Rosy Andreasi-Verdier

Mode Drawing : Green and Blue Dresses - Original watercolor & Gouache drawing

Demetrios GALANIS (1879-1966) Studies of Angels Original Indian ink drawing Signed with the blue stamp signature of the artist On vellum 25 x 19 cm (c. 10 x 8") Very good conditi...

Demetrios GALANIS (1879-1966) Studies of Cupid Original Indian ink drawing Signed with the blue stamp signature of the artist On vellum 28 x 21 cm (c. 11 x 8") Very good conditio...

Rosy ANDREASI-VERDIER (1934-2015) Mode drawing : Three Colorful Dresses Original gouache and watercolor drawing Bears the "Rosy Andreasi Verdier&q...

Rosy ANDREASI-VERDIER (1934-2015) Mode drawing : Three long coats Original ink and watercolor drawing Bears the "Rosy Andreasi Verdier" Archives stamp bottom left On vellu...

Rosy ANDREASI-VERDIER (1934-2015) Mode drawing : Military Inspired Dresses Original watercolor, ink and lavish drawing Bears the "Rosy Andreasi Verdier...

Rosy ANDREASI-VERDIER (1934-2015) Mode drawing : Three Dresses with Bell Original ink and watercolor drawing Bears the "Rosy Andreasi Verdier" Archives stamp bottom right On vellum ...

View of St. Marks Basilica, Venice Italy Landscape Watercolor with Gondolas Beautifully detailed landscape watercolor of an iconic ...

Trompe l'oeil. [Punch and Judy]. Watercolor and drawing, undated, circa 1830. Paper size 10.25 x 14" (26.1 x 35.6 cm). On "J. Whatman" watermarked paper. Unidentified artist. A 19th-century visual montage of Cruikshank's "Punch & Judy." The images are taken from the book "The Tragical Comedy, or Comical Tragedy of Punch and Judy." As told to John Payne Collier by Giovanni in 1827, illustrated by George Cruikshank and published by S. Prowlett, London 1828. The central circle illustrates a drawing showing two allegorical female figures with two putti. The text under this image: “E Musao Hugonis Howard Armig, from Guercino.” On top of that illustration is a handsome painting of a flintlock pistol. Trompe l’oeil is an art of illustration – the name translates to ‘Trick of the Eye.” The puppet show of Pulcinella or Punch and Judy has a long and fascinating history. “A puppet play that would have featured a version of Punch was first recorded in England in May 1662 by the diarist Samuel Pepys. He noted seeing it in Covent Garden, London, performed by the Italian puppet showman Pietro Gimonde from Bologna, otherwise known as Signor Bologna. The earliest script of a Punch and Judy show...

Signed lower left: Seymour Ball Inscribed upper left: To Morris E Weiss with best wishes Seymour Ball" Matted not framed

Presented in a good broad craved and antiqued giltwood frame in the Spanish Baroque style. Each corner boldly carved with a stylized anthemion mantled by foliate scrolls. Signed and ...

Historically, academic artists have always featured the central figures in their composition in a prominent light with the background figures being darker. In water sports...

Gustave Fraipont (1849-1923) A Peasant girl with her flock of Turkeys, Ink and heightenings of blue watercolor on paper 23 x 15 cm Signed on the lower left and titled on lower righ...