Art Deco Drawings and Watercolor Paintings

Erté (Romain de Tirtoff) 1892-1990 Russian-French L'Esclave porteuse d'éventailThe fan-carrying slave Signed "Erté" (lower right) Inscribed "Les Rois des Légendes / N°23 / L'Esclav...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Balthasar Signed "Erté" (lower right) Inscribed "Les Rois des Légendes / No. 15 / Costume pour Balthasar / 1919" (en verso) Gouach...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Boucles d'oreilles en corail (Coral Earrings) Signed “Erté” (lower right) Inscribed “n°3544 / Boucles d'oreilles en corail et tu...

Erté (Romain de Tirtoff) 1892-1990 Russian-French La Prêtresse - Danseuse sacréeThe Priestess - Sacred Dancer Signed "Erté" (lower right) Inscribed "Les Rois des Légendes / N°3 / L...

Erté (Romain de Tirtoff) 1892-1990 Russian-French L'hiver (The winter) Signed "Erté" (lower right) Inscribed "No. 356" (en verso) Gouache and gold on paper Erté crafts an elegant...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Ailerons de Requin(Shark Fins) Inscribed "n°1.491" (en verso) Gouache on paper In 1928, Erté undertook the creation of stage desi...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Betty Signed "Erté" (lower right) Stamped "Erté, Romain de Tirtoff" (en verso) Inscribed N°114.4 (en verso) Gouache on paper This...

Original Vintage 1920's Ink and Watercolor Fashion Illustration by listed New England artist Harriette (Nutting) Cooper (1901 - 2002). The illustration depicts a lovely young flappe...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Eunuque Signed "Erté"(lower right) Inscribed "No. 13" (en verso) Gouache and silver on paper < br>This costume was designed for th...

Sotheby's New York . work is elegantly matted and framed with the Sotheby's sticker on verso

Nude Matchstick and ink drawing heightened with conte crayon c. 1925 Signed with the Estate Stamp "B" Provenance: Joseph A. Erdelac (1914 -2005), Cleveland Acqu...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Le chien qui fume (The Smoking Dog) Signed “Erté” (lower right) Gouache on paper This set design by Erté, entitled Le chien qui...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Conte Hindou en blanc Signed “Erté”(middle right) Inscribed "No. 76 / Conte Hindou 1922" (en verso) Gouache on paper Designed f...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Dame d'Honneur de la princessl(Maid of Honor to the princess) Inscribed "n°1.529" (en verso) Gouache on paper In 1929, Erté maste...

Original Art Deco fashion drawing, ink, and wash on Vellum paper by French artist G. Ferro. The artwork features a stylish male model with a typical Art Deco overcoat. The piece is s...

This attractive French interior decoration study project drawing is attributed to Maurice Dufrene Studio. The project features the interior decoration for a typical 1930/40s upper-cl...

A lovely gouache on cardboard painting featuring an Art Deco singer with a typical stylish outfit. The composition is very vibrant, using the contrast of black and white elements ag...

This elegant wood-engraving charcoal drawing lithograph print was designed by John Buckland-Wright (1897-1954). The piece is signed, dated, titled, and numbered in pencil on the marg...

A wonderful Art Deco drawing by Illinois woman artist and illustrator Frances Poe.

Head of a Deco Woman (recto) Standing Male Model (verso) Graphite on paper, 1925 Signed with the artist's initials "PW" and dated 1925 Created while the artist was studying at the ...

This is the original rare concept drawing created 54 years ago in 1970 by the legendary artist David Edward Byrd. It was presented to Bill Graham and the Rock group "The Who" showing...

