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Art by Medium: Oil

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Style: Old Masters
Medium: Oil
17th century Flemish Old Master painting - Vast landscape with a majestic oak
Located in Antwerp, BE
17th century Flemish old master painting depicting a forest landscape with a majestic oak Alexander Keirincx, born around 1600 in Antwerp, Belgium, was a prominent Flemish landscape...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil, Panel

View Venice See Giudecca Guardi 18/19th Century Paint Oil on canvas Old master
Located in Riva del Garda, IT
Giacomo Guardi (Venice, 1764 - Venice, 1835) View of Venice with the Giudecca Canal and the Gesuati Church oil on canvas 34 x 42 cm. - framed 40 x 50 cm. Expertise dott Federica Sp...
Category

18th Century Old Masters Art by Medium: Oil

Materials

Oil

Tavern Interior - 17th Century Flemish Old Master Oil on Panel Painting
Located in Sevenoaks, GB
A beautiful mid 17th century Flemish Old Master oil on panel depicting figures in a tavern interior by Anthonie Victoryns. Excellent quality early F...
Category

Mid-17th Century Old Masters Art by Medium: Oil

Materials

Panel, Oil

INSIDE SCENE - Carlo Passarelli Italian figurative oil on carboard painting
Located in Napoli, IT
INSIDE SCENE - Italian figurative oil on carboard painting, cm.17x29, Carlo Passarelli, 1900s
Category

Early 1900s Old Masters Art by Medium: Oil

Materials

Cardboard, Oil

Fine 18th Century British Portrait of an Aristocratic Lady, Large oil painting
Located in Cirencester, Gloucestershire
Circle of Thomas Hudson (1701-1779) British. 18th Century Bust Portrait of a Lady, Oil on Canvas, Inscribed on a label verso, canvas: 30" x 25" (76.2 x 63.5cm). frame: 30 x 25 in...
Category

Mid-18th Century Old Masters Art by Medium: Oil

Materials

Canvas, Oil

Late 17th century portrait of a French princess, daughter of Louis XIV
By Pierre Gobert
Located in PARIS, FR
Portrait of Françoise Marie de Bourbon, Duchess of Orléans as Venus A magnificent painting depicting the princess in all the splendour of her youth, Françoise Marie de Bourbon, known...
Category

Late 17th Century Old Masters Art by Medium: Oil

Materials

Canvas, Oil

Portrait of a Lady in Red Dress on Porch c.1680, English Aristocratic Provenance
Located in London, GB
Presented by Titan Fine Art, this painting formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Canvas, Oil

Annunciation Flemish Paint Oil on canvas Old master 16/17th Century Religious
Located in Riva del Garda, IT
Flemish painter of the 16th-17th century The Annunciation Oil on canvas 844 x 33 cm./ in frame 63 x 52 cm.) The work presents itself with a canonical iconographic and stylistic scheme, with the Archangel Gabriel devoutly delivering the supreme annunciation to the Virgin child, although there are some details that make the composition very interesting. Entering into the details of the study of the painting, of excellent workmanship, we can immediately appreciate a style rooted in the Flemish tradition, recognising in the compositional layout strong references to the great masters of the Renaissance such as Jan van Eyck, Rogier van der Weyden, Dieric Bouts and Hans Memling...
Category

16th Century Old Masters Art by Medium: Oil

Materials

Oil

Portrait of a Lady in a Blue Gown Holding a Sheer Scarf c.1675-85, Oil on canvas
By Kneller Godfrey
Located in London, GB
Portrait of a Lady in a Blue Gown Holding a Sheer Scarf c.1675-85 Studio of Sir Godfrey Kneller (1646-1723) Titan Fine Art present this captivating portrait by the leading late seve...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Canvas, Oil

English Portrait of a Lady Seated by a Plinth in Wooded Landscape, Oil on canvas
By Willem Wissing
Located in London, GB
This exquisite grand manner work is an evocative example of the type of portrait in vogue during a large part of the seventeenth and eighteenth centuries. Beautifully composed, the ...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Canvas, Oil

Portrait Painting of a Lady with a Miniature of a Boy c.1673-1680, Antique oil
By John Michael Wright
Located in London, GB
In this touching composition a young woman has been depicted wearing a dark coloured dress, draped at the bodice with a gauzy silk scarf and with pearls and large diamonds, over a wh...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Canvas, Oil

