Gallery, San Francisco, CA 2006 “The Visual Culture of American Religions”, Brauer Museum of Art, 2000 Valparaiso, Indiana Museum of Contemporary Religious Art, St. Louis, MO 1998 National Gallery of Victoria, Melbourne, Australia 1998 Museum of Contemporary Religious Art, St. Louis, MO 1995 Cabrillo College Art Gallery, Santa Cruz, CA 1995 Richmond Art Center, Richmond, CA 1994 Fischbach Gallery, New York, NY 1994 Katzen Gallery, New York, NY 1991 California Crafts Museum, San Francisco CA 1990 Neville/Sargent Gallery, Chicago, IL 1989 Allport Gallery, San Francisco 1988 “Recent Bay Area Prints,” Allport Gallery, San Francisco, CA 1984 “Four Hundred Years of the Woodcut,” Palo Alto, CA 1983 “Four Bay Area Woodblock Artists,” World Print Council, San Francisco, CA “Subjective Realities: Seven Bay Area Artists”, Achenbach Foundation Palace of the Legion of Honor, San Francisco, CA 1982 The Brooklyn Museum National Print Exhibition, Brooklyn, NY 1981 “Recent Acquisitions,” Achenbach Foundation, San Francisco, CA 1980 “Four California Printmakers,” Associated American Artists, New York, NY 1979 “New Talent in Printmaking,” Associated American Artists, Ney York, NY 1977 Tokyo Central Museum of Art, Tokyo, Japan 1977 “Thirty Years of American Printmaking,” The Brooklyn Museum, NY 1976 “Prints, California,” The Oakland Museum of art, Oakland, CA 1976 Selected Publications Continuum, By Jason Lahman, Published by Daniel Goldstein Studio, 2011 In conjunction with the 433PAS exhibition, New York, NY“Art and Activism”, by Steven C. Dubin. Art in America, December 2009. Beyond Belief: Modern Art And The Religious Imagination, by Rosemary Crumlin. Published by the National Gallery of Victoria, Melbourne Australia. 1998. Reliquaries, by Richard Howard, Robert Atkins and David Maxim; Published by Foster Goldstrom Gallery, NY, 1994. The Folding Image, by Komanecky and Butera; Published by The Yale University Art Gallery and the National Gallery of Art, Washingtom, DC, 1984. Daniel Joshua Goldstein: Woodblocks and Paper Cut-outs 1974-1983, by Barry Walker and Richard Howard; Published by The Brooklyn Museum, 1983. Prints, A Collector’s Guide, by Ellen Kaplan; Published by Coward McCann, 1983. Subjective Realities, by Robert Flynn Johnson; Published by the Fine Arts Museums of San Francisco, 1983. Thirty Years of Printmaking, by Gene Baro; Published by The Brooklyn Museum, 1977. “Four West Coast Artists”, Graphics, August/September, 1977. Daniel Joshua Goldstein: An Interview With The Artist By Gene Baro Catalogue published by ADI and Getler/Pall, 1977. Selected Collections and Major Commissions Brooklyn Museum of Art, Brooklyn, NY Fine Arts Museums of San Francisco Oakland Museum of Art Museum of Contemporary Religious Art, St. Louis, MO Art Institute of Chicago Carnegie Museum of Art. Pittsburg, PA University of California Museum of Art, Berkeley, CA Desert Museum, Palm Springs, CA Mills College Art Gallery, Oakland, CA IBM AT&T Kaiser Medical Center, Mountain View, CA City of, Reston, VA City of Mountain View, CA Hotel Eldorado, Sante Fe, NM The California Endowment, Oakland, CA Saks Fifth Avenue BART, Colma Station, Colma, CA Ernst and Young, Dallas, Texas Amoco, New Orleans, LA Pacific Telesis, San Francisco and San Ramon, CA SAP, Palo Alto, CA Alcoa, Pittsburgh, PA DFS, San Francisco, CA Blue Shield of California...

L’Orientale à la Mandoline by GEORGES MANZANA PISSARRO (1871-1961) Mixed media with gold on paper 31.5 x 41.5 cm (12 ⅜ x 16 ⅜ inches) Signed lower right, Manzana Executed in 1910 T...