Art Deco Girl with Car Mid-20th Century American Modernism Pin-Up Illustration Arthur Rosenman Ross (1913 - 1981) Deco Girl with Car, 1936 30 x 20 inches Oil on Canvas Board Signed Arthur ‘36 lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

“Dime a Dance” American Art Deco 20th Century Modernism Pin-Up Social Realism Arthur Rosenman Ross (1913 - 1981) “Dime a Dance”, 1933 Watercolor and Ink on Illustration Board 18” x 10 1/2 inches (sight) Signed Arthur Rosenman, ‘33 L/R 29 1/2”H x 25 1/2 inches ( Framed) Provenance: Estate of the artist. The Drawing is in very good condition. The period frame is solid, but could use some restoration. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

Ombros is a modern and classy piece perfect for home and office decor. :: Drawing :: Art Deco/Art Nouveau :: This piece comes with an official certificate of authenticity signed by t...

Sofisticada is a great classy and modern piece for home and office decor. :: Drawing :: Art Deco/Art Nouveau :: This piece comes with an official certificate of authenticity signed b...

Acima is a modern and classy piece perfect for home and office decor. :: Drawing :: Art Deco/Art Nouveau :: This piece comes with an official certificate of authenticity signed by th...

Untitled (Standing Female Nude) Graphite on paper, c. 1930 Signed bottom right: Lorski (see photo) Sheet size: 9 5/16 x 5 13/16 inches From a sketchbook created while the artist was working in Paris Condition: Good Thin spots verso from previous mounting Soft vertical fold running across image Barely visible on recto Provenance: Estate of the Artist Dawson's Auctioneers and Appraisers, 2001 Amity Art Foundation Boris Lovet-Lorski Lithuanian/Russian/American 1894-1973 Sculptor, painter, and printmaker, Boris Lovet-Lorski was born in Lithuania in 1894. His mother died when he was age three. His father was affluent and owned real estate. Boris grew up in a privileged environment. He studied architecture and then fine arts at the Imperial Academy of Art in Petrograd, Russia (now Saint Petersburg). Following the revolution in 1917 and its aftermath, Boris immigrated to Boston to live with his brother. In the 1920’s, his stylized, Art Deco inspired sculptures, lithographs, and paintings proved to be popular among the American elite. He exhibited frequently, holding his first solo exhibition in Boston, 1920. In the following years, Boris exhibited in New York at Marie Sterner Gallery, Jacques Seligmann Galleries and Wildenstein and Company. He lived in Paris from 1926 to 1932 where he befriended Joseph Hecht, and was exposed to the works of Pablo Picasso, Ossip Zadkine, Contantin Brancusi and Aristide Maillol. In 1932 he returned to America where he became a citizen later in the decade. Lovet-Lorski exhibited in the United States, South America, Europe and Asia. He was a member of the Society of Independent Artists (New York), the National Academy of Design (New York), and the Lotos Club (New York), as well as several Parisian salons. His work is in the permanent collections of numerous museums including the Musée Luxembourg, Bibliotèque Nationale, and the Petit Palais in France, the British Museum in London, the Metropolitan Museum in New York, the National Gallery in Washington, the Los Angeles County Museum of Art. (A more extensive list of his works in museums follows) He is considered one of the most successful and recognized sculptors of his generation. His creative influence can be seen in many of his contemporary artists. He died in Los Angeles in 1973. Regarding his iconic Art Deco sculptures of Cretan Dancers: “The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.” Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12. Lovet-Lorski created sculptures of the following major figures I.J. Paderewski, Prime Minister of Poland Arturo Toscanini, Italian Conductor Lilian Gish, Actress President Franklin D. Roosevelt Mrs. M. C. Niarchos, wife of Stavros Niarchos President Abraham Lincoln James Forrestal, Secretary of the Navy, First Secretary of Defense Pope Pius XII Dr. Albert Einstein, theoretical physicist President Dwight D. Eisenhower Albert Schweitzer, theologian, organist, writer, humanitarian, philosopher, and physician General Charles De Gaulle, President of the Fourth and Fifth Republic, France John Foster Dulles, Secretary of State, 1953-1959 President John F. Kennedy Works by Lover Lorski are in the following public collections: Albright-Knox Art Gallery, Buffalo Art Institute of Chicago Bibliotheque Nationale, Paris Brandeis University, Waltham, MA British Museum, London Boston University Brooklyn Museum California Palace of the Legion of Honor, Sam Francisco...