Venice Grand Canal Tironi Paint Oil on canvas Old master 18th Century Italy Art
Located in Riva del Garda, IT
Francesco Tironi (Venice, ca. 1745 - 1797) Workshop  of View of Venice with the Grand Canal from the church of S. Croce to the church of S. Geremia c. 1770 oil on canvas, cm. 92 x 1...
Category

18th Century Old Masters Art by Medium: Oil

Materials

Oil

Portrait Soldier Armour Lombard Painter 17th Century Oil on canvas Old master
Located in Riva del Garda, IT
Lombard painter of the 17th century Portrait of a Man in Armour Oil on canvas 81 x 71 cm. - In frame 94 x 82 cm. A handsome gentleman in armour, immortalised in an authoritative an...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil

Equestrian Portrait Kraeck Paint Oil on canvas Old master 16/17th Century Italy
Located in Riva del Garda, IT
Jan Kraeck, in Italy Giovanni Caracca (Haarlem c. 1540 - Turin 1607) Workshop of Equestrian portrait of Emanuele Filiberto I, Duke of Savoy (Chambéry, 15...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil

Portrait Lady Woman Voet Paint Oil on canvas Old master 17th Century Italian Art
By Jacob Ferdinand Voet (Antwerp 1639 - Paris 1689)
Located in Riva del Garda, IT
Jacob Ferdinand Voet (Antwerp 1639 - Paris 1689) Atelier Portrait of the Young Ortensia Mancini, Duchess of La Meilleraye (Rome 1646 - Chelsea 1699) Oil on canvas 75 x 61 cm. - exqu...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil

Antique oil painting, Boy Fleaing a Dog, Gerard ter Borch, Dutch golden age
Located in DEVENTER, NL
Gerard ter Borch (II) (1617-1681), copy after, around 1700 'Boy Fleaing a Dog' Oil on canvas Professionally restored (cleaned and relined) In modern frame in 17th century style Dimensions excl. frame: 33 x 27,5 cm. Dimensions incl. frame: approx. 50 x 45,5 cm. Depcited is a boy busy fleaing a dog. The boy sits on a chair with the dog on his lap. On a table on the right there is a book and a pen. On a wooden bench lies the boy's hat. What is unique about this painting by Ter Borch, is the relationship that is depicted between human and animal. Mostly animals like dogs where depicted as an attribute in paintings in the 17th century, and sometimes used to symbolize certain character traits. This boy is lovingly caring for his dog, which he is giving his full attention. Another interesting detail is that Ter Borch's brother Moses, was probably the model for this painting. Ter borch often used family members as models for his paintings. Moses was also a very talented painter and draughtsman. Several copies of this work by Ter Borch are known. One of these copies is in the collection of the Dutch Rijksmuseum (Image included in the image gallery (last image)). The original painting is in the collection of the Alte Pinakothek museum in Munich, Germany. Gerard ter Borch, also known as Gerard Terburg, was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...
Category

Early 18th Century Old Masters Art by Medium: Oil

Materials

Oil, Canvas

Portrait Lady in Russet Silk Dress c.1710, Michael Dahl, oil on canvas painting
By (Circle of) Michael Dahl
Located in London, GB
This charming work is a good example of the type of portrait in vogue during the first quarter of the eighteenth century in Britain. The sitter, portrayed bust-length, wears a russet silk dress over a white chemise...
Category

