Alan Gussow

THREE TREES

1974

Dove, Arthur (American, 1880-1946). OIL BOAT. Watercolor and crayon on paper, 1932. Signed "Dove," lower right. Provenance, Alfred Stieglitz, American Place Gallery; Terry Dintenfass...

Ghikas, Panos (American, 1917-2012). SEA HORIZON. Gouache, not dated, but likely circa 1970s. Signed in pencil in the margin, lower right. 4 x 17 inches (image), on a larger sheet, framed to 12 7/8 x 24 inches. Titled, and with its original price, on a label on the verso of the frame. In excellent condition. Panos Ghikas...

Marsh, Reginald. LONG ISLAND CITY. Watercolor and graphite on paper, 1929. Titled "Long Island City" and signed and dated, lower right. 14 x 20 inches...

Heft, Carol. LANDSCAPES FROM THE BUS. Ink or Pencil on paper, c.2013-2015. Signed and dated. Circa 13 3/4 x 11 inches or the reverse. In excellent condition. Carol Heft is an Amer...

Barr, Wyatt. NEWRY. Drawing, Charcoal and ink wash on Arches 300lb. Hot Press Watercolor paper, 2014. The subject is a hillside next to Step Falls in Newry, Maine. Signed and dated. ...

Fenn, Harry. A VENEZUELAN STATION and THE FALLS OF "EL NEGRO" CUYUNI RIVER. Ink and wash, 1896. Two drawings, the original artwork for illustrations accompanying "Glimpses of Venzuela," an article by W. Nephew King published in Century Magazine, July, 1896, pp. 358-368. Each about 9 x 11 inches, in very good condition, and framed. King is best known for his writings about the Spanish-American War of 1898. Harry Fenn, 1845-1911, was born in England, but worked in the United States. He was a painter, and printmaker, but is known primarily as a book and magazine illustrator. He illustrated books of poetry for John Greenleaf Whittier, and in 1870 was hired to do illustrations for Picturesque America, which was edited by William Cullen Bryant...

View of Paris: The Hotel de Ville banks and the statue of Etienne Marcel under Snow Watercolor Signed E. Galien Laloue, circa 1910-1920 Appraisal by Mr Noé Willer. (Will figurate in...

Estate stamp lower right

Baruch Nachshon, was born in Mandatory Palestine in 1939, in the city of Haifa. Nachshon began to paint in early childhood, and developed his relationship to art and to artists throughout his youth. During his military service Nachshon herded flocks for the IDF, an experience that imbued in him a love and appreciation for nature which figures prominently in his work until today. Upon completing his military service the young artist was torn between the temptation to travel to Paris, then the cultural center of the art world, and his deep love of the land of Israel, the spiritual center of the Jewish world. Opting to stay in Israel, Nachshon studied under Shlomo Nerani, Cezanne’s only pupil, with whom he had enjoyed a deep friendship extending back to his childhood. Nachshon, whom Nerani viewed as his spiritual heir, was the only one of his students allowed to see the master at work. Nachshon’s lifelong involvement in Lubavitch Hassidut began in his early adulthood, when he was drawn to the movement by its uniquely beautiful traditional melodies. In 1965 Nachshon was invited to an unprecedented three- hour private session with the Rebbe...

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this ...

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this ...

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this ...