Head of a Deco Woman (recto) Standing Male Model (verso) Graphite on paper, 1925 Signed with the artist's initials "PW" and dated 1925 Created while the artist was studying at the ...

Famed Art Deco Sculptor Boris Lovet-Lorski depicts his signature "Stallion." in this stunningly elegant drawing. It features a nude female that is compositionally and spiritually in...

'Ava (1940s Art Deco Fashion Rendition)' is an original drawing by the American artist Jorge Ruiz-Martinez. The artist works in an art deco style, imagining graceful figures in histo...

'Demi mondaine à la Mode is a very early drawing by Erté, pencil on card, approximately 6.25 x 4.75 inches and framed in a classic, gold-tone frame. Signed i...

'1920s Flapper Fashion Rendition' is an original drawing by the American artist Jorge Ruiz-Martinez. The artist works in an art deco style, imagining graceful figures in historic cos...

'Lucille (1940s Female Bust Fashion Rendition)' is an original drawing by Jorge Ruiz-Martinez. The artist works in a pared-down style with a nod to Art Deco fashion images while neve...

"1950s French Male Fashion Rendition" is an original drawing by Jorge Ruiz-Martinez. The artist works in a pared-down style with a nod to Art Deco fashion images while nevertheless m...

'Ode to Mineko Iwasaki (1970s Japanese Geisha)' is an original charcoal drawing by the American artist Jorge Ruiz-Martinez. The artist works in an art deco style, imagining graceful ...

'Paths (Contemporary)' is an original drawing by the American artist Jorge Ruiz-Martinez. The artist works in an art deco style, imagining graceful figures in historic costume throug...

'Male 1540s Fashion Rendition' is an original drawing by Jorge Ruiz-Martinez. The artist works in a pared-down style with a nod to Art Deco fashion images while nevertheless maintain...

'Contemporary Fashion Rendition' is an original drawing by Jorge Ruiz-Martinez. The artist works in a pared-down style with a nod to Art Deco fashion images while nevertheless mainta...

'Female 1540s Fashion Rendition' is an original drawing by the American artist Jorge Ruiz-Martinez. The artist works in an art deco style, imagining graceful figures in historic cost...

"1950s French Female Fashion Rendition" is an original drawing by Jorge Ruiz-Martinez. In this drawing, the artist clearly features the strong shoulders and the nipped-in waist silho...

An early 1940s fashion study featuring an advertisement for Elizabeth Arden "Safari" Nail Polish at Marshall Field & Company. Provenance: Cornelia Steckl-Jurin, Founder of the Fas...

Erté (Romain de Tirtoff) 1892-1990 Russian-French La Veuve Rusée Signed “Erté” (lower right) Gouache on paper La Veuve Rusée, first performed in 1748 in Venice, is a comedy cente...

An early 1940s fashion study featuring an advertisement for Lilly Daché Perfume. Provenance: Cornelia Steckl-Jurin, Founder of the Fashion Department at the School of the Art Instit...

An early 1940s fashion study featuring an Elizabeth Arden advertisement for Marshall Field & Company. Provenance: Cornelia Steckl-Jurin, Founder of the Fashion Department at the S...

An original Art Deco illustration hand-painted with ink and gouache on paper. The drawing features two elegant women with large windows and drapery in the background. This illustrati...

An early 1940s fashion study featuring an advertisement for Elizabeth Arden. Provenance: Cornelia Steckl-Jurin, Founder of the Fashion Department at the School of the Art Institut...

The paper in some of these photos looks overly textured due to the sharpness of the high-res digital camera. In person, with the human eye, the paper looks reasonably smooth with out blemishes. For this fashion illustration, Georges Lepape paints a stunning abstract pattern for the subject dress that is repeated in her hair. The work represents an early use of metallic paint, with silver metallic in the dress and bronze metallic in the blouse. Lepape's highly detailed drawing becomes more evident the closer you look. It's quite amazing how deftly he rendered facial feature on such a small scale. "Eva" 1918 Gouache, watercolor, and ink on paper Signed and dated, lower right: '1918' Inscribed, verso: "Costume for L'enfantement du mort, (miracle en pourpre, et or.). Devised by Marcel L'Herbier and performed at the Théatre Edouard VII and the Comédie des Champs-Elysées, 1919" Provenance: Ex-collection Lucien...