“I don’t have any Seine River like Monet, I’ve just got US 66 between Oklahoma and Los Angeles.” — Ed Ruscha An example of this rare Artist Book was exhibited prominently at the Museum of Modern Art in New York for the 2023-4 Ed Ruscha retrospective. Keep scrolling right of header image to see installation photographs of that exhibit to show how MoMA displayed this accordion style book with slipcase. (the last images) This is the 1966 true 1st Edition of Ed Ruscha's groundbreaking self-published artist book "Every Building on Sunset Strip." The book itself was published in an unsigned edition of 1000. However, in 1980, exceptionally, Ruscha hand signed and beautifully inscribed this book in red ink to football legend Joe Fields. (Joseph Charles Fields Jr. is an American former professional football player who was a center and guard in the National Football League for the New York Jets and the New York Giants.) This book is also in the original slipcase. Dimensions slip case: 7 5/16 x 5 13/16 x 9/16" (18.5 x 14.7 x 1.5 cm) This historic limited edition Artists Book is in the permanent collection of the Getty Museum in California which explains its importance as follows: In the 1960s, Ed Ruscha more or less reinvented the artist’s book. By turning away from the craftsmanship and luxury status that typified the livre d’artiste in favor of the artistic idea or concept, expressed simply through photographs and text, Ruscha opened the genre to the possibilities of mass-production and distribution. The 25-foot length of the accordion-folded Every Building on the Sunset Strip affords the viewer two continuous photographic views of the mile and a half section of this landmark stretch of Sunset, one for each side of one of the city’s landmark thoroughfare. Among many other institutions, it also in the permanent collection of MOMA, which describes "Every Building on the Sunset Strip" thus: Ruscha's photography books are antithetical to the traditional limited-edition livre d'artiste, or artist's book. Their banal subject matter and documentary style are indebted to the remarkable pictures of signs and vernacular architecture that American photographer Walker Evans made in the 1930s, but their deadpan, cool aesthetic is radically different. While each book chronicles an aspect of Los Angeles or the artist's round-trip drives between LA and Oklahoma, their use of photography as a form of map-making or topographical study signals a conceptual, rather than documentary, thrust. Edward Ruscha: Editions 1959-1999, Catalogue Raisonné, Engberg, vol. 1, ppg. 84-85 and vol. 2, pg. 124, no. B4 Publisher: Dick de Ruscha...

Artist: Peter Max (1937) Title: Magic Carpet Ride Year: circa 1998 Medium: Silkscreen and watercolor on Arches paper Size: 13.75 x 12 inches Condition: Excellent Inscription: Signed ...

Delivery costs on request Gerhar Richter, in collaboration with Vorwerk, made a special edition titled: 1024 Colors. The color palette by Richter is brought in with high quality piec...

In "Ethereal Embrace," the artist draws inspiration from the concept of soulmates and the enchanting beauty of nature. The painting depicts two bodies, representing a man and a woman...

Known for her painting and sculpture as well as printmaking. Nancy Randall’s work is featured in collections at the Smithsonian Institution, the Walker Art Center, the Nelson Atkins ...