18th Century Old Masters Art by Medium: Oil

Materials

Canvas, Oil

Double Portrait of Sir John Rivers 3rd Baronet of Chafford, and Lady Anne Rivers
Located in London, GB
This magnificent grand-scale work, offered by Titan Fine Art, formed part of a collection of family pictures and heirlooms of the Rivers Baronets and their descendants for over 325 years, before it was dispersed by the last in the line in 1988. The work was painted by the most technically proficient painter in England after the death of Van Dyck, and the dominant court painter to Charles II and James, Duke of York, Sir Peter Lely. It is no surprise that for years Lely had no serious rivals, was enormously influential and successful, and one of the country’s most important painters – and his work influenced countless artists over generations. The exquisite carved and gilded auricular frame is an astounding work of art in itself. The sitters in this exquisite double portrait are Sir John Rivers, who succeeded as the 3rd Baronet Chafford in 1657 (c.1638 - c. 1679), and his wife, Lady Anne Hewitt (c.1640-c.1689). They are seated in an outdoor setting beside a fountain modelled as a female figure with water issuing into a scallop-shell. The water, the elaborate sculpted fountain with its scallop-edged bowl, and the open shell in her hand are symbols of fertility - as such they make an appropriate allusion to Lady Anne’s potential as wife and mother, recalling Proverbs, chapter 5, verse 18: “Let thye fountain be blessed, and rejoice in the wife of thye youth”. This reference was realised, as Sir John and Lady Anne produced at least six children; their son George (1665-1734) became 4th Baronet of Chafford. The composition, thus, represents a celebration of marriage and was likely commissioned around the time of the betrothal (the marriage took place 26th Feb 1662 or 1663). The statues in the left margin are 'Youth and 'Old Age' and are a typical form of Memento Mori reminding virile young man that even they will lose their youth and grow old. The Rivers family, originally of Kent, traces its history to Sir Bartholomew Rivers, in the reign of Edward IV. The family included several prominent members including several knights, a Commander in the King's Army, a steward of a ducal estate, a Lord-Mayor of London, and an M.P. John Rivers (c.1659-c.1651) was made 1st Baronet of Chafford in 1622 by King James I. The Chafford estate was the family seat and it remained so until the early 1700s with the death of Sir George Rivers, 4th Baronet (1665–1734), whose sons had all died. The Chafford estate was left to his daughters while the baronetcy passed to nephew John Rivers, 5th Baronet (c. 1718–1743), and then Sir John’s brother, Sir Peter Rivers-Gay, 6th Baronet (c. 1721–1790). Upon Sir Peter Rivers Gay's death the estate passed to his eldest son, Sir Thomas Rivers Gay, 7th Baronet (c. 1770–1805). Sir Thomas, dying in 1805 with no children, bequeathed the estate to his mother Dame Martha Rivers Gay, who managed the estate until 1834 when she settled it on the then Sir Henry Rivers, 9th Baronet (c. 1779–1851) her younger son, before dying shortly thereafter in 1835. Sir Henry had married in 1812 to Charlotte Eales, with whom he had 6 sons and 8 daughters. Upon his death in 1851 the estate passed to his eldest surviving son Sir James Francis Rivers, 10th Baronet (1822–1869). Sir James married Catherine Eastcott in 1867 but died childless in 1869, and the estate passed to his only surviving brother Sir Henry Chandos Rivers, 11th Baronet (1834–1870) but he died a year later in 1870 also childless; with no male heir the Baronetcy was therefore extinguished. The estate was bequeathed, in trust, by Sir Henry Chandos Rivers to Thomas Frederick Inman, a solicitor of Bath, who then managed the estate as a trustee on behalf of Sir Henry Chandos Rivers' sister Katherine Rivers (c.1826-1895). It then passed to Katherine River’s daughter, Katherine Wall (born c.1855), who had also inherited Worthy Park House from her father, George Alfred Ellis Wall (1825-1875). Until 1958 our portrait is known to have hung at Worthy Park House. Upon Katherine Wall’s death, the Rivers estate passed to her daughter, Katherine Eleonora Rivers Fryer (1889-1963), who married Colonel James Alexander Butchart 1877-1853. In 1958 the family sold Worthy Park House but our portrait was loaned to Southampton Museum and Art Gallery. After the death of Katherine and Colonel James, the estate was left to their only son, Charles Bruce Rivers Butchart (1917-2005) and upon Charles’ retirement to a nursing home in 1988, and without heirs, our portrait, along with the residual assets of the Rivers estate were sold, thus ending over 325 years of continual family ownership. Lady Anne Rivers is thought to have been born circa 1640. She was the fourth child of the second marriage of Sir Thomas Hewitt (or Hewett) (1606-1662), 1st Baronet of Pishobury, Herts, and his wife Margaret Lytton (died 1689). Sir Thomas was an English landowner and M.P. for Windsor and upon the English Restoration...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Canvas, Oil

Antique oil paining, A laughing man with an upturned glass, Dutch golden age
Located in DEVENTER, NL
Anonymous, 18th century Inspired by a painting by Petrus Staverenus (1610/1612 – 1654-07-28/1664-07-28) from a series of Five Senses 'Taste: A laughing man...
Category

