Donald Baechler

Untitled (Socks)

1989

Graphite on museum board This work is offered by ClampArt in New York City.

Signed and dated in pencil, l.l. Contact gallery for price This work is offered by ClampArt in New York City.

Colored pencil on vellum Signed, l.r. This drawing is offered by ClampArt, located in New York City. Elsie Driggs (1898-1992), was an American painter known for her contributions to...

Signed and dated in pencil, l.r. This work is offered by CLAMP in New York City.

Watercolor and gouache on paper Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. Willy Bo Richardson received an MFA in pai...

Watercolor and gouache on paper Signed, verso This artwork is offered by ClampArt, located in New York City. Willy Bo Richardson received an MFA in painting from Pratt Institute in...

This purple, white, beige and orange painting titled "R.I.P. Kobe" is an original artwork by Ruby Silvious made of watercolor and gouache on used tea bag. This...

Two bud vases seemingly defy gravity as they teeter upon a watery surface in Christina Haglid's "Janus". This meticulously detailed watercolor invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Intricate in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. Christina Haglid Janus watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH031 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

This surreal landscape comes from the inner sanctum of artist Christina Haglid. Two paper orbs combine and reveal a portal to another dimension. The artist invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Meticulous in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75. Christina Haglid Nest, 2020 watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH051 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

Translucent vessels are suspended upon the surface of the water in this surreal landscape entitled "Cloud Lake". This landscape is done in exacting detail with watercolor and gouache down to the smallest water droplet. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75 inches. Christina Haglid Cloud Lake watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH053 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...

This piece titled "Hung Aloft the Night II" is an original piece by Allison May Kiphuth and is made from watercolor and gouache on paper on panel. This piece measures 5”h x 6.25”w x ...

Mary Finlayson Flowers II Gouache on Paper 22.5 x 17 inches, framed Mary Finlayson’s interest in painting interior spaces portrays how environments reveal identity. Navigating the themes of intimacy, memory, and self, Finlayson’s gouache paintings reflect the vulnerable narratives unveiled through ownership of possessions. Flattening the perspective of each scene, her still lifes provide a voyeuristic glimpse in to each curated space. Considering the personal attachments and importance of objects, her compositions skew and distort to capture the feeling of a space rather than an accurate depiction. Rendered with vivid color and an emphasis on texture, Finlayson creates spaces that are partly real and partly imagined. Mary Finlayson lives and works in San Francisco as an artist, teacher, and art therapist. She holds a Bachelor of Fine Arts from Queen's University, a Graduate Degree in Art Therapy...