Fabled Vogue Magazine Cover Artist Eduardo Garcia Benito depicts a perfectly posed long-neck flapper with her reflection in a mirror, Her extrav...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Acte I, La Grande Duchesse Signed “Erté” (lower right) Inscribed "La Traviata / 1er acte / Entrée des invités / Composition orig...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Les filles final (The Final Girls) Signed “Erté” (lower right) Inscribed No. 18.340 (en verso) Gouache on paper An elaborate de...

Possibly created as a design for one of Harper's Bazar's 1929 monthly editions, Ornements d'Oreilles (#3.542) is also similar to a design Erté considered for his 'Art to Wear' jewelr...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Costume Oriental Signed “Erté”(lower right) Inscribed "No. 19" (en verso) Gouache on paper Titled Costume Oriental, this ensemble epitomizes Erté's signature fusion of Eastern and Western aesthetic elements. The attire features grey pantaloons enveloped by a vivid red skirt adorned with intricate white Orientalist motifs. The bodice, a geometric tapestry of black and white stripes, is composed of narrow horizontal black bands juxtaposed with glittering gemstones. This visual harmony is accentuated by a trio of diamond shapes vertically aligned on the chest. The crowning element is a gem-encrusted turban, surmounted by three red fan shapes, lending the headpiece the appearance of a striking medallion. This sartorial masterpiece is an authentic Erté creation for the 1926 rendition of George White's Scandals, staged at the Heilig Theatre in Portland, Oregon. The revue initially debuted at the Apollo Theatre in New York City on June 30, 1924, enjoying a run of 196 performances before embarking on a tour. Orchestrated by George White from 1919 to 1939, the Scandals series distinguished itself through its timely comedy and exceptional choreography, a testament to White's expertise as a dancer. In contrast to the more lavish Ziegfeld Follies,Scandals offered a streamlined yet sophisticated experience. The Sixth Edition was particularly remarkable for its artistic collaborations: Erté designed the scenery and curtains, while George Gershwin composed the musical score, which included the classic "Somebody Loves Me." The production featured an ensemble of notable performers, including Nyra Brown and the Leeland Sisters. The artist, Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art. Painted 1926 Paper: 12“ high x 9 wide Frame: 19 1/4“ high x 16 1/8” wide x 5/8" deep Exhibitions: M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024 Provenance: Private collection, Paris Christie's South Kensington: Sale, 2014 Bouret Gonzalez Collection Sydney and Sibyl Colefax...

This design for Decca Records likely dates to the 1950s, and perhaps specifically the 1953 recording with Janine Micheau, conducted by Georges Sébastian. Signed recto 'Erté' mid-righ...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Ave Maria Signed "Erté" (center right) Inscribed "N°1.349 / Victor Herbert Finale / Ave Maria / Décor / G.W.S. 1928" (en verso) Go...

Erté (Romain de Tirtoff) 1892-1990 | Russian-French Etude de décor (Study of decor) Signed “Erté”(lower right) Inscribed "Don Pasquale" (en verso) Gouache on paper Erté reimagines...

Erté (Romain de Tirtoff) 1892-1990 Russian-French La valse Signed “Erté” (lower right) Inscribed "No. 4096 / La Traviata / Acte I / Scenes II et IV / La Valse / Composition origin...

This design for a Decca recording of Lakme likely dates to the 1950s, and specifically to the 1952 recording with Mado Robin, conductor Georges Sébastian, at the Théâtre National de ...

Created in the 1980s for Erté's 'Art to Wear' jewelry collection, this gouache painting on paper is signed 'Erté' on the front and titled and annotated on the back in Erté's hand - "...