Paint Drawings and Watercolor Paintings

Watercolor on paper

A watercolor and gouache by Modern artist Henry Moore. "Two Reclining Figures" is executed in charcoal, green chalk, brown conte, watercolor wash, gouach...

Crashing Waves - Big Sur Coastal Cove Original Oil on Masonite Dramatic small-scale, professionally framed seascape by Stephen John Skerce (American, 1926-2010). Waves crashing into a Big Sure Cove and Seagulls gliding on the wind currents. Well known for many years on the Monterey coast for his seascapes and beach scenes. Signed "Skerce" in the lower right corner. Signed "Stephen Reno Skerce" on verso, with the artists Mountain View Studio stamp on frame. Presented in a wood frame with a linen liner. Frame size: 12.5"H x 14.75"W Board size: 5"H x 7"W Stephen John Skerce (American, 1926-2010) was a painter from Monterey, California. He received his formal art training from the Chicago Art Institute, Salinas Art School, and the Academie Julien in Paris, France. He is known for his landscapes, seascapes, and harbor scenes. He was an artist with both the Valley Art Gallery in Salinas and Venture Gallery in Monterey. He was also served in the US Marine Corps.

Original gouache and ink nude figure drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Torso and buttocks of man with arm raised in wa...

Original oil pastel and gouache figure painting by celebrated, twentieth-century California landscape painter, Ronald Shap. Vibrant sketch of nude woman with fetish accessories in wa...

Roberta Allen German Lesson, 1981 Two separate mixed media works framed together: watercolor, gouache, ink, wash, laid paper collage (each signed by hand) Signed twice: each of the s...

Very well painted original watercolor on archival paper of potted geraniums with metal watering can and garden gloves. Signed in pencil by the artist Peggy Dressel lower right. The S...

Andrée HONOREE (1945-1992) Untitled, 1980 Gouache on paper Signed and dated "1980" lower center 43 x 31.5 cm Born in 1945 in Tourcoing, Andrée Honoré is one of the women sculptors w...

This is original watercolor over a limited edition woodcut political poster. hand signed, dated and numbered. it bears similarity to works by Alexander Calder. Employing a star and abstract design. Katherine Porter is an American artist born in Cedar Rapids, Iowa in 1941. She received her BA from Colorado College in 1963. Katherine Porter received an honorary doctorate from Colby College. She has shown twice in the Whitney Biennial and solo exhibitions at the Knoedler Gallery in London, the Nina Nielsen Gallery in Boston, and the Andre Emmerich and Salander-O'Reilly Galleries in New York. Her work is in the collections of the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Museum of Fine Arts in Boston, and the Tel Aviv Museum and Bezalel Museum in Jerusalem. (Katherine Page Porter, Katherine Pavlis Porter) Her exhibitions include biennials in 1976 and 1981 at the Whitney Museum of American Art in New York City; 1980 at the San Francisco Museum of Fine Arts; 1981, Dartmouth College, Hanover, New Hampshire; 1985, Brandeis University, Waltham, Massachusetts; and 1987 at the Sidney Janis Gallery, New York City. Classic Americana. American Abstract Expressionism. Early Pattern and Decoration piece, The movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch all worked in this same vein. SELECTED SOLO EXHIBITIONS Galerie Hubert Winter, Vienna, Austria Victoria Munroe Fine Art, Boston, MA Meridian Gallery, San Francisco, CA Salander O’Reilly Gallery, New York, NY Bowdoin College Museum of Art, Brunswick, ME Andre Emmerich Gallery, New York, NY Knoedler Gallery, London Sidney Janis Gallery, New York, NY Pace Gallery, Addison, ME Dartmouth College, Hanover, NH (drawings) Harcus Krakow Gallery, Boston, MA SELECTED GROUP EXHIBITIONS Contemporary Landscape Painting, Nagoya/Boston Museum of Art, Nagoya, Japan From the Collection of Edward Broida, Palm Beach Art Museum, Palm Beach, FL Abstraction Per Se (through January 1993), Pratt Manhattan Gallery, NY Painting Self-Evident (Curator), Picolo Spoleto Festival, Charleston, SC Art on Paper 1990, Weatherspoon Art Gallery, The University of North Carolina, Museo Barjola, Gijon, Spain; Calouste Gulbenkian Foundation, Lisbon, Portugal; Pratt Manhattan Gallery, NY Sightings, Instituto de Estudios Norteamericanos, Barcelona; Casa Revilla, Valladolid, Invitational, New Britain Museum of American Art, New Britain, CT Atelier Project, Neuberger Museum, SUNY Purchase, NY Landscape Show, Allan Frumkin Gallery, NY Rethinking the Avant-Garde, by Jonathan Fineberg, The Katonah Gallery, NY Nancy Hoffman Gallery, NY Group Show, Van Abbemuseum, Eindhoven, Holland Contemporary Drawings, Museum of Modern Art, New York, NY International Survey of Recent Painting and Sculpture, Museum of Modern Art, NY Modern Expressionist: German, Italian, & American Painters, Sidney Janis Gallery, NY American Women Artists, Part II: Younger Generation, Sidney Janis Gallery, NY Contemporary Works on Paper, Frumkin-Adams Gallery, NY Hassam Speicher Purchase Fund Exhibition, American Academy of Arts and Letters, NY The End of the World: Contemporary Visions of the Apocalypse, The New York Museum of Contemporary Art, NY Recent Acquisitions, Museum of Modern Art, New York, NY Homage to Arthur Dove, Hobart and William Smith Colleges, Geneva, NY Six Painters, The Hudson River Museum, Yonkers, NY Twenty New York Painters, Institute of Contemporary Art, Philadelphia, PA 74th American Exhibition, The Art Institute of Chicago, Chicago, IL Abstract Painting, Women’s Caucus, NY Biennial, Whitney Museum of American Art, New York Spoleto Choice, Spoleto Festival, Charleston, SC From Women’s Eyes, Rose Art Museum, Brandeis University, Waltham, MA Theodoran, Solomon R. Guggenheim Museum, New York, NY Three If By Air, Obelisk Gallery, Boston, MA Betty Parsons Collection, Finch College, New York, NY SELECTED PUBLIC COLLECTIONS Addison Gallery of American Art, Andover, MA Albertina Museum, Vienna, Austria California Palace of the Legion of Honor (Achenbach Foundation), San Francisco, CA Detroit Art Institute, Detroit, MI Fogg Art Museum, Harvard University, Cambridge, MA Gemeentsmuseum of the Hague, The Hague, Netherlands (permanent installation) Solomon R. Guggenheim Museum, New York, NY High Museum of Art, Atlanta, GA Houston Museum of Fine Art, Houston, TX Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York, NY Mount Holyoke...

