Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Jacob Pins
German Israeli Expressionist "Rooster" Batik Style Painting Print on Silk Fabric

More From This SellerView All
  • German Israeli Expressionist "Rooster" Batik Style Painting Print on Silk Fabric
    By Jacob Pins
    Located in Surfside, FL
    Jacob Otto Pins (17 January 1917 – 4 December 2005) was a German-born Israeli woodcut artist and art collector, particularly of Japanese prints and paintings. Jacob Pins was born in ...
    Category

    20th Century Expressionist Mixed Media

    Materials

    Silk, Ink

  • Original German Expressionist Drawing Ernst Ludwig Kirchner Women Dancing
    By Ernst Ludwig Kirchner
    Located in Surfside, FL
    Ernst Ludwig Kirchner ( Germany 1880-1938 ) Expressionist Female Women Dancing Mixed Media on Paper Drawing or Painting Expressionism Dimensions: 20" L 16" H in This bore a sticker from Christies auction house and another collection sticker verso but they have been inadvertently removed. I do have the photo. Ernst Ludwig Kirchner (1880 – 1938) was a German expressionist painter and printmaker and one of the founders of the artists group Die Brücke or "The Bridge", a key group leading to the foundation of Expressionism in 20th-century art. He volunteered for army service in the First World War, but soon suffered a breakdown and was discharged. His work was branded as "Entartete Kunst" or "degenerate" by the Nazis in 1933, and in 1937 more than 600 of his works were sold or destroyed. Ernst Ludwig Kirchner was born in Aschaffenburg, Bavaria. His parents were of Prussian descent and his mother was a descendant of the Huguenots, a fact to which Kirchner often referred. As Kirchner's father searched for a job, the family moved frequently and Kirchner attended schools in Frankfurt and Perlen until his father earned the position of Professor of Paper Sciences at the College of technology in Chemnitz, where Kirchner attended secondary school. Although Kirchner's parents encouraged his artistic career they also wanted him to complete his formal education so in 1901, he began studying architecture at the Königliche Technische Hochschule (royal technical university) of Dresden. The institution provided a wide range of studies in addition to architecture, such as freehand drawing, perspective drawing and the historical study of art. While in attendance, he became close friends with Fritz Bleyl, whom Kirchner met during the first term. They discussed art together and also studied nature, having a radical outlook in common. Kirchner continued studies in Munich from 1903 to 1904, returning to Dresden in 1905 to complete his degree. In 1905, Kirchner, along with Bleyl and two other architecture students, Karl Schmidt-Rottluff and Erich Heckel, founded the artists group Die Brücke ("The Bridge") later to include Emil Nolde, Max Pechstein and Otto Mueller. From then on, he committed himself to art. The group aimed to eschew the prevalent traditional academic style and find a new mode of artistic expression, which would form a bridge (hence the name) between the past and the present. They responded both to past artists such as Albrecht Dürer, Matthias Grünewald and Lucas Cranach the Elder, as well as contemporary international avant-garde movements. As part of the affirmation of their national heritage, they revived older media, particularly woodcut or woodblock prints. Kirchner's studio became a venue which overthrew social conventions to allow casual love-making and frequent nudity. Group life-drawing sessions took place using nude models from the social circle, rather than professionals, and choosing quarter-hour poses to encourage spontaneity. In 1911, he moved to Berlin, where he founded a private art school, MIUM-Institut, in collaboration with Max Pechstein with the aim of promulgating "Moderner Unterricht im Malen" (modern teaching of painting). This was not a success and closed the following year, when he also began a relationship with Erna Schilling that lasted the rest of his life. In 1917, at the suggestion of Eberhard Grisebach [de], Helene Spengler invited Kirchner to Davos where he viewed an exhibition of Ferdinand Hodler paintings. "When I was leaving, I thought of Vincent Van Gogh's fate and thought that it would be his as well, sooner or later. Only later will people understand and see how much he has contributed to painting". In 1921 Kirchner visited Zurich at the beginning of May and met the dancer, Nina Hard, whom he invited back to Frauenkirch (despite Erna's objections). Nina Hard would become an important model for Kirchner and would be featured in many of his works. Kirchner began creating designs for carpets which were then woven by Lise Gujer. In 1925, Kirchner became close friends with fellow artist, Albert Müller...
    Category