This artwork titled "Kennett's Window High Tide (Variation #1)" 1988 is an original mixed media with collage on museum board by American artist Daniel Joshua Goldstein, b.1950. It is hand signed, titled, dated and numbered 5/100 in pencil by the artist. It is in excellent condition. About the artist: Solo Exhibitions Gallery 443 PAS, NYC 2012 Durka Chang Gallery, San Francisco CA 2002 Foster Goldstrom Gallery, New York, NY 1994 Concept Gallery, Pittsburgh, PA 1993 Neville/Sargent Gallery, Chicago, IL 1988, 1989 Portfolio Gallery, Auckland, New Zealand 1988 Neville/Sargent Gallery, Chicago, IL 1986 Belle Arts Gallery, New York, NY 1986 Concept Gallery, Pittsburgh, PA 1985 Dubins Gallery, Los Angeles, CA 1984 Concept Gallery, Pittsburgh, PA 1983 Neville/Sargent Gallery, Chicago, IL 1983 The Brooklyn Museum, Brooklyn, NY 1983 Dubins Gallery, Los Angeles, CA 1982 Getler/Pall Gallery, New York, NY 1982 Spector/Brown Gallery, Santa Cruz, CA 1982 Art Forms, San Francisco, CA 1982 Smith Gallery, UC Santa Cruz, CA 1978 Getler/Pall Gallery, New York, NY 1977 ADI Gallery, San Francisco,CA 1977 Group Exhibitions (selected) “Art, AIDS, America” MOCA Los Angeles 2015 “Through the Eyes of Love” 2010 Miami International University of Art and Design, Miami, FL “Medicine Men” and “Through Positive Eyes” 2010 2010 International AIDS Conference, Vienna, Austria “Because We Are”, Station Museum of Contemporary Art, Houston, TX “Crossoverwise”, Manresa Gallery, San Francisco, CA 2010 “Good Friday”, Museum of Contemporary Religious Art, St Louis, MO 2009 “Not Alone”, Durban Museum, Durban, South Africa and The Castle of Good Hope Museum, Cape Town, South Africa 2009 “Make Art/ Stop Aids, Fowler Museum, UCLA 2008 Los Angeles, CA Green Room Gallery, San Francisco, CA 2006 “The Visual Culture of American Religions”, Brauer Museum of Art, 2000 Valparaiso, Indiana Museum of Contemporary Religious Art, St. Louis, MO 1998 National Gallery of Victoria, Melbourne, Australia 1998 Museum of Contemporary Religious Art, St. Louis, MO 1995 Cabrillo College Art Gallery, Santa Cruz, CA 1995 Richmond Art Center, Richmond, CA 1994 Fischbach Gallery, New York, NY 1994 Katzen Gallery, New York, NY 1991 California Crafts Museum, San Francisco CA 1990 Neville/Sargent Gallery, Chicago, IL 1989 Allport Gallery, San Francisco 1988 “Recent Bay Area Prints,” Allport Gallery, San Francisco, CA 1984 “Four Hundred Years of the Woodcut,” Palo Alto, CA 1983 “Four Bay Area Woodblock Artists,” World Print Council, San Francisco, CA “Subjective Realities: Seven Bay Area Artists”, Achenbach Foundation Palace of the Legion of Honor, San Francisco, CA 1982 The Brooklyn Museum National Print Exhibition, Brooklyn, NY 1981 “Recent Acquisitions,” Achenbach Foundation, San Francisco, CA 1980 “Four California Printmakers,” Associated American Artists, New York, NY 1979 “New Talent in Printmaking,” Associated American Artists, Ney York, NY 1977 Tokyo Central Museum of Art, Tokyo, Japan 1977 “Thirty Years of American Printmaking,” The Brooklyn Museum, NY 1976 “Prints, California,” The Oakland Museum of art, Oakland, CA 1976 Selected Publications Continuum, By Jason Lahman, Published by Daniel Goldstein Studio, 2011 In conjunction with the 433PAS exhibition, New York, NY“Art and Activism”, by Steven C. Dubin. Art in America, December 2009. Beyond Belief: Modern Art And The Religious Imagination, by Rosemary Crumlin. Published by the National Gallery of Victoria, Melbourne Australia. 1998. Reliquaries, by Richard Howard, Robert Atkins and David Maxim; Published by Foster Goldstrom Gallery, NY, 1994. The Folding Image, by Komanecky and Butera; Published by The Yale University Art Gallery and the National Gallery of Art, Washingtom, DC, 1984. Daniel Joshua Goldstein: Woodblocks and Paper Cut-outs 1974-1983, by Barry Walker and Richard Howard; Published by The Brooklyn Museum, 1983. Prints, A Collector’s Guide, by Ellen Kaplan; Published by Coward McCann, 1983. Subjective Realities, by Robert Flynn Johnson; Published by the Fine Arts Museums of San Francisco, 1983. Thirty Years of Printmaking, by Gene Baro; Published by The Brooklyn Museum, 1977. “Four West Coast Artists”, Graphics, August/September, 1977. Daniel Joshua Goldstein: An Interview With The Artist By Gene Baro Catalogue published by ADI and Getler/Pall, 1977. Selected Collections and Major Commissions Brooklyn Museum of Art, Brooklyn, NY Fine Arts Museums of San Francisco Oakland Museum of Art Museum of Contemporary Religious Art, St. Louis, MO Art Institute of Chicago Carnegie Museum of Art. Pittsburg, PA University of California Museum of Art, Berkeley, CA Desert Museum, Palm Springs, CA Mills College Art Gallery, Oakland, CA IBM AT&T Kaiser Medical Center, Mountain View, CA City of, Reston, VA City of Mountain View, CA Hotel Eldorado, Sante Fe, NM The California Endowment, Oakland, CA Saks Fifth Avenue BART, Colma Station, Colma, CA Ernst and Young, Dallas, Texas Amoco, New Orleans, LA Pacific Telesis, San Francisco and San Ramon, CA SAP, Palo Alto, CA Alcoa, Pittsburgh, PA DFS, San Francisco, CA Blue Shield of California...