QUIRIJN VAN TIEL Rotterdam 1900-1967 Rhoon CHURCH COURT, ST. CIRQUE MADELON 1958 Gouache on paper 57 x 45 cm. Signed and dated: lower left "Quirijn ...

Original gouache and oil pastel figure drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Crouching nude man with a mustache...

Original gouache and oil pastel figure drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Nude woman laying sideways with washes of tea...

Original oil pastel, ink and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of nude woman reclining in a turban in washes o...

Paul Pagk Untitled Geometric Abstraction, 1989 Gouache and watercolor on paper Signed, dated and inscribed "A Jacqueline". Frame included Excellent unique work on paper by contempora...

5067 Male nude recling seen from rear by Alex Devlin Image size 9.5x 13.5"

Michael Heizer III-8 (two unique works), 1983 Monoprint on two individual sheets of white handmade TGL paper, hand colored with colored pencils, paint sticks, and liquid and spray ac...

Robert Rauschenberg 'Snowflake Crime XIX', from the ACE Gallery Collection, 1981 Solvent transfer, acrylic and fabric collage on handmade paper with deckled edges Signed and dated '81 in permanent marker on the back; bears unique artist inventory number on the back This is a UNIQUE work of art 7 3/4 × 7 1/2 inches This work is affixed on the top to its original mat, and the artist's hand signature can be seen on the verso, along with the date and artist's unique inventory number. Rauschenberg Reference No: RR-81.002 Signed and dated '81 by Robert Rauschenberg in permanent marker on the verso; bears unique inventory number Provenance: ACE Gallery art collection...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Sklye by Sam Francis (1923-1994) Acrylic on paper 14.6 x 10.2 cm (5 ³/₄ x 4 inches) Signed, Sam Francis an...

"Nude with green accents" is an original gouache and ink drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Nude woman turning her back...

Original ink, gouache and oil pastel figure painting by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of nude woman standing in washes of neon pink,...

"The Relic" is an original gouache and ink painting by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Old machinery in washes of red/maroon, b...

Industrial Landscape Contemporary American Watercolor Magic Realism 20th Century Henry Koerner (1915-1991) J&L Oxygen Plant 18 x 24 1/2 inches Watercolo...

"Two Villages" is a black and white landscape ink drawing by Joan Carl Strauss that unfolds a narrative of hidden rivalry within a picturesque valley. In the heart of a flat-floore...

