James Montgomery Flagg

"I Do Fearfully Put in a Shallow Water"

Medium: Watercolor and Ink on Board Dimensions: 10.50" x 8.00" Signature: Signed Upper Left

Date: 1969 Medium: Pen and Ink on Board Dimensions: 24.00" x 16.00" Signature: Unsigned

Date: Circa 1922 Medium: Watercolor, Pen, Ink and Charcoal on Board Dimensions: 28.25" x 22.00" Signature: Signed Lower Right Proposed cover illustration for Judge magazine...

Medium: Charcoal and Ink Wash on Board Dimensions: 23.50" x 30.00" Signature: Signed Lower Right

Date: Early 1900s Medium: Watercolor & Ink on Board Dimensions: 13" x 8.5" Signature: Unsigned American Artist (20th Century) Exhibitions: It's a Man's World, Illustration A...

Medium: Pen and Ink on Board Dimensions: 14.00" x 18.50" Illustration of a man and a woman playing cards. At bottom it reads "Of course you can tell fortunes with cards". This il...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

Ballpoint Pens, Crayons And Colored Pencil On Cardboard Unique piece Hand signed and dated on the reverse

Ballpoint Pens, Crayons And Colored Pencil On Cardboard Unique piece Hand signed and dated on the reverse

Framed size: 22 1/2 x 26 1/2 inches. Published in The New York Times, October 11, 1942. In collaboration the Al Hirschfeld Foundation Al Hirschfeld’s drawings stand as one of the mo...

“Dime a Dance” American Art Deco 20th Century Modernism Pin-Up Social Realism Arthur Rosenman Ross (1913 - 1981) “Dime a Dance”, 1933 Watercolor and Ink on Illustration Board 18” x 10 1/2 inches (sight) Signed Arthur Rosenman, ‘33 L/R 29 1/2”H x 25 1/2 inches ( Framed) Provenance: Estate of the artist. The Drawing is in very good condition. The period frame is solid, but could use some restoration. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...