This painting is a masterful blend of realistic and surrealistic elements. The painterly brushwork and textural elements create a sense of abundance and opulence, while the interplay...

Robert Motherwell Pull Out All Flags (Engberg, Banach 263), 1980 Aquatint and etching in colors, on German Etching paper, with full margins Hand-signed by artist, Pencil signed and n...

Jean-Michel Basquiat Skateboard Deck: Highly decorative Jean-Michel Basquiat Skateboard Deck licensed by the Estate of Jean-Michel Basquiat in conjunction with Artestar in 2021, feat...

Mirror by Jean-Michel Basquiat 24" diameter glass and mirror with film interlay and polished edges includes wooden mounting bracket zippered storage pouch open edition Find your swagger and coronate yourself with this exclusive mirror...

Stuart Davis Eggbeater No. 1 Silk Scarf, ca. 1980 100% silks scarf 34 × 34 inches (the smaller measurements shown are after the scarf is folded, to minimize shipping costs, as it sh...

Untitled is an artwork realized by Ezio Bruno Caraceni, in 1956.  Mixed media on canvas, 52 x 67 cm. Hand signed and dated bottom right. Good conditions 

Frame size 81x66 cm.

Vintage original Barbara Kruger Record Art, 1994 Off-set lithograph on vinyl record cover Measure: 12 x 12 inches Minor shelf wear; in otherwise good vintage condition. Very cool fr...

Watercolor and India ink on paper signed Afro, wooden frame with double glass mis. cm. h.55x28x3

JAY MILDER Untitled, ca. 1987 Gouache on Paper hand signed in pencil, lower left. Image is 9 square inches; framed it's 16 square inches Frame included: held in the original vintage frame A protege of Hans Hofmann, Milder also studied Jewish mysticism and Kaballah. Poignant framed color gouache painting on paper by second generation Abstract Expressionist painter Jay Milder, a former student of Hans Hofmann, whose work has been greatly informed by his background and interest in Jewish mysticism and Kaballah. Most recently, Milder had been represented by the Lohin Geduld Gallery in Manhattan and Eric Firestone. The visible sheet measures approximately 9 square inches. Framed, the work measures 16 square inches. Artist's official biography: JAY MILDER Born 1934 in Omaha, Nebraska, Jay Milder became a noted abstract painter in the New York art scene in 1958 when he, Bob Thompson, and Red Grooms founded City Gallery. They were all influenced by Abstract Expressionism, but closer to Willem De Kooning than Jackson Pollock because all three were committed to figurative work. Milder was originally shown at The Allan Stone Gallery and then when Martha Jackson took over as Milder’s dealer, her client, Walter Chrysler...

Mixed media on cardboard signed upper right and framed, outside measurement cm.47x32

Limoges porcelain in "Bleu de Sèvres" and gold. Artist: Salvador Dali Exclusive limited edition to 2000 copies "Raynaud & Co. Limoges", France, 1968. "Sabat" drawn by Salvador Dalí...

Since the 1950s, Jim Dine’s expansive multimedia practice has spanned painting, drawing, printmaking, sculpture, photography, poetry, and performance. Dine was a pioneering member of...

Jack Hooper "Nude Outlined in Red on Turquoise" December 8, 1962 Gouache and pastel on paper 14.5"x11" unframed Signed and dated in pencil lower left This 1962 artwork by Jack Hooper features an abstract figure outlined in red, filled in with white, set against a turquoise background. Hooper's creative use of oil pastel and gouache creates a captivating composition that offers viewers a glimpse into the world of abstract expression. This piece, a testament to Hooper's artistic skill, is a timeless addition to any art collection. Jack Meredith Hooper (August 26, 1928 - January 24, 2014) was an American painter, muralist, sculptor, printmaker and art educator. Hooper was a major figure on the Southern California art scene, belonging to that generation of Los Angeles painters...