Original watercolor on archival paper of a sailboat with a trailing dory heading out to sea. Attributed to the hand of Alexander Yaron. Signed lower right and dated 1980. Condition is excellent. Under glass. The artwork is matted and housed in a rounded front edge solid oak wood frame. Overall framed measurements are 27 by 34 inches. Provenance: A Sarasota, Florida gentleman. Alexander A. Yaron was born in Estonia in 1910, lived in China and the Philippines before moving to the United States in the 1950’s. He lived in New York as well as in Anaheim, California where he has a working studio. An autodidact and a versatile commercial artist, Alexander Yaron applied his talent in portraiture, photography, interior design, advertising, layout and illustration. His best known projects were illustrated art...

Enter the whimsical world of famed children's book illustrators husband and wife team Alice and Martin Provensen. On top of a heavy tree trunk sits a...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the artist you ...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California impressionist landscape painter, Ronald Shap. Chaotic, rock n roll sketch of nude woman rec...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Enigmatic doubl...

Gerard CHARRIERE (1935) Suite of five sketches. Ink and watercolor on paper. A single signed sketch. Folds, stains, small tears depending on the sheets. ...

Albert CHAMINADE (1923-2010) Abstract composition, 1988 Charcoal and ink wash on paper Signed and dated "88" lower right Dimensions of the work : 25 x 38 cm Dimensions of the origina...

Jay Rosenblum Polarity #9, 1981 Acrylic on Paper painting 6 × 9 1/2 inches Pencil signed and titled on the front Unique work Unframed ]This gem of a work is an acrylic painting on p...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of nude ...

8.5" x 15" Unframed Original - Watercolour Hand Signed by Joe Lasker 1986 Original illustration, pencil and watercolour, for the book he wrote and illustrated which was published by...

"Shower" is an original oil pastel, ink and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald S...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of woman sitting with...

Wonderful figurative watercolor on Strathmore tinted paper by the well known Florida artist, Gerald “Jerry” Franklin McClish. Signed lower right. Condition is excellent. The artwor...

RGRFineArts is pleased to offer this beautiful watercolor by renowned North Carolina artist William Mangum of skiers on a ski run, likely in Mangum's ho...

Watercolor on paper

Substantial modernist watercolor by California artist Yukako Okudaira (American, b. 1943). Signed lower right. Metal frame. Image size, 18"H x 20"W. (We inlcuded a reference image of the artist in the image section, we don't have the actual photograph) Yukako Okudaira was born in Tokyo and raised in Kugenuma Kaigan. She immigrated to California in 1962. She holds a Master’s degree in painting from California State University in San Jose. In 1985 she studied at Skowhegan School of Painting and Sculpture under Elizabeth Murray, Richard Serra, John Chamberian, Mary Heilman...

Strange Patient is a drawing realized by Shokirov in the 1980s. Waterclor and ink drawing on paper. Hand-signed on the lower right. The state of preservation is good. Th artwork...

Stromboli is an artwork realized by Pedro Cano, 1980s.  Pastel and watercolor on paper.  h 72 x 92.5 cm with frame ; Sheet 49 x 70 cm. Hand signed and ti...

