Lisa Breslow

Lisa Breslow "Central Park Blues 1"

2018

Sara MacCulloch Marsh, 2014 oil on canvas 48 x 48 in. This original oil painting on canvas by Sara McCulloch is moody and pensive, featuring a lush green coastal marsh landscape und...

Stephen Pentak 2018, 2.6, 2018 oil on paper paper size: 42 x 30 in. image size: 22.5 x 19 in. (pent473) This original oil painting on paper by Stephen Pentak depicts a serene and be...

Stephen Pentak 2021, XI.II, 2021 Oil on panel 26.75 x 60 in. (pent475) This original oil painting on panel by Stephen Pentak depicts a serene and beautiful lake waterscape in shades...

Stanley Bielen Fervent, 2019 oil on paper / mounted 10 x 7.5 in. framed dimensions: 16.75 x 14.5 in. (bie017) This unique still life depicts magenta flowers in an impressionistic, p...

Both the natural world and architectural grit have a place in Lisa Breslow's work, highlighting the pull of New York City that is created by these opposing forces side-by-side. She ...

Both the natural world and architectural grit have a place in Lisa Breslow's work, highlighting the pull of New York City that is created by these opposing forces side-by-side. She ...

KARL YENS (1868 – 1945) (FLOWERS) 1919 Color monotype signed, dated and annotated: “monotype 1919.” 17 ½” x 11 ½” Monotypes are unique works of art that fall between printmaking a...

Late autumn. 1972. Paper, monotype. 42x61.5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different sea...

CLARK HOBART (1868 – 1948) COLONIAL DAMES Monotype signed and titled in pencil Hobart was an early 20 c. California painter. He was on the forefront ...

BRITISH SCHOOL (Circa 1900) Venice Indistinctly signed l.r.: Wm A M**** Watercolour Unframed 19.5 by 26.5 cm., 7 ¾ by 10 ½ in. (mount size 36.5 by 39.5 cm., 14 ½ by 15 ½ in.)

Golden fields, a turn of the 19th century watercolor landscape by John Varley (British, 1778-1842), c.1800. Indistinct signature lower center left. Artwork has been professionally restored. Presented in archival matting. Unframed. Image size, 5"H x 7.13"W. With a letter from Jacob (Jack) Isaacs (1896-1973) on verso notating a John Varley watercolor circa 1800. Jacob Isaacs was born in 1896. He was educated at the Grocers' Company's School, Hackney Downs. He began his career in the civil service from 1912-1916. During the First World War he was involved in active service in France and held the rank of lieutenant (Territorial Army) as part of the Royal Garrison Artillery from 1916-1918. In 1919 Isaacs began his academic career by studying at Exeter College, Oxford, where he achieved a 1st Class Honours degree in English. From 1921-1924 he was an assistant lecturer in English at the University College of North Wales, Bangor and was later an assistant lecturer in English at King's College, University of London, 1924-1928. He progressed up to the position of lecturer in English from 1928-1942 and the moved to a position in Palestine as first Montefiore Professor of English in the Hebrew University of Jerusalem from 1942-1945. Isaacs returned to England in 1945 and was Chair of English Language and Literature at Queen Mary College, University of London from 1952-1964. In 1964 Isaacs retired from his position as Chair of English Language and was appointed Professor Emeritus. John Varley (17 August 1778 - 17 November 1842) was an English watercolour painter and astrologer, and a close friend of William Blake. They collaborated in 1819-1820 on the book Visionary Heads, illustrated by Blake and written by Varley, who was the elder brother of Cornelius Varley. John Varley was born at the Old Blue Post Tavern, Hackney, on 17 August 1778. His father, Richard Varley, born at Epworth in Lincolnshire, had settled in London after the death of his first wife in Yorkshire. For a brief time John Varley was employed by a portrait painter in Holborn and then, at the age of 15 or 16, he became a pupil of Joseph Charles Barrow (fl. 1789-1802), who had an evening drawing school twice a week at 12 Furnival's Inn Court, Holborn. It was Barrow who took Varley on a sketching tour to Peterborough from which he emerged as a professional painter. In 1798 he exhibited a highly regarded sketch of Peterborough Cathedral...

Gorgeous mid century watercolor seascape of Near Point, at Mansion Overlook, Carmel, California by Margaret Wherry Ziegler (American, 1909-1989), c.1960. Signed "M.W. Ziegler" lower right. Presented in rustic black frame. Image size, 12"H x 22"L. Margaret Zeigler studied art at the Cincinnati Art Academy, Minneapolis Art...