Italian School 17th Century, Saint Bonaventure, Old Master Gouache
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 5
UnknownItalian School 17th Century, Saint Bonaventure, Old Master Gouache circa 1600
circa 1600
About the Item
- Creation Year:circa 1600
- Dimensions:Height: 10.5 in (26.67 cm)Width: 8.5 in (21.59 cm)
- Movement & Style:
- Period:1600-1609
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU111224101722
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2018
1stDibs seller since 2019
208 sales on 1stDibs
More From This SellerView All
- Italian School 18th century, An Ancient soldier in profile, red chalk on paperLocated in Paris, FRItalian School 18th Century An Ancient soldier in profile, red chalk on paper 35 x 23.5 cm in good condition, traces of folds in the lower right corner Framed : 46.5 x 35.5 cm This...Category
1750s Baroque Portrait Drawings and Watercolors
MaterialsChalk
- 18th Century, Portrait of a Lady in a Tondo, red chalk drawingLocated in Paris, FRFrench (?) school circa 1770 Portrait of a Lady in a Tondo, red chalk on paper 20 x 29 cm Numbered 25 on the upper left Little holes in the bottom (intended for binding) Not framed ...Category
1770s Baroque Portrait Drawings and Watercolors
MaterialsChalk
- Eugène Devéria (1805-1865) Family Portrait, 1826 DrawingBy Eugene DeveriaLocated in Paris, FREugène Devéria (1805-1865) A Family Portrait, 1826 pencil on paper Signed lower right and dated 1826 19.5 x 27 cm in a beautiful carved oak frame: 4...Category
1820s Romantic Portrait Drawings and Watercolors
MaterialsPencil
$1,183 Sale Price20% Off - H F Gravelot (1699-1773) Two Allegories, Faith and Vigilance, Pen and InkBy Hubert-François GravelotLocated in Paris, FRHubert-François Gravelot (1699-1773) Two Allegories : Vigilance and Faith Pen, black Ink, and black wash on paper 7.9 x 4.8 each one Framed 22 x 26 cm Old framing that needs to be...Category
1760s Old Masters Figurative Drawings and Watercolors
MaterialsInk
- Charles-Victor Guilloux (1866-1946) Landscape in Provence OilBy Charles-Victor GuillouxLocated in Paris, FRCharles-Victor Guilloux (1866-1946) Landscape in Provence Oil on canvas (Without stretcher) 31 x 23 cm Signature stamp on the bottom left (slightly faded) Framed under glass (Frame...Category
1920s Art Deco Landscape Drawings and Watercolors
MaterialsWatercolor
- Eugène Devéria (1805-1865) The Children of the painter DrawingBy Eugene DeveriaLocated in Paris, FREugène Devéria (1805-1865) The children of the painter Portrait in an oval, study for a portrait Black pencil on paper 23 x 19 cm Stamp of the worksh...Category
1840s Romantic Portrait Drawings and Watercolors
MaterialsPencil
You May Also Like
- Capriccio Landscape View with FiguresLocated in Houston, TXCapriccio painting in a greek or Italian style with women around a river. Capriccio is a fanciful architectural landscape painting. It was popular in Italy in the 18th Century. Most ...Category
Late 19th Century Baroque Landscape Drawings and Watercolors
MaterialsGouache
- Head of a Cheerful Man Wearing a CapLocated in New York, NYWatermark: the arms of Amsterdam Provenance: Christie’s, Amsterdam, 1 December 1986, lot 46; where acquired by: Private Collection, New York Literature: Roger Adolf d’Hulst, “Jordaens Drawings: Supplement II,” Master Drawings, vol. 28, no. 2 (1990), pp. 153-156, no. A237a, fig. 17. Matías Díaz Padrón, Jacob Jordaens...Category
17th Century Baroque Portrait Drawings and Watercolors
MaterialsPaper, Chalk
- Orpheus and the Animals, A Study after an Ancient Bas-ReliefLocated in New York, NYInscribed “55” and “218” in the lower right Watermark: Heawood 1351 Laid down on historic Cassiano Del Pozzo mount (Mount Type A, 531 x 402 mm) Provenance: Commissioned by Cassiano dal Pozzo (1588–1637) for his Museo Cartaceo (Paper Museum) and kept in the library of his palazzo, via dei Chiavari, Rome Transferred with the entire dal Pozzo collection by fidecommesso to his younger brother, Carlo Antonio dal Pozzo (1606–1689); by descent to his second son: Gabriele dal Pozzo (d. 1695); by descent to his wife: Anna Teresa Benzoni and after her remarriage in 1697, the Marchesa Lancellotti de’ Ginnetti (d. 1736); by descent to their son: Cosimo Antonio dal Pozzo (d. 1740); by whom sold with the Dal Pozzo library in 1703 to: Pope Clement XI for the Vatican Library; by whom transferred as part of the Museo Cartaceo in January 1714 to his nephew: Cardinal Alessandro Albani (1692–1779), Palazzo ‘alle Quattro Fontane’ in Rome; by whom sold in 1762 to: James Adam, agent for the British Royal Librarian Richard Dalton (1715–1791) King George III of England, Buckingham House Among the sheets of the ‘Museo Cartaceo’ appropriated by Richard Dalton during a reorganization of the drawings, circa 1786-1788; his estate sale, Greenwood’s, London, 11-19 May 1791; where acquired by: John MacGowan...Category
16th Century Baroque Figurative Drawings and Watercolors
MaterialsPaper, Ink, Pen
- Two Angels - Ink and Watercolor Drawing by A. Brustolon - Early 1700By Andrea BrustolonLocated in Roma, ITDue Angeli is an original artwork realized by Andrea Brustolon. Mixed media, ink and watercolor. The artwork rapresents two baroque angels, study realized by Brostolon for a sculpt...Category
Early 18th Century Baroque Figurative Drawings and Watercolors
MaterialsInk, Watercolor
- Putti in a Landscape, Putti playing, flowers, Berchet, French Art, Old MasterBy Pierre BerchetLocated in Greven, DEPierre Berchet, Drawing of Putti playing in a landscape, Painter of decorative history subjects; trained under La Fosse; worked in France and during the 1690s...Category
17th Century Baroque Figurative Drawings and Watercolors
MaterialsHandmade Paper
$1,589 Sale Price20% Off - Fenzoni, Painting AND preparatorial Drawing, John the Baptist, Italy RenaissanceBy Ferrau FenzoniLocated in Greven, DEThe painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...Category
16th Century Mannerist Figurative Paintings
MaterialsCanvas, Oil, Handmade Paper
Ferrau FenzoniFenzoni, Painting AND preparatorial Drawing, John the Baptist, Italy Renaissance, 1590$26,491 Sale Price25% Off