Work on paper without frame

Plum Branches and Flowers watercolor on wove paper, 1985 Signed and dated in pencil lower right corner From the artist's 1985 sketchbook Inspired by O'Sickey's love of Japanese and Chinese art and calligraphy. Provenance: Estate of the artist Condition: Excellent Image/Sheet size: 13 5/8 x 17 inches Joseph B. O’Sickey, Painter 1974 CLEVELAND ARTS PRIZE FOR VISUAL ARTS The title conferred on him by Plain Dealer art critic Steve Litt in a 1994 article, “the dean of painting in northeast Ohio,” must have pleased Joseph O'Sickey. It was more than 30 years since he had burst onto the local (and national) art scene. O’Sickey was already in his 40s in that spring of 1962 when he had his first one-man show at the Akron Art Museum and was signed by New York’s prestigious Seligmann Galleries, founded in 1888. In the decade and a half that followed, he would have seven one-man shows at Seligmann, which had showed the work of such trailblazing figures as Seurat, Vuilliard, Bonnard, Leger and Picasso, and appear in all of the group shows. O’Sickey took the Best Painting award in the 1962 May Show at the Cleveland Museum of Art (CMA). He and would capture the same honor in back-to-back May Shows in 1964 and ’65, and again in 1967. The remarkable thing, noted the Plain Dealer’s Helen Borsick, was that he accomplished this sweep in a variety of painterly styles, even using that most hackneyed of subjects, flowers. “The subject doesn’t matter,” he told her, “what the artist brings to it is the important thing.” O’Sickey’s garden and landscape paintings were big and bold, eschewing delicate detail in favor of vitality and impact. The great art collector and CMA benefactor Katherine C. White, standing before one of O’Sickey’s vivid garden paintings, compared the sensation to “being pelted with flowers.” Though he might represent an entire blossom with one or two smudged brush strokes or a stem with a simple sweep of green, O’Sickey rejected the moniker of Impressionist—or Pointillist or Abstract painter or Expressionist. “My work,” he said, “is a direct response to the subject. I believe in fervor and poetic metaphor. I try to make each color and shape visible and identifiable within the context of surrounding colors and shapes. A yellow must hold its unique quality from any another yellow or surrounding color, and yet read as a lemon or an object, by inference. It does not require shading or modeling—the poetic evocation is part of the whole.” “The subject,” O’Sickey used to tell his students at Kent State University, where he taught painting from 1964 to 1989, “has to be seen as a whole and the painting has to be structured to be seen as a whole.” He liked to think of it as “a process of controlled rapture.” When, in the 1960s, fond childhood memories drew him to the zoo, he found himself responding to the caged animals in their lonely dignity (or indignity) with sharp-edged, almost silhouette-like forms that evoked Matisse’s paintings and cut-paper assemblages. One observer was left with the impression that the artist had “looked at these animals, past daylight and into dusk when they lose their details in shadow and become pure shapes, with eyes that are seeing the viewer rather than the other way around. This is a world of shape and essence,” wrote Helen Borsick. “All is simplification.” O’Sickey attributed his ability to capture his subjects with just a few strokes—in an almost iconographic way—to a rigorous exercise he had imposed upon himself over a period of several months. Limiting his tools to a large No. 6 bristle brush and black ink, he set himself the task of drawing his pet parakeet and the other small objects in its cage (cuttlebone, feeding dish, tinkling bell) hundreds of times. The exercise gave him “invaluable insights into painting. . . . Because of the crudity of the medium, every part of these drawings had to be an invention and every mark had to have its room and clarity.” Then he began adding one color at a time—“still with the same brush and striving for the same clarity”—and headed off to the zoo where “the world opened up to me. I learned how little it took to express the subject.” Born in Detroit at the close of the First World War, O’Sickey grew up in St. Stanislaus parish near East 65th and Fleet on Cleveland’s southeast side. (The apostrophe was inserted into the family’s proud Polish name by a clerk at Ellis Island.) An early interest in drawing and painting may have been kindled by the presence on the walls of Charles Dickens Elementary School, one of only three grade schools in the district with a special focus on the arts, of masterful watercolors by such Cleveland masters as Paul Travis, Frank N. Wilcox and Bill Coombes. As a youngster O’Sickey took drawing classes at the Cleveland Museum of Art, and he and his brother spent hours copying famous paintings; while a student at East Tech High School in the mid-’30s, he attended free evening classes in life drawing with Travis and Ralph Stoll at the John Huntington Art and Polytechnic Institute, and Saturday classes at the Cleveland School (later the Cleveland Institute) of Art, where he earned his degree in 1940 under the tutelage of Travis, Stoll and such other legendary figures as Henry Keller, Carl Gaertner, William Eastman, Kenneth Bates...

Art Sz: 9"H x 13 1/8"W Frame Sz: 15"H x 19"W Artist: Paul Phillips

Tres chic, original fashion watercolour illustration for Pierre Balmain Couture together w/ a fabric swatch attached Image Sz: 12 1/8"H x 8 1/4...

Chic, original watercolour c1980s illustration by Givenchy Paris together w/ a couture fabric swatch attached Plate Sz: 11 3/8"H x 8"W Frame Sz: 16"H x 12 5/8" w/ lavender mat & y...

JAY MILDER Untitled, ca. 1987 Gouache on Paper hand signed in pencil, lower left. Image is 9 square inches; framed it's 16 square inches Frame included: held in the original vintage frame A protege of Hans Hofmann, Milder also studied Jewish mysticism and Kaballah. Poignant framed color gouache painting on paper by second generation Abstract Expressionist painter Jay Milder, a former student of Hans Hofmann, whose work has been greatly informed by his background and interest in Jewish mysticism and Kaballah. Most recently, Milder had been represented by the Lohin Geduld Gallery in Manhattan and Eric Firestone. The visible sheet measures approximately 9 square inches. Framed, the work measures 16 square inches. Artist's official biography: JAY MILDER Born 1934 in Omaha, Nebraska, Jay Milder became a noted abstract painter in the New York art scene in 1958 when he, Bob Thompson, and Red Grooms founded City Gallery. They were all influenced by Abstract Expressionism, but closer to Willem De Kooning than Jackson Pollock because all three were committed to figurative work. Milder was originally shown at The Allan Stone Gallery and then when Martha Jackson took over as Milder’s dealer, her client, Walter Chrysler...