18th Century Old Masters Art by Medium: Oil

Materials

Oil, Canvas

Portrait of a Lady in a Mauve Silk Dress c.1660; Manor House Provenance, oil
Located in London, GB
Titan Fine Art are pleased to present this exquisite work which recent research has uncovered its fascinating provenence. This work formed part of the collection of family pictures and heirlooms of Barons de Saumarez family at their magnificent 1,400-acre manor, Shrubland Park, near Ipswich, England. The manor was considered amongst the finest Italianate country homes in Britain and the family held the estate for over 200 years (from 1798) until it was sold in 2006 thus marking the end of an era. This exquisite work is an accomplished example of the type of portrait in vogue in England during the last half of the seventeenth century. The highly keyed pallet of rich mauves of the dress is particularly beautiful. The billowing sleeves and the hairstyle help to date this painting to the early 1660’s when they were fashionable (just before the centrally-parted curled hair of the early 1670’s). Pearls were an obligatory accompaniment since at least the 1630s and here they are worn as a necklace and as pear-shaped earrings called ‘unions d’excellence’, reflecting the difficulty of finding perfectly matched pearls of such large size. They could range up to 20mm in diameter. Although the lady could afford pearls of her own, pearls were also a common prop in artist’s studios of the time. It was common to commission a portrait to mark important occasions such as a betrothal or birth - but it was also common for both men and woman to commission portraits of themselves to give as gifts to their family or friends (and also to keep up to date with current fashions). The motif of the horizontal ledge employed in this portrait is quite unusual. Its inclusion affords the portrait with a sense of uniqueness making it stand out from the legions of others that were painted at the time. The first recorded owner of the estate was Robert de Shrubeland, although there is evidence of occupation on the site since the Roman period. The previous Tudor-style Shrubland Hall was built by the Booth family in the early 16th century. The present Grade II listed hall was built in the 1770’s for the Revd. John Bacons. The property changed hands a few times until it was purchased in 1798 by Sir William Fowle Middleton, 1st Baronet. It descended from him to the 7th Baron de Saumarez, Eric Saumarez who sold the property in 2006 following the death of Lord de Saumarez's father in 1991 and his mother, Lady de Saumarez, in 2004. The property was one of finest stately halls, with spectacular gardens and more than 1,300 acres. The equal, it was said, was Queen Victoria’s Osborne House on the Isle of Wight. Baron de Saumarez, of the Island of Guernsey, is a title in the peerage of the United Kingdom created on 15 September 1831 for the naval commander Admiral Sir James Saumarez, 1st Baronet. The ancestral family seat was at Le Guet, Castel, on the island of Guernsey, with a second seat at Shrubland Park. The Saumarez Manor estate in Guernsey belongs to a senior line of the family from which the Barons de Saumarez are descended: Matthew de Sausmarez (1718–1778), father of the first baron, was the younger brother of John (1706–1774), of Sausmarez Manor. Presented in a beautiful antique carved and gilded frame with acorns and acanthus leaves. Sir Peter Lely’s character and art dominated the art world of the second half of the seventeenth century in England. Everyone of consequence in his age sat to him, and it is in his portraits that we form our conception of English portraiture during the Protectorate and years following the Restoration. He was the son of a Dutch military...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Canvas, Oil

Portrait of a Lady, Katherine St Aubyn, Godolphin, Cornelius Johnson, Oil canvas
By Cornelius Johnson
Located in London, GB
Titan Fine Art are pleased to present this charming bust-length portrait, which is a good example of the style of portrait painted in England in the second quarter of the seventeenth century. The attire consists of the finest silks, and the full billowing sleeves, bows, and hairstyle help in dating this portrait to circa 1637. The accessory par excellence – pearls – are worn as a necklace and were a very popular accessory. The artist makes no attempt to obey the rules of Baroque and instead sensitively depicts in complete honesty his sitter against a plain wall, and without distracting backdrops and flowing draperies – this work is very redolent of the sumptuous half-length female portraits that Cornelius Johnson...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Canvas, Cotton Canvas, Oil

Portrait of a Lady, Maria Virginia Borghese Chigi Princess Farnese Oil on canvas
Located in London, GB
This exquisite portrait, presented by Titan Fine Art, belongs to a type of portrait known as ‘Les Belle Romanes’. Voet is perhaps best remembered for his series of them – a great set of portraits...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Canvas, Oil

