George Dureau

George Dureau (New Orleans) "Young Man in Hat" - Framed Portrait Drawing

A large, powerful image of legendary New Orleans artist George Dureau in which this time he depicts HIMSELF as an angel! Two of his iconic dwarves accompany him. Dureau was indisput...

New Orleans/Washington State artist Lue Isaac shows off her remarkable draftsmanship with this classical nude figure drawing. Note that this is from her ske...

(Sorry for the reflections on the glass.) When I first saw this graphite-on-paper drawing I assumed it was a print of a Larry Rivers drawing (early Pop Artist and one of the great dr...

A wonderfully accomplished pastel of a woman lost in thought, with a subtle sensuality about it. She has not been idealized into a classical trope, but is a real person, we can tell....

New Orleans/Washington State artist Lue Isaac shows off her remarkable draftsmanship with this classical nude figure drawing. Note that this is from her ske...

(Sorry for the reflections on the glass.) An exquisite antique pastel of a beautiful young lady showing her pleasure gazing at a new pair of silk tapestry shoes. An import sticker from France is still attached to the back. Comes in an elaborate gilt-and-plaster antique carved frame...

Charcoal and gouache on paper, titled ‘Phil Richards’ and dated ‘Friday Dec 8 72’ (lower left), 64cm x 48cm (72cm x 56cm framed).(Provenance: the Artist’s estate (stamped verso)). the picture is framed behind UV glass Stonehouse had an extraordinary life. As a young art student studying fashion illustration, he joined the Royal Artillery at the beginning of WWII but soon became a part of the Special Operations Executive (SOE). He was sent to France as a radio operator but three and a half months later was caught by the Gestapo, tortured, given a death sentence and then selected for slave labour. He spent the subsequent war years in three French prisons and five concentration and labour camps, including Dachau. He still managed to continue to draw in some of the camps. Following the war, Stonehouse went to the US and continued his career as a fashion artist painting for magazines like Vogue, Harper's Bazaar and Elizabeth Arden. He was also an accomplished portraitist. His work is celebrated in Brian Stonehouse...

Charcoal on paper, 56cm x 38cm, (79cm x 60cm framed). Provenance: The Artist’s sister. From the mid-1940s to the early 1950s Colquhoun was considered one of the leading artists of his generation. Along with that of Robert MacBryde, another artist and Colquhoun’s partner, his work was regularly shown at the Lefevre Gallery in London. This early work is likely to be a drawing from when Colquhoun was at the Glasgow School of Art in the 1930s. Known as the ‘Two Roberts’, Colquhoun and MacBryde met at the Glasgow School of Art in 1932 and lived together until Colquhoun’s death in 1962. The pair also exhibited in several group shows at the Lefevre Gallery, including one in February 1946, alongside Ben Nicholson, Graham Sutherland, Bacon and Freud. Works were bought by the Arts Council, the British Council, the Contemporary Art Society and the Imperial War Museum. Major art patrons added their work to their collections, including Sir Kenneth Clark...

Charcoal on paper, signed by the artist (upper right), and RA visitor L. Alma Tadema, RA., and dated (lower left), 76cm x 57cm, (64cm x 88cm framed). Olivier studied at the Royal Academy Schools from 1881, where this extraordinary display of drafting took place. Olivier exhibited extensively, including the Royal Academy starting in 1883, and the Paris Salon. He exhibited at the Fine Art Society in the 1880s and at the Grafton Galleries in 1908. An official war artist in the Great War, his work is included in the collection of the Imperial War Museum. It is also contained in many regional art galleries. Drawings of the nude, called academic studies...

Pencil on paper, signed (upper right), 76cm x 56cm (88cm x 68cm framed). A graduate of the Kiev Art Academy in 1957. Drawings of the nude, called academic studies...

Charcoal on paper, signed (verso), and signed and dated ‘20th July 1878’, by R.A invigilator, E.B. Stephen A.R.A. (bottom left), 73cm x 46cm, (88cm x 60cm framed). The work is framed...

Charcoal, sanguine and white chalk on paper, initialled ‘F.B.’ (lower right), 48cm x 38cm (69cm x 57cm framed). British painter, printmaker, draughtsman, and designer, the son of a...