Mountain and Sky, Deer Island, Maine Watercolor on paper, 1985 Signed in ink lower right corner From the artist's 1985 sketchbook Done while at their summer home in Deer Island, Main...

Chic, original watercolour c1980s illustration by Givenchy Paris together w/ a couture fabric swatch attached Plate Sz: 11 3/8"H x 8"W Frame Sz: 16"H x 12 5/8" w/ lavender mat & y...

Chic, original watercolour c1980s illustration by Givenchy Paris together w/ a couture fabric swatch attached Plate Sz: 11 3/8"H x 8"W Frame Sz: 16"H x 12 5/8" w/ lavender mat & y...

Rafael Duran Benet (1931-2015) - Cadaques - Watercolor Watercolor measurements 31x47 cm. Frame measurements 47x63 cm. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Cata...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a nude male torso with washes of light aqua/sage green and accents of neon pink oil pastel. This is a part of Shap's '80s Interiors...

Nickle Drawing Ink and watercolor on laid paper, 1982 Signed and dated lower right in ink The title references a comment that her husband, David Smith, made regarding her drawings. He said that they were only worth a nickle and the name stuck even thought her works are highly prized. The dating of this work reflects the date inscribed on the watercolor. The style and black ink lines with dots terminating the line is a compositional device the artist used in the 1950's. Condition: Very fine/excellent 4 old hinge residue in the corners verso from previous matting Sheet/image size: 7 1/2 x 4 7/8 inches Dorothy Dehner (1901-1994) Painter, sculptor, art writer, and poet, Dorothy Dehner explored abstraction, cubism, realism and surrealism during her artistic journey. Early in her career she was known for painting and for large-cast metal sculptures, but in the 1950s and 1960s, turned increasingly to wood cut into hard-edge geometric shapes. From 1950, she lived primarily in New York City. Dorothy Dehner was born in 1901 in Cleveland, Ohio, but, as a teenager in 1916, moved to Pasadena, California when her parents died. Her artistic interests were initially in acting. She majored in drama at UCLA for the school year of 1922-1923, then moved to New York City to study acting at the American Academy of Dramatic Art. After travel to Europe in France, Italy and Switzerland in 1925, where she saw Cubist and Fauve paintings as well as the great art of the ages, Dehner entered the Art Students League to study sculpture, but switched to painting because she felt the former was bound in academic formula. She studied drawing with Kimon Nicolaides and painting with Kenneth Hayes Miller. In 1929, she studied painting with Jan Matulka. Meeting artist John Graham in that year, he introduced her to Milton Avery, Stuart Davis and Arshile Gorky. She would also take art courses years later at Skidmore College in 1951. Dehner married sculptor David Smith in 1927. She was evidently very helpful in his artistic growth, but friction would develop because Smith allegedly saw his wife as artistic competition. Although she painted and drew Cubist and Surrealist works during their marriage, and realistic ones of life on their Bolton Landing, New York farm during the period 1941 to 1944, Dehner would essentially put her exhibition life on hold until their divorce in 1952. Meanwhile, they traveled to Europe in 1935. She later wrote about Smith, as well as painter John Graham and Jan Matulka, her teacher. Although she had shown in the 1946 Audubon Artists exhibition, winning first prize in drawing, and in the Whitney Annual of 1951, it was the year of her divorce, 1952, that Dehner had her first one-person exhibition at the Rose Fried Gallery...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over 25 years, they made a significant contribution to po...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a nude man sitting in brown, yellow, vermillion a...

Synthetic polymer drawing on paper. Unsigned. Warhol Foundation stamp on verso. Sheet size 31.5 x 23.5 inches. Custom framed as pictured. Artwork is in excellent condition. Cert...

Delightful c1980s oil on canvas depicting a happy 'piglet' family of (8) by (Bobby) Livingston (Broadway producer) Art Sz: 10 1/2"H x 13 1/2"W Frame Sz: 12"H x 15"W w/ gilt bamboo...

This fine late 20th-century watercolour by British artist Edward A Swan (b.1935) depicts two sailboats buffeted by turbulent conditions. Beyond, the hazy form of a frigate under full...