19th Century French Oil Painting Algeria - Capture of the Smalah of Abd el Kader
Located in London, GB
Circle of Emile Jean Horace Vernet (1789-1863) The Capture of the Smalah of Abd el Kader oil on canvas 48 x 55 1/2 in; 121 x 141 cms (including magnificent contemporary carved frame) Provenance Private collection, United States This important and impressive work records the historic skirmish in 1843 between a cavalry unit lead by the duc de Aumale and the Arab chief Abd el Kader during the French military campaign in Algeria. The painting is attributed to Horace Vernet, and relates closely to a major work of the same subject by Vernet now in the Musée de l'Histoire de France in Versailles. The work is a classic example of French Orientalist painting...
Category

Mid-19th Century Old Masters Art by Medium: Oil

Materials

Oil

Double Portrait Oil Painting Brothers George, 2nd Duke Buckingham & Lord Francis
Located in London, GB
Aftrer Anthony VAN DYCK - maybe Studio (1599, Antwerp – 1641, London) Flemish Double Portrait of George Villiers, 2nd Duke of Buckingham (1628-1687) & Lord Francis Villiers (1629-1648) Oil on Canvas 170 x 147 cm Anthony Van Dyck (1599-1641) No painter has done more to define an era than Anthony van Dyck. He spent only seven and a half years of his short life (1599- 1641) in England. He grew up in Antwerp, where his precocious talent was recognised by Peter Paul Rubens, the greatest painter of his age. He worked in Rubens’s studio and imitated his style as a religious artist, painting biblical scenes redolent of the lush piety of the counter-reformation. But soon he was on the move. In 1620, he visited London for a few months, long enough to paint a history picture, The Continence of Scipio, for the royal favourite, George Villiers, Marquess of Buckingham, and a portrait of his other English patron, the great art collector, Thomas Howard, 2nd Earl of Arundel. After a stint in Italy, making imposing portraits of the wealthy aristocracy and sketching and copying works by Titian, he returned to the Spanish Netherlands in 1627, becoming court artist to Archduchess Isabella before departing for The Hague in 1631 to paint the Dutch ruler Frederick Henry, Prince of Orange. Charles I’s invitation in 1632 led Van Dyck back to London where he was knighted, paid an annual salary of £200 and installed in a house in Blackfriars with a special jetty at which the royal barge might tie up when the King was visiting his studio. By this time Van Dyck was recognised as the leading court painter in Europe, with Velazquez at the court of Philip IV of Spain his only rival. He also excelled as a superbly observant painter of children and dogs. Van Dyck’s notoriety in depicting children led to the introduction of groups of children without their parents as a new genre into English painting (amongst other new genres). For the next 300 years, Van Dyck was the major influence on English portraiture. Nearly all the great 18th Century portraitists, from Pompeo Batoni and Allan Ramsay to Thomas Gainsborough and Joshua Reynolds, copied Van Dyck’s costumes, poses and compositions. George Duke of Buckingham & his brother Francis Villiers Painted in 1635, this double portrait was originally commissioned by Charles I, who raised the two brothers after their father, George Villiers, was assassinated in 1628. Together with their sister, Lady Mary Villiers, they enjoyed the King’s favour absolutely. Francis whose absolute ‘inimitable handsomeness’ was noted by Marvell (who was killed in a skirmish near Kingston upon Thames). The young duke who commanded a regiment of horse at the Battle of Worcester, remained closely associated with Charles II, held a number of high offices after the Restoration and was one of the most cynical and brilliant members of the King’s entourage, immortalised as ‘Zimri’ in Dryden’s Absalom and Achitopbel. As a young man he had sold his father’s great collection of pictures in the Spanish Netherlands, many of them to the Archduke Leopold Willhelm. Painted for Charles I and placed near the portrait of their sister in the Gallery at St James’ Palace. The handling of both costumes is very rich, and the heads are very carefully and sensitively worked. That of the younger boy in particular is more solidly built up than the lower part of the figure. A preparatory drawing for the younger boy is in the British Museum. There are copies at, e.g., Highclere Castle...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil

Flowers Paint Oil on canvas Old master 17th Century Italy Still-life Art
Located in Riva del Garda, IT
Master of the Grotesque Vase (active in Rome and Naples in the first quarter of the 17th century) Still life of flowers in a classic vase oil on canvas 66 x 51 cm, In frame cm. 82 x...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil

