Bruce Sherman

Contemporary Mixed Media Colorful Abstract Collage Work

1984

Abstract geometric drawing by early Houston. TX artist Robert Preusser. The work features bursts of lines and colors that create movement throughout the composition. Signed and date...

Early modern landscape drawing by German artist Hermann Max Pechstein. The work features a gestural depiction of a winding path leading into a small village. Signed with a monogram i...

Abstract modern figurative drawing by Native American artist R.C. Gorman. The work features a large group of faceless figures representing the Navajo people who were forcefully remov...

Colorful figurative drawing by Texas artist William Anzalone. The drawing depicts a nude woman in solitude taking off her robe. Signed by the artist at the bottom right. Framed in a beautiful black modern frame. Dimensions Without Frame: H 16 in. x W 13 in. Artist Biography: William Anzalone was born in Brooklyn, New York, in 1935. He was educated at the Massachusetts Institute of Technology (1953-1958) in Boston, earning a B.A., M.A. and the Rotch Prize in architecture. In 1956 he attended Pratt Institute, in Brooklyn, studying architectural design. In 1958 he also attended the Museum School at the Museum of Fine Arts, Boston. Anzalone married his wife, Louise, in 1956 and they had one daughter, Toni. The Anzalone’s moved from the East Coast to Houston, Texas in 1959. Soon after arriving in Texas, Anzalone began lecturing at the University of Houston, and also began an association with the gallery Meredith Long...

Modern abstract black ink line drawing of a seated female nude. The work features a loose rendering of a single woman sitting on her heels and looking off in the distance. Signed and dated in front lower right corner. Currently unframed, but options are available. Artist Biography: Frank Dolejska...

Modern abstract black ink line drawing of a reclining female nude. The work features a loose rendering of a single woman laying on her left hip and looking off in the distance. Signed and dated in front lower right corner. Currently unframed, but options are available. Artist Biography: Frank...

Soft watercolor accents add to the beauty of this cyanotype and watercolor titled "Elkhorn Slough" by Cheryl Trotter (American, 20th century), c.1980's....

Unique Mid-century original mixed-media newsprint and crayon collage/drawing by French artist Max Papart, signed with dedication and dated 1967 to the bottom right. The work is on th...

Hildegard Anna Augusta Elisabeth Freiin Rebay von Ehrenwiesen, known as Baroness Hilla von Rebay or simply Hilla Rebay was the co-founder of the Museum...

Canadian artist, designer, teacher and writer Stephen James Andrews was born in Saskatoon, Saskatchewan in 1922. Studied art at Winnipeg School of Art, Winnipeg, Manitoba, Camberwell School of Arts, London, England, privately with Martin Bloch in London, England, at the Académie Julian, Paris, France, and the Scuola del Mosaics, Ravenna, Italy. Died in Spain in 1995. A collage may sometimes include magazine and newspaper clippings, ribbons, paint, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects, glued to a piece of paper or canvas. This is more of a photomontage. Modernist collage began with Cubist painters Georges Braque and Pablo Picasso. Many artists have used the technique including Enrico Baj, Joseph Cornell, Max Ernst, Man Ray, Mimmo Rotella and Kurt Schwitters. Drawings made by Stephen Andrews...

MODERNIST DRAWING New Hope Mid-Century WPA Abstract Non-Objective Jazz Modern. Signed with a "Ramstonev" stamp lower right. RAMSTONEV Cooperative Art Project (1937-1939). In the late 1930s, Charles Ramsey became close friends with Charles Evans and Louis Stone. He persuaded them to join him teaching his New Hope summer classes in non-objective painting. Soon, a history-making collaboration began. In 1937, meeting in Evans' studio at the rear of Cryer's Hardware store on Main Street in New Hope, a decision was made to establish the Co-Operative Painting Project. They were intrigued by the cooperative ad-lib process by which jazz musicians created their music. Believing this to be the quintessential American contribution to music, they theorized that a similar result might be obtainable with art, a "visual jam session." This particlarly fascinated Ramsey, who was a jazz buff and had a large collection of jazz records. The objective was to jointly collaborate in the creation of a painting as well as applying collective criticism during its creation. By creating forward movement by general consent, they believed they could produce a higher level of beauty. By consensus it was decided that subject matter would be non-objective. Up to eight people would participate and stop when the painting "felt" finished by common agreement. These co-operative works were done in several different mediums- the majority in pastel, but some in watercolor, gouache, graphite or cut paper collage. On occasion, the group would create a series, as opposed to a single work, created in steps by three or four artists. One of the occasional participants was famed New Hope poet, Stanley Kunitz. These series could range in number from four to sixteen paintings in each. The first of a series would be very basic and the last a fully finished work. In the scope of importance among the New Hope Modernist...

"FLAT" Hand cut paper on heavy weight gessoed watercolor paper Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...