James Torlakson

Car Wash - original unique watercolor

2016

Empty Booth - an iconic American original watercolor painting - 36 x 24 inches - by James Torlakson, who is known for his photorealist oil paintings, watercolors and aquatint intaglio etchings. Empty Booth depicts the inside of an empty fireworks booth with a Red Devil...

'A Suspiciously Low Tide, 2001', the original painting is 20 x 40 inches and the outer dimensions of the frame is 30 x 50 inches. Artist signed, titled and dated. Condition is excell...

'Grounded Angel' a highly collectable original watercolor by internationally acclaimed American Realist James Torlakson. The art is 10 x 14 inches and 19 x 23 inches professionally f...

'The Yellow Phone, 2021' a highly collectable original watercolor by internationally acclaimed American Realist James Torlakson. The art is 24 x 14 inc...

'Last Mohawk, 2021' a highly collectable original watercolor by internationally acclaimed American Realist James Torlakson. The art is 4 x 9 inches and 11 x 15.75 inches professional...

'Bay no. 4, II 1980' a highly collectable original watercolor by internationally acclaimed American Realist James Torlakson. The art is 11 x 16 inches and 15 x 20 inches professional...

Mary Reilly explores the full tonal depth of graphite in her nature drawings and landscapes. She finds all of the soft subtleties of gray as she shifts seamlessly from branch to pebb...

Two bud vases seemingly defy gravity as they teeter upon a watery surface in Christina Haglid's "Janus". This meticulously detailed watercolor invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Intricate in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. Christina Haglid Janus watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH031 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

This surreal landscape comes from the inner sanctum of artist Christina Haglid. Two paper orbs combine and reveal a portal to another dimension. The artist invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Meticulous in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75. Christina Haglid Nest, 2020 watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH051 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

Translucent vessels are suspended upon the surface of the water in this surreal landscape entitled "Cloud Lake". This landscape is done in exacting detail with watercolor and gouache down to the smallest water droplet. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75 inches. Christina Haglid Cloud Lake watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH053 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...

WINTER SEEDS 3 is a large new watercolor on Arches paper by Fleur Thesmar. The artwork measures 22x30", and is mounted on a simple backing matte. The artwork would ship flat. An extr...

SOUL MOUNTAIN is a new watercolor on Fabriano paper by Fleur Thesmar. The artwork measures 22x30". Note the flow of the landscape, the curves and fields ...