VENICE - Gianluca Gorini - Italian Landscape Oil on Canvas Painting
Located in Napoli, IT
VENICE - Italian landscape oil on canvas oval painting cm.30x60 by Giancarlo Gorini, Italy 2002. Gold gilded wooden frame available o...
Category

Early 2000s Old Masters Art by Medium: Oil

Materials

Canvas, Oil

Christ Crucified Rubens Paint Oil on canvas Old master 17th Century Religious
By Peter Paul Rubens (Siegen 1577 - Antwerp 1640)
Located in Riva del Garda, IT
Peter Paul Rubens (Siegen 1577 - Antwerp 1640) Workshop / circle Crucifixion of Christ with Saint Mary Magdalene Oil painting on canvas 112 x 62 cm. - In antique frame 126 x 73 cm. ...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil

Antique Italian painter - 18th-19th century figure painting - Oil on canvas
Located in Varmo, IT
Bolognese painter (18th-19th century) - Maddalena. 70 x 50 cm without frame, 89 x 69 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden frame. Condition ...
Category

Late 18th Century Old Masters Art by Medium: Oil

Materials

Canvas, Oil

Realist painter (Italy) - 19th century figure painting - Portrait of gentleman
Located in Varmo, IT
Italian painter (19th century) - Half-length portrait of a gentleman. 69 x 56.5 cm. Antique oil painting on canvas, without frame. Condition report: Lined canvas. Good state of co...
Category

Late 19th Century Old Masters Art by Medium: Oil

Materials

Oil, Canvas

Portrait of a Lady in a Landscape - British 19thC Old Master art oil painting
By George Henry Harlow
Located in London, GB
This superb British Old Master portrait oil painting is attributed to circle of Henry Harlow. Painted circa 1820 it is a half length standing portrait of a young lady in a landscape ...
Category

1820s Old Masters Art by Medium: Oil

Materials

Oil

Christ Jesus Lama Religious Paint Oil on canvas 17/18 th Century Old master
Located in Riva del Garda, IT
Giovan Battista Lama (Naples, 1673 - 1748) workshop Exaltation of the Holy Cross with the Symbols of the Passion oil on canvas 84 x 135 cm. - with frame 98 x 148 cm. The proposed p...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil

c. 1800 Shepherd & Milk Maid with Cattle Pastoral Landscape Oil on Wood Panel
Located in Cirencester, Gloucestershire
Pastoral Landscape by Peter la Cave (fl. 1789-1816) oil painting on wood panel, framed framed: 12.5 x 15 inches panel: 8 x 10 inches provenance: private ...
Category

Late 18th Century Old Masters Art by Medium: Oil

Materials

Oil, Wood Panel

17th century Dutch seascape - Stormy sea with a Dutch Hoy - Marine Boats
Located in Antwerp, BE
17th century Dutch old master oil seascape, Stormy sea with boats including a Dutch Hoy and a Packet-Boat The present painting is a peaceful, yet very lively, seascape and a beautif...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil, Panel

17th century old master portrait of Emperor Rudolph II
Located in Antwerp, BE
"Portrait of Emperor Matthias of Austria (1557-1619)" circle or studio of Josef Heinz the Elder Emperor Matthias of Austria, born in 1557, emerged as a pivotal figure in European po...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Canvas, Oil

Michiel Jansz. Van Mierevelt (Follower), Portrait of Maurice of Orange
Located in Cheltenham, GB
This early to mid-17th-century oil on panel depicts Maurice of Nassau (1567-1625), Prince of Orange. It’s a bust-length portrait, presented in a feigned oval, after a full length by ...
Category

Mid-17th Century Old Masters Art by Medium: Oil

Materials

Wood Panel, Oil

English 18th century portrait of Henrietta Pelham-Holles, Duchess of Newcastle.
Located in Bath, Somerset
Portrait of Henrietta Pelham-Holles (née Godolphin) (1701-1776), Duchess of Newcastle, standing in a wooded landscape with a river beyond, three-quarter length wearing an ivory silk ...
Category

1720s Old Masters Art by Medium: Oil

Materials

Canvas, Oil

Dutch Old Master Portrait of Girl aged 9 in Black Dress & Lace Ruff dated 1619
Located in London, GB
Portrait of a Noble Young Girl, aged 9, in a black dress with lace ruff and cuffs, Dated 1619 Circle of Cornelis van der Voort (1576- 1624) Oil on cradled panel Presented by Titan ...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil, Wood Panel

