Found Objects Mixed Media

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Robert Indiana LOVE (Official Artist Copyright and Foundation Stamp), 2011 Brushed Aluminum sculpture (Red) Stamped by artist's estate, Stamped "Authorized Replica/Robert Indiana/LOV...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

"Girl / Boy (diptych)" is an original artwork by Hyland Mather made of lost objects, acrylic, aerosol, abandoned papers, laser engraving, string, nails, wood box frame measuring appr...

Robert Indiana LOVE (Pink), Artist Authorized, with Incised Indianapolis Museum of Art & Morgan Foundation Stamp and Artist Copyright, 2011 Brushed Aluminum (Pink) and Stamped with M...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

Framed in a clear acrylic shadowbox, Catherine Latson's Specimen 21 reads as an artistic rendition of a beautiful sea specimen. Rich, jewel-toned purple hand-dyed cotton thread is wr...

White abstract found object painting by Houston, TX artist Tra' Slaughter. The painting features a shoe wrapped with string on a painted canvas. This piece was included in Tra's solo...

Signed KAWS Plush Companion: This well sized, 16.5" tall, brown KAWS plush Companion was published on the occasion of KAWS 2015 exhibition and collaboration with the Chinese department store, Lane Crawford...

Mick Brown 78 x 20 x 2.5 inches Swallow tail surfboard and print Edition 11 of 12 Acquired from artist's studio Artist COA adhered to backside of each board. Signed by both Tim Bessell and Andy Warhol Foundation. Image of musician Mick Brown printed on a swallow tail surfboard. Tim Bessel’s career marks a confluence of surfing experience and artistic inspiration to create some of the best custom surfboards in the world. Surfboard shapers and surfers alike, from all over the world, know the name, Tim Bessell. At a very young age, Tim Bessell was exposed to the infectious world of art by his mother, which would coincidentally influence his future to come. At only thirteen years old, Tim was making a name for himself as a surfer in his home town of La Jolla, California when he also began shaping surfboards, becoming one of the youngest surfboard shapers in the industry. Three years later Tim moved to Hawaii to prove he has what it takes to be a shaper on the North Shore. He began shaping custom surfboards for Lightning Bolt, one of Hawaii's premier surfboard manufacturers known for the infamous lightning gun shape of the 70's ridden by legendary Gerry Lopez. In fact, Tim Bessell would later become one of the few shapers allowed to manufacture surfboards under the Lightning Bolt name. After legitimizing himself as a shaper, Tim returned to San Diego, California to open Bessell Surfboards. By 1987, Bessell Surfboards had grown into one of the largest surfboard manufacturers in Southern California. Tim also made a name for himself as an artist, with exhibitions as far away as Japan. To date, Tim has produced over 46,000 surfboards. His boards have graced the covers of Surfer Magazine, Surfing Magazine, Beach Culture, and countless other surfing magazines. Many world class surfers have ridden Bessell Surfboards including: Peter King, Luke Egan, Jon Roseman, Glen Winton, Brad Gerlach, Vetea David, Ricky Irons, David MacAulay...

TOM OTTERNESS Horse and Rider Maquette, 2003 White Resin Sculpture held in original box 5 1/2 × 3 1/2 × 2 inches Signed Tom Otterness Incised signature on the feet (see photos) Limited Edition (exact number produced unknown) This 2004 Horse and Rider black resin maquette is a miniature of famed American public sculptor Tom Otterness's large bronze "Horse and Rider" sculpture located at Texas Tech University's Student Union Gathering Pavilion. Rarely found in the original vintage box - this is a collectors item! The original piece was commissioned by the Student Union to celebrate Texas Tech's famous mascot - "The Masked Rider". Otterness' version of the mascot depicts the Masked Rider atop of the horse, kicking its “feet triumphantly in the quest for truth,” as he describes. (The tradition of the Masked Rider started as a dare in 1936 when an unidentified masked or ghost rider would circle the football field during home games. The Masked Rider became an official Texas Tech mascot in 1954.) The artist made a limited series of white and black resin multiples back in 2003 as a result of numerous requests by students for affordable models of the Horse and Rider. They were only available for sale by the Texas Tech student union and sold out very quickly. Although there is no stated edition, it was a one-off offering, produced by the artist just for Texas Tech students, with no second editions ever made. Once they sold out - that was it. Now Otterness' "Horse & Rider" is a highly desirable vintage collectors item. Created in an unknown but very limited first edition only back in 2003. Horse and Rider is difficult to find, - so if you're an Otterness (or Texas Tech) fan, we recommend you snag this one! About Tom Otterness: Tom Otterness was born in Wichita, Kansas in 1952. He came to New York City in 1970 to study at the Arts Students League, and in 1973 took part in the Whitney Independent Study Program. In 1977 he became a member of Collaborative Projects, a pioneering community of independent artists, and took a leading role in organizing Colab’s 1980 Times Square Show, which was called “the first avant-garde art show of the ‘80s” by the Village Voice. Otterness is one of a handful of contemporary artists invited to design a balloon for the Macy’s Thanksgiving Day Parade, for which he devised a tumbling Humpty-Dumpty in 2005. Otterness lives and works in New York. Otterness may well be “the world’s best public sculptor,” as the art critic Ken Johnson opined in the New York Times in 2002. Public art is his focus, and Otterness has had major outdoor exhibitions of his sculptures on the Park Avenue Mall in New York (2003), in more than a dozen sites in downtown Indianapolis (2005), on the grounds of the Beverly Hills city hall (2005-06) and throughout Grand Rapids, Michigan (2006). His first solo exhibition, held at Brooke Alexander Gallery in New York in 1983, featured elements of The New World (1991), a white plaster frieze of 250 nude “Ur-people,” as essayist Hayden Herrera called them, eventually destined for the plaza of the Edward R. Roybal Federal Building in Los Angeles, a General Services Administration commission. In the U.S., Otterness has completed at least three dozen public commissions, including Life Underground (2004), his celebrated multi-figural bronze sculpture installation for the New York Metropolitan Transportation Agency at the 14th Street station on the Eighth Avenue subway lines. His international commissions include public plazas in Münster, Germany (1993), Toronto, Canada (2007), and Seoul, South Korea (2010), and a large public park in Scheveningen, the Netherlands (2004). In 2013, Creation Myth, a gateway park for the Memorial Art Gallery in Rochester, N.Y., was dedicated. Otterness has exhibited his work at John Berggruen Gallery in San Francisco, and other important contemporary art galleries. His most recent exhibition, Metal on Paper: Silverpoint, Copperpoint & Steelpoint Drawings, opened at Marlborough in September 2015. Works by Otterness are included in the collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Eli Broad Family Foundation, the Brooklyn Museum, the San Francisco Museum of Modern Art, the Carnegie Museum, the Museo Tamayo in Mexico City, the Israel Museum in Jerusalem, and others. He was elected a member of the National Academy in 1994. Most recently, Otterness has installed The Tables from the collection of the Whitney and 50 new sculptures in niches at the Cathedral of Saint John the Divine, as part of the group exhibition, The Value of Food. On a personal note, Otterness has practiced Tai Chi, martial arts, and boxing in the school of William C. C. Chen since the 1970s, and his studio features a boxing bag...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...