    Early 20th Century Expressionist Figurative Drawings and Watercolors

    Materials

    Ink, Paper

  • Expressionist Figure Study
    By Sigmund Menkes
    Located in Surfside, FL
    Genre: Expressionist Subject: Figures Medium: Ink Surface: Paper Dimensions w/Frame: 14 1/4" x 12 1/4" Zygmunt (Sigmund) Menkes born in Lviv (Galicia, Austro-Hungarian Empire) Polish painter of Jewish origin, born in 1896 in Lvov, died in 1986 in Riverdale, New York. Member of the École de Paris group in the 1920s and 1930s. From the beginning of 1935 he lived and worked in the United States; he was a representative of the Expressionist Colorism movement. Menkes began his artistic studies in 1912 at the Industrial School in Lviv. At the same time he worked as a restorer of rural churches. Between 1919 and 1922 he supplemented his studies at Krakow's Academy of Fine Arts and in 1922 expanded on this education and broadened his artistic skills in the private studio of Alexander Archipenko in Berlin. In 1923 Menkes settled in Paris, where he became a member of the École de Paris - a community that was primarily made up of artists hailing from Central and Eastern Europe who rented inexpensive studios in the "La Ruche" building in the Montparnasse district. Menkes developed close friendships with Eugeniusz Zak and Marc Chagall. Two years later, Menkes made the decision to settle permanently in France. He participated in a series of the city's salons, including the Salon d'Automne (1924, 1925, 1927), the Salon des Independants (1925-1928), and Tuileries Salon (1928, 1929, 1931, 1938). He presented his works in a number of Parisian galleries, among them, the Bernheim, de France, and Le Portique. In 1930 the artist traveled to the United States to present his work in Cleveland and New York. He also exhibited his paintings in Canada and England. He visited Poland frequently, spent time in Berlin in 1928, and toured Spain with Artur Nacht-Samborski in 1935, moving to the United States the same year. In 1936 Menkes had his first solo exhibition in New York at the Sullivan Gallery on 57th Street. He also worked with the Associated American Artists Gallery and the French Art Gallery, and for years was a lecturer at the Art Students League. Solo exhibitions of his work were organized by the Galerie Le Portique in Paris (1928), the Friends of Fine Arts Society in Lviv (1930), and at the Jewish Society for Support of the Fine Arts in Warsaw (1931). In Poland the artist was a member of groups with a Coloristic orientation, including Nowa Generacja (New Generation) and Zwornik (Keystone), participating in their exhibitions in Lviv (1932, 1935) and Warsaw (1935, 1938). Menkes received a series of important distinctions for his work, including the Carol H. Beck Medal of the Pennsylvania Academy of Fine Arts (Philadelphia, 1943), the Gold Medal of the Corcoran Gallery (Washington, D.C., 1947), the Andrew Carnegie...
    Category

    Mid-20th Century Expressionist Drawings and Watercolor Paintings

    Materials

    Ink

  • Expressionist Ink, Pastel, Crayon Drawing Jewish American Modernist Ben Zion WPA
    By Ben-Zion Weinman
    Located in Surfside, FL
    Expressionist ink and pastel crayon drawing of beans (carobs, flowers?) in pods Hand signed. Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...
    Category

    Mid-20th Century Expressionist Still-life Drawings and Watercolors

    Materials

    Paper, Oil Crayon, Pastel, Ink

  • Expressionist Miniature Drawing Wheat Stalks American Modernist Ben Zion WPA
    By Ben-Zion Weinman
    Located in Surfside, FL
    Expressionist ink drawing of wheat stalks There is an inscription "Happy New Year" on verso Hand signed Framed it measures 7.75 X 5.75 The actual paper is 3 X 3.5 Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...
    Category

    1950s Expressionist Still-life Drawings and Watercolors

    Materials

    Ink

  • Abstract Drawing Watercolor Painting Totem Column Jewish American Modernist WPA
    By Ben-Zion Weinman
    Located in Surfside, FL
    Miniature Abstract Totem. Signed with initials. Provenance: Virginia Field, Arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John von Wicht and Andy Warhol) Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolf Gottlieb, Louis Harris, Yankel...
    Category

    Mid-20th Century Expressionist Abstract Drawings and Watercolors

    Materials

    Ink, Watercolor

You May Also Like
  • Africa Post Pandemic
    Located in Ibadan, Oyo
    Africa Post-Pandemic is an original painting by Jonathan Kabeya. Jonathan created Africa Post-Pandemic with Coffee-Sukarism (Burnt Sugar, ink of pen on a ...
    Category

    21st Century and Contemporary Expressionist Figurative Paintings

    Materials

    Pen, Linen, Paper, Ink, Mixed Media

  • Africa Girl's Right
    Located in Ibadan, Oyo
    Africa Girl's Right is an original painting by Jonathan Kabeya. Jonathan created Africa Girl's Right with Coffee-Sukarism (Burnt Sugar, ink of pen on a...
    Category

    21st Century and Contemporary Expressionist Figurative Paintings

    Materials

    Linen, Paper, Ink, Mixed Media, Pen

  • "Grand Studio Celebration Variation, " Mixed Media signed by David Barnett
    By David Barnett
    Located in Milwaukee, WI
    "Grand Studio Celebration Variation" is an original mixed media piece by David Barnett. The artist signed the piece in the lower right and used watercolor, ink, and iridescent acryli...
    Category

    2010s Expressionist Mixed Media

    Materials

    Archival Ink, Mixed Media, Acrylic, Watercolor, Rag Paper

  • Homage to Picasso
    Located in Sheffield, MA
    Vyacheslav Shraga Russian, 1953- Homage to Picasso Ink on paper 12 by 17 in. W/frame 22 by 27 in. Painter, graphic artist, sculptor Vyacheslav Sh...
    Category

    1980s Expressionist Figurative Drawings and Watercolors

    Materials

    Ink

  • The Holy Diver
    By Giuseppe Beddru
    Located in Los Angeles, CA
    Reminiscent of the Fauvist movement and Italian classicism, Italian artist Giuseppe Beddru’s bold outlines, dynamic brushstrokes and contrasting use of color make his work visually e...
    Category

    21st Century and Contemporary Expressionist Mixed Media

    Materials

    Plexiglass, Ink, Mixed Media, Acrylic

  • February Figure, female nude, greys earth tones
    By Tom Bennett
    Located in Brooklyn, NY
    Oil and oil stick over ink on paper. Neutral limited color, expressionist female nude with active brush strokes.
    Category

    2010s Expressionist Nude Paintings

    Materials

    Paper, Oil Pastel, Ink, Oil

Recently Viewed

View All