Unknown

Female figure with Child and Dog - Charcoal Drawing

In a Gothic Church is a beautiful original drawing (China ink and watercolor on paper). Hand-signed "Stothard" in brown ink on the lower left margin outside of the image. Very sweet drawing representing a woman praying...

Female Nudes is a fine original drawing (China ink and watercolor on paper). Unsigned. This artwork could be attributed to Thomas Stothard. Although th...

Mythological subject is a precious original drawing (black chalk, brush, and watercolor ink on ivory colored paper). Unsigned. Inscription: "Disegnato dal P. e Scotti ricavato da que...

Martyrdom of Saint Bartholomew is a precious original drawing (black and red chalk, pen and China ink on laid paper, laid down on canvas) realized by...

The Adoration is an original modern artwork realized by Giuseppe Assereto (died in Genoa in 1650) in the first half of the 17th Century. Original Oil Painting on Canvas. A 19th Century style gilded wood frame is included. The Autograph of the work was confirmed by Camillo Manzitti. Very good conditions. The frame is in excellent conditions too. Reference: C. Marcenaro, Pittori genovesi a Genova nel '600 e nel '700, Genova 1969, pp. 134 ; 135, n. 55. Z. Wazbinski, Un Quadro Caravaggesco Di Gioacchino Assereto, in Prospettiva, n. 26, 1981, pp. 60 ; 63. F. R. Pesenti, La Pittura in Liguria. Artisti del primo Seicento, Genova 1986, p. 397, nota 23. A. Gesino, Tracce di Matthias Stom nel collezionismo tra la Sicilia e Genova, in Caravaggio e i genovesi, catalogo della Mostra a cura di A. Orlando, Genova 2019, pp. 182 ; 195. The Adoration is an excellent example of the XVII Century Italian Painting. The style of the work denotes the suggestive influence of Assereto father's mature production, when influenced by Mathias Stom (Amersfoort, about 1600 - Sicily, after 1650) expresses dark sensibilities in a southern Italian style. In his works, however, there is an accentuated naturalism and interesting similarities with the production of Giovanni Benedetto Castiglione. Gioacchino Assereto died in 1650, while, according to Soprani, he was intent on painting a Last Supper for the oratory...

Baptism of Christ is a beautiful original drawing (pen and ink on paper) by an anonymous of the Neoclassical school of the beginning of the 19th century. A ...

The drawings showcase the beauty of the black women on one hand and also reflect the intimacy animals possess with females, especially horses, and princesses in royalty. They are muc...

The drawings showcase the beauty of the black women on one hand and also reflect the intimacy animals possess with females, especially horses, and princesses in royalty. They are muc...

François Boitard (1670-1715) Abraham and the Three Angels, Signed lower left "Boitard (...) fecit (...)" 28 x 44 cm Pen and ink on yellow prepared paper I...

Provenance: Private Collection, UK After initial training under Justus Suttermans and Vincenzo Dandini, in 1673 Anton Domenico Gabbiani embar...

Provenance: Unidentified collector’s mark “D.G.R,” lower right (Lugt 757b) Wilhelm Suida (1877–1959), New York; by descent to: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA This impressive drawing of the Assumption of the Virgin is the work of the Genoese artist Giovanni Battista Paggi. The son of a nobleman, Paggi received a humanist education and was a self-taught artist. According to Paggi’s first biographer, Raffaele Soprani, it was only after encountering Luca...

Provenance: Elsie de Woolfe, Lady Mendl, Paris; by whom given in 1950 to: Arlene Dahl, New York (until 2021) Inventive, whimsical, and fantastic; delightful, imaginative, and maca...