Want more images or videos?
Request additional images or videos from the seller
1 of 5
Kunihiko MaeharaGlacier 2019
2019
About the Item
When a simple vertical line finds itself in the midst of accidental organic chaos, a sense of directionality and stability is introduced. The line itself can act as a tool used to dissect the richness of such a curvature while assisting in the realization of one’s own ability to abandon all preconceived conceptions of time.
A carefully selected variety of gradation and color shades the spaces created between these collisions, simulating an on demand journey of vast depth through the viewer’s subconscious knowledge. There is a discovery of the color of the mind. At times rich in a melancholic emotion, the painting does not create these sensibilities as much as evoke what already lays dormant inside the mind.
- Creator:
- Creation Year:2019
- Dimensions:Height: 20 in (50.8 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU18325725952
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1996
1stDibs seller since 2015
236 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Fairfield, CT
- Return PolicyThis item cannot be returned.
More From This SellerView All
- Ash Drawing #4By Richard OrientLocated in Fairfield, CTRepresented by George Billis Gallery. New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...Category
21st Century and Contemporary Abstract Abstract Drawings and Watercolors
MaterialsPastel, Paper, Charcoal
- Floating Ash #2By Richard OrientLocated in Fairfield, CTRepresented by George Billis Gallery. New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...Category
21st Century and Contemporary Abstract Abstract Drawings and Watercolors
MaterialsPaper, Charcoal, Acrylic
- Ash Painting #4By Richard OrientLocated in Fairfield, CTRepresented by George Billis Gallery. New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...Category
21st Century and Contemporary Abstract Abstract Drawings and Watercolors
MaterialsPaper, Charcoal, Oil, Ink
- Floating Ash #1By Richard OrientLocated in Fairfield, CTRepresented by George Billis Gallery. New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...Category
21st Century and Contemporary Abstract Abstract Drawings and Watercolors
MaterialsPaper, Charcoal, Acrylic
- Ash Drawing #5By Richard OrientLocated in Fairfield, CTRepresented by George Billis Gallery. New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...Category
21st Century and Contemporary Abstract Abstract Drawings and Watercolors
MaterialsChalk, Paper, Charcoal
- Ash Drawing #2By Richard OrientLocated in Fairfield, CTRepresented by George Billis Gallery. New Landscapes is a series of landscapes painted over the past year. It includes the artist’s observations of oceans, wooded hills, and ponds i...Category
21st Century and Contemporary Abstract Abstract Drawings and Watercolors
MaterialsPaper, Charcoal, Ink
You May Also Like
- "Machinery"By Lloyd Raymond NeyLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: Lloyd R. Ney (1893 – 1964) Called “Bill” by his friends, Lloyd Ney was one of the pioneers of Modernist art in New Hope. Ne...Category
1940s Abstract Abstract Drawings and Watercolors
MaterialsGraphite, Paper, Watercolor
- Balancing act 4By Tracey AdamsLocated in London, GBGouache, graphite and ink on Rives paper. Unframed. Balancing Act 4 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...Category
2010s Abstract Expressionist Abstract Paintings
MaterialsPaper, Ink, Gouache, Graphite
- "Repetition" Chryssa, Greek Female Artist, Abstract, Neon Light Art StudyBy Chryssa Vardea-MavromichaliLocated in New York, NYChryssa Repetition Signed lower right; titled on the reverse Gouache, watercolor, charcoal, and graphite on paper 15 x 11 inches Born and educated in Athens, Greece, Vardea Chryssa, known professionally as Chryssa, became a U.S. citizen and earned a reputation for her sculptured assemblages utilizing light from neon, and plexiglas combined with mixed media pieces. One of her pieces, Untitled Light Sculpture (1980) is 22 feet long and is installed in the atrium of a building at 33 Monroe Street in Chicago. It was programmed electronically to create changing patterns of reflected light through 900 feet of neon tubing. Chryssa's sculptures with precision and definite form were a reaction against the prevalent Abstract Expressionism of the 1950s with its emphasis purely upon the artist's intent. In her work, the focus is on materials and the way they are shaped for specific use by craftsmen. She got her early education in Athens, and first studied to be a social worker. She was then sent by the Greek Ministry of Social Welfare to the Dodecanese Islands and later to the Ionian Sea island of Zante, whose population had suffered great loss from earthquakes. Disillusioned that monies were being provided to restore monasteries but not to help other earthquake victims, Chryssa changed her life's direction to become a painter. In Athens, she studied art with Anghelos Prokopion. Then she went to Paris, France, and studied briefly at the Academie Grande Chaumiere and associated with surrealists Andre Breton, Edgard Varese, and Max Ernst. In 1954, she moved to San Francisco, California for a year of study at the California School of Fine Arts, and there she first saw the work of Jackson Pollock, which had a freeing affect on her and inspired her to experiment with pure form. But later she reacted against action painting with her assemblage sculptures of controlled precision. In 1955, Chryssa settled in New York City, and became the first artist to incorporate neon light tubing and commercial signs into sculpture. It is asserted that her "mature work grew out of the Greek experience, before and after World War II, wedded to the raucous letters, signs, symbols, and lights of Time Square, New York City" (Heller 125). In fact, she was so taken with the lights of Times Square that she unsuccessfully tried to get a job as a sign maker but was prevented by labor union rules. However, one of the members gave her sign-making lessons in his shop. She first made Pop images such as depictions of automobile tires and cigarettes and in sculptures, utilized letters of the alphabet, ideas that predated similar images by Jasper Johns and Andy Warhol. Her first major work of interwoven light and letters was Times Square Sky of 1962, but she was dissatisfied because she thought the piece was too crowded. To create a sense of breathing, she inserted neon light, and for the first time, this material became an art medium. From that time, she was prolific and created many variations based on the letters W and A. For her, a primary motivating factor was remaining cool or mentally collected amidst the onslaught of bombarding information and to process it through her creations in new ways so that nothing was repeated. She set up her own work place...Category
Late 20th Century Abstract Abstract Paintings
MaterialsGouache, Graphite, Paper, Charcoal, Watercolor
- Balancing Act 1 (Abstract painting)By Tracey AdamsLocated in London, GBBalancing Act 1 (Abstract painting) Gouache, graphite and ink on Rives paper - Unframed This work (unframed) incorporates graphite, ink, and gouache, and is a combination of intuit...Category
2010s Abstract Abstract Paintings
MaterialsPaper, India Ink, Gouache, Graphite
- WhirlwindBy Duane BousfieldLocated in New York, NYWhirlwind, 1989 Graphite on paper 11 x 8-1/2 in. (27.9 x 21.6 cm) Signed and titled, lower margin At the heart of Bousfield's work lies a lyrical celebration of color and tactile se...Category
1980s Abstract Abstract Drawings and Watercolors
MaterialsPaper, Graphite
- Crystal BallBy Duane BousfieldLocated in New York, NYCrystal Ball, 1989 Graphite on paper 11 x 8-1/2 in. (27.9 x 21.6 cm) Signed, titled, and dated, verso At the heart of Bousfield's work lies a lyrical celebration of color and tactil...Category
1980s Abstract Abstract Drawings and Watercolors
MaterialsPaper, Graphite