To see more stained glass designs, scroll down to "More from this Seller" and below it click on "See all from this Seller." William Nicholson (1872 - 1949) Mells Window Photographi...

Patti Smith Horses Vinyl Record Album, 1975: US 1st Pressing featuring original photography by Robert Mapplethorpe. Produced by John Cale. Cover: Very Good to overall vintage condit...

Judith Yellin Ginat is one of the most prominent artists working in Israel today. She was born in Jerusalem and is a fifth generation Israeli. Her work has a naive, folk art quality to it. 1941-43 Graduate of Bezalel Academy of Art, Jerusalem Studied under Mordecai Ardon and Isidor Aschheim 1946-49 Graduate of the Central School of Arts & Crafts, London. Studied under R.R. Tomlinson, W. Johnstone, J. Minton. 1966 Member of the Israel Painters & Sculptors Association. 1971 Studied etching under Stanley William Hayter, Atelier 17, Paris. 1965-75 Collages chosen for UNICEF greeting cards. 1944-70 Illustrated a few children’s books. 1967-85 “Kishut” (Decoration), “Ani Mekashet” (I Decorate), “Ma’aseh Yadai” (The Work of My Hands) – text books on teaching arts and crafts, written and illustrated. Ministry of Education recommendation. 1970-01 Series of art posters, lithographs and serigraphs, reproduced in Israel from collages, world-wide distribution.Teacher of arts and crafts in teachers’ colleges. School of Occupational Therapy, Senior lecturer at the David Yellin Teachers’ College, Jerusalem. Prizes 1946 Collages of “Types of Israel,” exhibition of Bezalel National Museum, Jerusalem 1949 Winner of “Queen’s Scholarship.” Central School of Arts & Crafts, London. 1968 Design award for the book “Kishut.” She was included in the important exhibition New Bezalel Artists' House, Jerusalem Tel Aviv Museum, Tel Aviv Artists: Ludwig Wolpert, Yossi Stern...

For "Corner Rope," Mary Shaffer twisted beautifully clear hot glass into a thick rope shape. The metal ends attach to opposite walls in any corner, forming a sculpture light bridge t...

This stunning abstract artwork was made in 1962, by the well known Italian artist Ermete Lancini. The artwork is a painting and a collage with newspaper sheet and other glued element...

