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Fausto Melotti
Sculpture Project - Original Pencil and Charcoal Drawing by F. Melotti - 1935

1935

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Her Tattooed Porcelain Dolls were adopted by students protesting the U.S.'s use of napalm... their heads (when they have them) with eyes closed, moth half-open and brain visible, fall into the category of surrealistic objects, but with a surrealism filled with a sap which is naive, barbaric and young." Oka Doner received a Bachelor of Science and Design from the University of Michigan (1966), a M.F.A. (1968), was Alumna-in-Residence (1990), received the Distinguished Alumna Award from the School of Art (1994) and was a Penny Stamps Distinguished Speaker (2008). She was awarded the honorary degree, Doctor of Arts (2016). Upon graduation in 1968, Oka Doner established a studio in downtown Ann Arbor behind the art gallery "Editions, Inc.," where physicist Lloyd Cross and sculptor Jerry Pethick were experimenting with holography. Using a krypton laser, they created the first art holograms. One of Oka Doner's sculptures was appropriated for this experiment. The "Ceramic Doll" opened in the world's first exhibition of holograms at the Cranbrook Academy Art in 1970. Oka Doner moved to Detroit and exhibited at the Gertrude Kasle Gallery in 1971. In 1975, a new body of work, Burial Pieces was laid out on the floor of Gallery 7, then a Cooperative Gallery of black artists, led by Charles McGee. It was the first of many installations that shed pedestals and traditional ways of displaying sculpture. A one-person show at the Detroit Institute of Arts followed in 1977. Works in Progress, also forsook conventional props. Oka Doner installed on the floor of the North Court thousands of pieces of clay depicting images of writing and seeds in the process of germinating. In 1979, the DIA initiated a small group exhibition, "Image and Object in Contemporary Sculpture," including Michele Oka Doner, Scott Burton, Dennis Oppenheim, and Terry Allen, which traveled to P.S. 1, New York. 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