Christ Samaritan De Mura Paint 18th Century Oil on canvas Old master Napoli Art
Located in Riva del Garda, IT
Francesco de Mura (Naples 1696-1782) Christ and the Samaritan woman at the well Oil painting on canvas (75 x 102 cm. - Framed 85 x 111 cm.) Expertise of the prof. Emilio Negro (Bo...
Category

18th Century Old Masters Art by Medium: Oil

Materials

Oil

Antique French Oil Painting Young Boy being Read to by Elderly Man 1800's
Located in Cirencester, Gloucestershire
The Lesson French School, early 19th century oil on canvas, unframed canvas: 32 x 24 inches provenance: private collection condition: good and sound condition
Category

Early 19th Century Old Masters Art by Medium: Oil

Materials

Oil, Canvas

Fine 18th Century English Portrait of Aristocratic Gentleman Huge Oil Painting
Located in Cirencester, Gloucestershire
Portrait of an Aristocratic English Gentleman circle of Thomas Hudson (British (1701-1779) oil on canvas, framed framed: 53.5 x 45 inches painting: 45 x 40 inches provenance: private...
Category

18th Century Old Masters Art by Medium: Oil

Materials

Oil

Old master oil from 1661 - Majestic lion hunting landscape - Brueghel hunt
Located in Antwerp, BE
Old master oil from 1661 - Majestic hunting landscape with lions This captivating painting captures the raw intensity of a lion hunt amidst a mysterious forest landscape, presumably...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Canvas, Oil

Pair of 17th century Flemish still-life with flowers - Roses, tulips and peonies
Located in Antwerp, BE
Pair of large and opulent 17th century Flemish floral still lifes by the celebrated artist Gaspar Pieter Verbruggen I Our paintings depict opulent floral arrangements consisting of,...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Canvas, Oil

Italian Vanitas painter - 19th century figure painting - Memento Mori
Located in Varmo, IT
Italian painter (19th century) - Memento Mori. 43 x 67 cm without frame, 48.5 x 72.5 cm with frame. Antique oil painting on wood, in a wooden frame. Condition report: Original can...
Category

Late 19th Century Old Masters Art by Medium: Oil

Materials

Oil, Panel

17th century Flemish Old Master painting - Vast landscape with a fortified town
Located in Antwerp, BE
17th century Flemish old master painting depicting a peaceful countryside scenery of a vast landscape with a fortified town visible in the distance by Lucas Van Uden Lucas Van Uden'...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil, Panel

Florals in classic urn Old Masters 17th century Dutch style
Located in Hillsborough, NC
Floral with Urn is in a classical Dutch style that dates to the 17th century. The bright flowers drape the urn in whites, crimsons and pinks, standing out against the darker foliage...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Canvas, Oil

1800's Old Master Oil Painting Portrait of the Madonna & Christ Child
Located in Cirencester, Gloucestershire
The Madonna and Christ Child Eastern European artist, circa 1800's oil on canvas, framed framed: 31 x 27 inches board: 26 x 22 inches provenance: private collection, London condition...
Category

Early 19th Century Old Masters Art by Medium: Oil

Materials

Oil

Portrait Man Rembrandt Paint Oil on canvas Old master 17/18th Century Flemish
Located in Riva del Garda, IT
Antichità Castelbarco SRLS is proud to present: Rembrandt van Rijn (Leiden 1606 - Amsterdam 1669) circle/following Portrait of a man with turban oil on canvas cm. 41 x 34 Framed 60...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil

Fine 17th Century Dutch Old Master Oil Bathers by Wooden Pool Carved Wood Frame
Located in Cirencester, Gloucestershire
Bathers by the Woodland Pool Dutch School, 17th century circle of Cornelis van Poelenburgh (1594-1667) oil on copper, framed framed: 13 x 15 inches copper: 7.5 x 9.5inches provenance...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil

Very Large 1700's Dutch Old Master Oil Painting The Nativity Scene
Located in Cirencester, Gloucestershire
The Nativity Dutch Old Master, early 1700's period oil on canvas, unframed canvas: 36 x 27.5 inches provenance: private collection condition: very good and sound condition, some scuf...
Category

