Dana DeAno

Corvette

2013

watercolor, oil stick, prismacolor, graphite on 90# Stonehenge

watercolor, graphite, oilstick on 9016 black Stonehenge paper signed by artist

watercolor, graphite, oilstick on 9016 black Stonehenge paper signed by artist

watercolor, graphite, oilstick on 9016 black Stonehenge paper signed by artist

watercolor, graphite, oilstick on 9016 black Stonehenge paper signed by artist

watercolor, graphite, oilstick on 9016 black Stonehenge paper signed by artist

This drawing, painting, and fibers work titled "Party Ball" is an original mixed media artwork by Kelly Kozma made of hand-embroidery, color pencil, and acrylic paint on paper. The a...

Liddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. M...

This fabric work titled "Time Warp" is an original artwork by Kelly Kozma made of hand embroidery, colored pencil & acrylic paint on paper. The piece measures 15”h by 15”w framed. K...

Japanese artist, Yoko Inoue creates a monochromatic and minimalistic work consisting of an opened black envelope layered on top of felt paper with embroidered red dots in the center ...

In Sylvia Schwartz' structures, silicone molds are cast from both natural and hand-made forms, including clay coils, volcanic rock patterns, seaweed, and the artist's own fingerprint...

Robert Longo Pressure, 1983 Acrylic and Graphite on Paper Signed and dated 'Robert Longo 83’ (lower right) in graphite Frame included: Floated and framed in a museum quality frame with UV plexiglass This is a unique painting "Pressure " [on God], Robert Longo's unique acrylic and graphite work on paper, was created during the same period as his iconic work, simply labeled "Pressure", now in the permanent collection of the Museum of Modern Art in N.Y. Whereas the latter depicts a young man, the present work, titled "Pressure on Heaven", then deliberately changed to "Pressure on God", is more ethereal in subject matter, though the lone youth's image is still present in the composition. From Lexander magazine: "In the excerpt from Neal Benezra’s article about 1980s art in the previous post, he writes, “Robert Longo’s Pressure might well be the most representative work of art of the 1980s.” I would go further and state that it is the definitive work of the 1980s—the penultimate visual anthem of the era—and most especially the period between 1979—1987, during which the musical genres of gothic rock and deathrock flourished and achieved their greatest artistic successes through the work of a variety of diverse bands including Bauhaus, Siouxsie and the Banshees...