Martha Wahlert Hand-signed and titled in pencil

This artwork titled "Kennett's Window High Tide (Variation #2)" 1988 is an original mixed media with collage on museum board by American artist Daniel Joshua Goldstein, b.1950. It is hand signed, titled, dated and numbered 57/100 in pencil by the artist. It is in excellent condition. About the artist: Solo Exhibitions Gallery 443 PAS, NYC 2012 Durka Chang Gallery, San Francisco CA 2002 Foster Goldstrom Gallery, New York, NY 1994 Concept Gallery, Pittsburgh, PA 1993 Neville/Sargent Gallery, Chicago, IL 1988, 1989 Portfolio Gallery, Auckland, New Zealand 1988 Neville/Sargent Gallery, Chicago, IL 1986 Belle Arts Gallery, New York, NY 1986 Concept Gallery, Pittsburgh, PA 1985 Dubins Gallery, Los Angeles, CA 1984 Concept Gallery, Pittsburgh, PA 1983 Neville/Sargent Gallery, Chicago, IL 1983 The Brooklyn Museum, Brooklyn, NY 1983 Dubins Gallery, Los Angeles, CA 1982 Getler/Pall Gallery, New York, NY 1982 Spector/Brown Gallery, Santa Cruz, CA 1982 Art Forms, San Francisco, CA 1982 Smith Gallery, UC Santa Cruz, CA 1978 Getler/Pall Gallery, New York, NY 1977 ADI Gallery, San Francisco,CA 1977 Group Exhibitions (selected) “Art, AIDS, America” MOCA Los Angeles 2015 “Through the Eyes of Love” 2010 Miami International University of Art and Design, Miami, FL “Medicine Men” and “Through Positive Eyes” 2010 2010 International AIDS Conference, Vienna, Austria “Because We Are”, Station Museum of Contemporary Art, Houston, TX “Crossoverwise”, Manresa Gallery, San Francisco, CA 2010 “Good Friday”, Museum of Contemporary Religious Art, St Louis, MO 2009 “Not Alone”, Durban Museum, Durban, South Africa and The Castle of Good Hope Museum, Cape Town, South Africa 2009 “Make Art/ Stop Aids, Fowler Museum, UCLA 2008 Los Angeles, CA Green Room Gallery, San Francisco, CA 2006 “The Visual Culture of American Religions”, Brauer Museum of Art, 2000 Valparaiso, Indiana Museum of Contemporary Religious Art, St. Louis, MO 1998 National Gallery of Victoria, Melbourne, Australia 1998 Museum of Contemporary Religious Art, St. Louis, MO 1995 Cabrillo College Art Gallery, Santa Cruz, CA 1995 Richmond Art Center, Richmond, CA 1994 Fischbach Gallery, New York, NY 1994 Katzen Gallery, New York, NY 1991 California Crafts Museum, San Francisco CA 1990 Neville/Sargent Gallery, Chicago, IL 1989 Allport Gallery, San Francisco 1988 “Recent Bay Area Prints,” Allport Gallery, San Francisco, CA 1984 “Four Hundred Years of the Woodcut,” Palo Alto, CA 1983 “Four Bay Area Woodblock Artists,” World Print Council, San Francisco, CA “Subjective Realities: Seven Bay Area Artists”, Achenbach Foundation Palace of the Legion of Honor, San Francisco, CA 1982 The Brooklyn Museum National Print Exhibition, Brooklyn, NY 1981 “Recent Acquisitions,” Achenbach Foundation, San Francisco, CA 1980 “Four California Printmakers,” Associated American Artists, New York, NY 1979 “New Talent in Printmaking,” Associated American Artists, Ney York, NY 1977 Tokyo Central Museum of Art, Tokyo, Japan 1977 “Thirty Years of American Printmaking,” The Brooklyn Museum, NY 1976 “Prints, California,” The Oakland Museum of art, Oakland, CA 1976 Selected Publications Continuum, By Jason Lahman, Published by Daniel Goldstein Studio, 2011 In conjunction with the 433PAS exhibition, New York, NY“Art and Activism”, by Steven C. Dubin. Art in America, December 2009. Beyond Belief: Modern Art And The Religious Imagination, by Rosemary Crumlin. Published by the National Gallery of Victoria, Melbourne Australia. 1998. Reliquaries, by Richard Howard, Robert Atkins and David Maxim; Published by Foster Goldstrom Gallery, NY, 1994. The Folding Image, by Komanecky and Butera; Published by The Yale University Art Gallery and the National Gallery of Art, Washingtom, DC, 1984. Daniel Joshua Goldstein: Woodblocks and Paper Cut-outs 1974-1983, by Barry Walker and Richard Howard; Published by The Brooklyn Museum, 1983. Prints, A Collector’s Guide, by Ellen Kaplan; Published by Coward McCann, 1983. Subjective Realities, by Robert Flynn Johnson; Published by the Fine Arts Museums of San Francisco, 1983. Thirty Years of Printmaking, by Gene Baro; Published by The Brooklyn Museum, 1977. “Four West Coast Artists”, Graphics, August/September, 1977. Daniel Joshua Goldstein: An Interview With The Artist By Gene Baro Catalogue published by ADI and Getler/Pall, 1977. Selected Collections and Major Commissions Brooklyn Museum of Art, Brooklyn, NY Fine Arts Museums of San Francisco Oakland Museum of Art Museum of Contemporary Religious Art, St. Louis, MO Art Institute of Chicago Carnegie Museum of Art. Pittsburg, PA University of California Museum of Art, Berkeley, CA Desert Museum, Palm Springs, CA Mills College Art Gallery, Oakland, CA IBM AT&T Kaiser Medical Center, Mountain View, CA City of, Reston, VA City of Mountain View, CA Hotel Eldorado, Sante Fe, NM The California Endowment, Oakland, CA Saks Fifth Avenue BART, Colma Station, Colma, CA Ernst and Young, Dallas, Texas Amoco, New Orleans, LA Pacific Telesis, San Francisco and San Ramon, CA SAP, Palo Alto, CA Alcoa, Pittsburgh, PA DFS, San Francisco, CA Blue Shield of California...

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