Early 18th Century Old Masters Art by Medium: Oil

Materials

Oil, Canvas

King Solomon Rubens Paint Oil on copper 17th Century Old master Flemish Art
Located in Riva del Garda, IT
Circle of Peter Paul Rubens (Siegen 1577 - Antwerp 1640) The Judgement of King Solomon Oil on copper (41 x 49 cm. - with ebonised and gilded wooden frame 58 x 66 cm.) The proposed painting, executed in oil on copper, depicts the biblical episode known as the 'Judgement of King Solomon' and is taken from the Book of Kings, in the Old Testament (I Kings, 3, 16-28). The work is derived from the painting in the Statens Museum for Kunst in Copenhagen depicting the 'Judgement of Solomon', which was largely created by Rubens' workshop with some intervention by the master. The iconography of the painting was certainly made popular by the print made by the Dutch engraver Boetius Adams Bolswert (Bolsward, c. 1585 - Antwerp, 1633) now in the collection of the Metropolitan Museum. The extraordinary critical and illustrative success of the work is certain, of which several replicas and copies exist, preserved in museums and private collections: Delft, Rouen and Coutrai, Liechtenstein in Vaduz and in Seville Cathedral. The prototype for the original Copenhagen painting...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil

The Tax Collectors Italian 1700's Oil Painting on Copper in Gilt Frame
Located in Cirencester, Gloucestershire
The Tax Collectors Italian School, early 18th century oil on copper panel, framed framed: 14 x 11.5 inches copper panel : 11.5 x 9 inches provenance: private collection, UK conditio...
Category

Early 18th Century Old Masters Art by Medium: Oil

Materials

Oil

The Virgin in Adoration - 17th Century Italian Old Master Religious Oil Painting
Located in Sevenoaks, GB
A beautiful late 17th century Italian Old Master oil on canvas depicting The Virgin in Adoration, circle of Carlo Maratta. Excellent quality early Italian work, presented in an ant...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Canvas, Oil

Fine 17th Century Dutch Oil Painting on Wood Panel Horse & Figures Resting
Located in Cirencester, Gloucestershire
The Resting Place Dutch School, mid 17th century oil painting on board, unframed canvas: 7 x 9 inches provenance: private collection condition: very good and sound condition
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil

Madonna Maria Piola Paint Oil on canvas 17/18th Century Old master Religious
Located in Riva del Garda, IT
Anton Maria Piola (Genoa, 1654 - 1715) circle Madonna and Child Genoese school of the second half of the 17th century Oil on canvas 93 x 74 cm.- In antique frame 110 x 92 cm. (Work...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil

Fine Classical Still Life Summer Flowers, British Oil Painting Exhibition label
Located in Cirencester, Gloucestershire
'Summer Flowers' by Margaret Ryder (British b. 1908) signed oil on canvas, framed frame: 33 x 26 inches canvas: 27 x 20 inches provenance: private collection, UK Exhibited at the Roy...
Category

Mid-20th Century Old Masters Art by Medium: Oil

Materials

Oil

19th Century portrait after caravaggio "The Card Sharps"
By (After) Caravaggio
Located in York, GB
A fine painting after Caravaggio of "The card sharps" housed in a gilt frame, excellent condition. The size overall being 99 cm x 86 cm whils...
Category

19th Century Old Masters Art by Medium: Oil

Materials

Oil

Portrait of a Gentleman - Old Master Oil on Panel Painting - Shakespeare
Located in Sevenoaks, GB
A fine late 16th century oil on panel portrait of a gentleman, possibly a young William Shakespeare. This painting was sold through Christie's sale on July 25th 1938, Lot 153. At th...
Category

16th Century Old Masters Art by Medium: Oil

Materials

Oil, Panel

Still Life Flowers Lavagna Paint Oil on canvas 17/18th Century Old master Italy
Located in Riva del Garda, IT
Still Life with Flowers in a Garden (2), Francesco Lavagna (Naples, 1684 - 1724) Francesco Lavagna (Naples, 1684 - 1724) (LINK) Still Life with Flower Arrangements in a Garden (2) ...
Category

17th Century Old Masters Art by Medium: Oil

Materials

Oil

Oil art for sale on 1stDibs.

Find a wide variety of authentic Oil art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Hunt Slonem, Vahe Yeremyan, Cindy Shaoul, and Richard Szkutnik. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Oil art, so small editions measuring 0.01 inches across are also available

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