Skip to main content
1 of 1

Alysanne McGaffey
Kitchen Still Life in Blue Ink, Circa 1960s

Circa 1960s

You May Also Like
  • Still Life at a Table, Study in Yellow by Artist Harold Haydon
    By Harold Haydon
    Located in Chicago, IL
    A ca. 1931 delightful watercolor still life at a table; a study in yellow by artist Harold Haydon. Harold Emerson Haydon was born in Fort William, Ont...
    Category

    1930s American Modern Interior Drawings and Watercolors

    Materials

    Paper, Ink, Watercolor, Pen

  • Untitled (Still Life, Interior)
    By Harold Haydon
    Located in Chicago, IL
    A detailed ink on paper drawing of a still-life in an interior by artist Harold Haydon. Harold Emerson Haydon was born in Fort William, Ontario, Canada in 1909. Haydon came to Chi...
    Category

    1950s American Modern Still-life Drawings and Watercolors

    Materials

    Paper, Ink

  • Tablescape With Red Cloth, 1956
    By Giorgio Morandi
    Located in Cotignac, FR
    Mid Century Italian watercolour on paper of a tablescape, signed and dated (1956) bottom right. The artist is currently unknown. This painting forms part of a pair with another tab...
    Category

    Mid-20th Century Modern Still-life Drawings and Watercolors

    Materials

    Paper, Ink, Watercolor

  • (Modern Still Life) Untitled, 1964, Ian Hornak — Drawing
    By Ian Hornak
    Located in Auburn Hills, MI
    Original drawing on archival paper, circa 1964. Paper Size: 14 x 12 inches. Provenance: Estate of Ian Hornak, East Hampton, New York. Notes: Created during Hornak’s undergraduate st...
    Category

    1960s Modern Interior Drawings and Watercolors

    Materials

    Ink, Archival Paper

  • Israeli Yosl Bergner Modernist Watercolor Painting Drawing Pots, Pans
    By Yosl Bergner
    Located in Surfside, FL
    Abstract Composition, Kitchen Utensils. Ink and watercolor of kitchen implements. Hand signed in Hebrew upper left. Dimensions: (Frame) H 25" x 18" (Sight) H 18.5" x W 11.75" Bergner, Yosl (Vladimir Jossif) (b Vienna, 13 Oct 1920). surrealist, surrealism. belongs to the generation of people uprooted from childhood landscapes and forced by circumstance to build a life elsewhere. Uniquely, he became an Israeli without shedding his Jewish cosmopolitan-refugee identity, an identity he zealously guarded in the melting pot of Israel of the "fifties" and "sixties". In the years that have passed since he acquired his art education at the Melbourne National Gallery Art School in Australia, concepts in the art world have changed many times over. from the Jewish paintings and the depictions of Australian Aborigines through the children of safed, the wall paintings, the masks, the angels and kings, the still lifes, the "Surrealistic" paintings, the toys and flowers, the paintings inspired by the Bird-head Haggadah, the Kafka paintings, the Pioneers, the Kimberley fantasy (about his father's excursion in 1933 to northern Australia, in search of a "territory for the Jews"), Brighton Beach and the seascapes inspired by Eugene Boudin, through the chairs in the "Kings of Nissim Aloni" episode to the "Zionists" and the recent "Tahies". "During the six years that Bergner has lived in Israel," wrote Eugene KoIb, Direct. or of the Tel Aviv Museum, in the catalog of the Bergner exhibit in 1957, "he has established himself among Israeli artists." Bergner was indeed one of the artists who represented Israel in the Venice Biennial (1956; 1958) and in the Sao Paulo Biennial in 1957; this, in spite of the fact that Yosl Bergner did not harness his art to serve the Zionist ethos, that being, at the time, the order of the day (his paintings were in fact rejected at first as being those of a "Diaspora Jew"); he didn't "naturalize" himself by alliance to the country's landscape or its special light, nor did he turn to abstract painting. Painter of "the Jewish condition". the painter involved in Nissim Aloni's theater and the popular illustrator of poetry books and literary texts, he stuck to the narrative which drew its images from his childhood world, from Yiddish and from the Jewish culture of Poland in whose bosom he grew, with its literature, theater and fantasy. From this point of view his position as an "outsider", first in Australia and later in Israel, like that of the European Jew on the periphery of the dominant culture, afforded him a special dialectic vantage point from which to view his human and cultural surroundings. He was and remains a figurative painter even when he verges on the abstract. Israeli painter of Austrian birth, active in Australia. He grew up in Warsaw. His father, the pseudonymous Jewish writer Melech Ravitch, owned books on German Expressionism, which were an early influence. Conscious of rising anti-Semitism in Poland, Ravitch visited Australia in 1934 and later arranged for his family to settle there. Bergner arrived in Melbourne in 1937. Poor, and with little English, his struggle to paint went hand-in-hand with a struggle to survive. In 1939 he attended the National Gallery of Victoria’s art school and came into contact with a group of young artists including Victor O’Connor (b 1918) and Noel Counihan...
    Category

    Mid-20th Century Modern Still-life Drawings and Watercolors

    Materials

    Archival Ink, Watercolor

  • Transparent Teardrop Window, Watercolor on Paper, Yellow, Blue, Pink, Minimal
    By Ryan Rivadeneyra
    Located in Barcelona, ES
    "Transparent Teardrop Window" is a hand-painted watercolor painting on high-quality 300g paper of a minimalist architectural sculpture, drawn and ...
    Category

    2010s Art Deco Still-life Drawings and Watercolors

    Materials

    Ink, Archival Ink, Sumi Ink, Watercolor, Archival Paper

Recently Viewed

View All