Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Marshall Goodman
The Scapegoat II, Court Drawing by Marshall Goodman

circa 1990

About the Item

The Scapegoat II Marshall Goodman, American (1916–2003) Watercolor on paper Size: 10 x 10 in. (25.4 x 25.4 cm) For the last ten years of his life Mr. Goodman worked as a Courtroom Illustrator. for high profile trials such as John Gotti, Imelda Marcos (CNN) and the 1993 World Trade Center Bombing with Ramzi Yousef.
  • Creator:
    Marshall Goodman (1916 - 2003)
  • Creation Year:
    circa 1990
  • Dimensions:
    Height: 10 in (25.4 cm)Width: 10 in (25.4 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Long Island City, NY
  • Reference Number:
    1stDibs: LU4666444282
More From This SellerView All
  • Meryl Streep & Cher, Caricature Drawing by Marshall Goodman
    By Marshall Goodman
    Located in Long Island City, NY
    Artist: Marshall Goodman, American XXth Title: Meryl Streep and Cher Year: circa 1980 Medium: Watercolor on Paper, Signed Image Size: 20 x 25.5 inches
    Category

    1980s American Modern Portrait Drawings and Watercolors

    Materials

    Watercolor

  • Pensive Dancer, Ink Drawing by Raphael Soyer
    By Raphael Soyer
    Located in Long Island City, NY
    Artist: Raphael Soyer, Russian/American (1899 - 1987) Title: Pensive Dancer Year: circa 1956 Medium: Pencil on Paper, signed lower right Paper Size: 8 x 5 inches Frame: 11.5 x 9.5 i...
    Category

    1950s American Modern Portrait Drawings and Watercolors

    Materials

    Ink, Archival Paper

  • Girl with Bonnet, Pastel Portrait by Thomas Strickland
    By Thomas Strickland
    Located in Long Island City, NY
    Artist: Thomas Strickland, American (1923 - 1999) Title: Girl with Bonnet Year: circa 1970 Medium: Pastel on Paper, signed u.r. Size: 25.5 in. x 19.7...
    Category

    1970s American Modern Portrait Drawings and Watercolors

    Materials

    Oil Pastel

  • La Nina Desnuda, Gouache Painting by Raul Anguiano
    By Raul Anguiano
    Located in Long Island City, NY
    Raúl Anguiano belongs to the “Third Generation” of post-revolutionary painters, with Juan O’Gorman, Jorge González Camarena, José Chávez Morado, Alfredo Zalce...
    Category

    1940s Modern Portrait Drawings and Watercolors

    Materials

    Tempera, Gouache

  • Red-Haired Woman in a Cafe
    By Marshall Goodman
    Located in Long Island City, NY
    Artist: Marshall Goodman, American (1916 - 2003) Title: Red-Haired Woman in Cafe Year: circa 1975 Medium: Watercolor Size: 23 in. x 18.5 in. (58.42 cm x 46.99 cm) Frame Size: 31 x 2...
    Category

    1970s American Realist Portrait Drawings and Watercolors

    Materials

    Watercolor

  • Hampton Bays, Watercolor by Eve Nethercott
    By Eve Nethercott
    Located in Long Island City, NY
    Artist: Eve Nethercott, American (1925 - 2015) Title: Hampton Bays (P6.24) Year: 1958 Medium: Watercolor on Paper Size: 22 x 30 in. (55.88 x 76.2 cm)
    Category

    1950s Expressionist Portrait Drawings and Watercolors

    Materials

    Watercolor

You May Also Like
  • Chaim Gross Mid Century Mod Judaica Jewish Watercolor Painting Rabbis WPA Artist
    By Chaim Gross
    Located in Surfside, FL
    Chaim Gross (American, 1904-1991) Watercolor painting Rabbinical Talmudic Discussion Hand signed 17 x 29 framed, paper 10 x 22 Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, Israeli President, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. He also did some important Hebrew medals. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...
    Category

    Mid-20th Century American Modern Figurative Drawings and Watercolors

    Materials

    Paper, Watercolor

  • Reefer Madness, Marajuana - Pot - Cannabis - Cover Atlantic Monthly Magazine
    By Seymour Chwast
    Located in Miami, FL
    Gouache, Crayon, Pencil, Film on Paper, not framed Cover Atlantic Monthly Magazine August 1994
    Category

    1990s American Modern Mixed Media

    Materials

    Gouache

  • Women's World Magazine Cover Illustration , Children Sledding
    By Maginel Wright Enright Barney
    Located in Miami, FL
    Children Sledding, Women's World Magazine Cover, December 1939 Signed lower center image watercolor, gouache, pencil, and wash on paper
    Category

    1930s American Modern Figurative Drawings and Watercolors

    Materials

    Gouache

  • "Isadora Duncan (Orange), " Pen, Ink, & Watercolor signed by Abraham Walkowitz
    By Abraham Walkowitz
    Located in Milwaukee, WI
    "Isadora Duncan (Orange)" is an original pen & ink, graphite, and watercolor piece on cream paper by Abraham Walkowitz. The artist signed the piece in the lower center. The drawing d...
    Category

    1920s American Modern Portrait Drawings and Watercolors

    Materials

    Ink, Paper, Watercolor, Graphite

  • "Isadora Duncan (Blue), " Pen, Ink, & Watercolor signed by Abraham Walkowitz
    By Abraham Walkowitz
    Located in Milwaukee, WI
    "Isadora Duncan (Blue)" is an original mixed media drawing created by Abraham Walkowitz. It is made with pen & ink, graphite, and watercolor piece on cream paper. The artist signed t...
    Category

    1920s American Modern Portrait Drawings and Watercolors

    Materials

    Paper, Ink, Watercolor, Graphite

  • 1950s "Purple Head" Mid Century Oil and Pastel Portrait Original Drawing
    By Donald Stacy
    Located in Arp, TX
    Donald Stacy "Purple Head" c.1950s Gouache and oil pastel on paper 13.75" x 17" unframed Unsigned Came from artist's estate Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League Pratt Graphic Arts Center University of Paris 1953-54 University of Aix-en-Provence 1954-55 Faculty: Art Department of the New School Museum of Modern Art School of Visual Arts Stacy Studio Workshop Exhibitions: Grand Central Moderns George Wittenborn The New School Print Exhibitions, Chicago University of Oklahoma Honolulu Museum Monclair Museum Wisconsin State College Louisiana Art Commission Philadelphia Print...
    Category

    Mid-20th Century American Modern Portrait Paintings

    Materials

    Paper, Oil Pastel, Gouache

Recently Viewed

View All