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Style: American Impressionist
Period: 1960s
Two Mid Century Rural Landscapes in Watercolor on Paper
Located in Soquel, CA
Two Mid Century Rural Landscapes in Watercolor on Paper
Two lovely watercolors by Beverly Lyons (American, 20th Century). In the top watercolor, an expansive sky sits above a strip ...
Category
1960s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Captiva Island, Florida - Beach Landscape in Watercolor on Paper
Located in Soquel, CA
Captiva Island, Florida - Beach Landscape in Watercolor on Paper
Detailed watercolor of a Florida island beach by unknown artist "Dowst" (American, 20th Century). Scrub brush and ot...
Category
1960s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
"Shenandoah Valley" - Rural California Landscape in Watercolor on Paper
Located in Soquel, CA
"Shenandoah Valley" - Rural California Landscape in Watercolor on Paper
Idyllic country landscape by California artist Alice M. Duke (American, 1921-2012). Two large brown-red barns sit at the edge of a glassy body of water. They are surrounded by towering dark green trees, which are reflected in the water along with the barns. Titled "Shenandoah Valley"; California Shenandoah Valley AVA is an American Viticultural Area that includes portions of Amador County and El Dorado County, California, United States. It is a sub-region of the Sierra Foothills.
titled "shenandoah Valley" and monogrammed AC #25 on mat verso verso.
(we have two others with signed labels "Alice Duke" and initialed AC #23 & AC #24 by this artist)
Presented in a vintage frame with a double mat.
Frame size: 16.75"H x 20.75"W
Image size: 10"H x 14"W
Duke, Alice (American, 1921-2012 was an artist from Jackson, California. She was a student of Dorner Schueler. A member and exhibitor with the Central Coast Art League.
Memberships:
Founding member, Gallery 10.
Central California Art League
Member, Northern California Arts.
Member, Society of Western Artist
Shows and Awards:
1999 - Gallery 10, Sutter Creek, CA
1986 - (1st Place, Watercolors) Sonoma Valley Art Center, Sonoma, CA
1985 - (Hon. Mention, Watercolors) Sonoma Valley Art Center, Sonoma, CA
1982 - Sunshine Art...
Category
1960s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Lake Landscape with Yellow Trees - Watercolor on Paper
Located in Soquel, CA
Serene watercolor by California artist Edna Lewis (nee Sutherland) (1905-1975). The viewer looks our over an inlet to a lake or bay, with mountain ranges in the distance. Two trees with bright yellow leaves sit at the shore of the water. The sky is rendered with a flowing wet-on-wet style, creating flowing, puffy clouds.
Signed and dated "Edna Lewis 61" in the lower left corner.
Presented in a wood frame with a blue mat.
Frame size: 29"H x 23"W
Paper size: 21.75"H x 15"W
Edna Evelyn Sutherland Lewis (American, 1905-1975) was born in Porterville, CA on April 17, 1905. She studied art at the University of California before going on to study with Kenneth Washburn and Dr. Raymond Brose (San Jose State). Lewis was a long-time resident of Redwood City...
Category
1960s American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Laid Paper
Winding River, Mid Century Autumnal Watercolor Landscape
Located in Soquel, CA
Wonderfully vibrant mid-century autumnal landscape watercolor of rolling mountains and river by an unknown artist (American, 20th Century). The artis...
Category
1960s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Mid Century White Pine Landscape
By Doris Warner
Located in Soquel, CA
Expressive botanical watercolor of a White Pine tree by Doris Ann Warner (American, 1925-2010). Signed "Warner" lower left. Unframed.
Image size: 22"H x 15"W
Doris Ann Warner began ...
Category
1960s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Mid Century Watercolor Landscape -- Boats at the Dock
Located in Soquel, CA
Beautiful watercolor of boats next to a dock with tall trees in the background by Mike Strouth (American, 20th Century). Signed "Strouth" lower ri...
Category
1960s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Near Point Lobos - Mid Century Carmel Seascape
Located in Soquel, CA
Gorgeous mid century watercolor seascape of Near Point, at Mansion Overlook, Carmel, California by Margaret Wherry Ziegler (American, 1909-1989), c.1960. Signed "M.W. Ziegler" lower right. Presented in rustic black frame. Image size, 12"H x 22"L.
Margaret Zeigler studied art at the Cincinnati Art Academy, Minneapolis Art...
Category
1960s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Mid Century Landscape -- Blue Mountain
Located in Soquel, CA
Vivid mid century watercolor landscape of piercing blue mountains overshadowing a golden valley by an unknown artist. Signed "A.D. 1966" lower right. Pre...
Category
1960s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Cyan Tide Pool, Mid-Century Coastal Seascape Watercolor
Located in Soquel, CA
Serene mid-century seascape of a vivid cyan blue coastal tide pool by Joseph Yeager (American, 20th Century). Signed "Joe Yeager" in the lower right corner. Title "Tide Pool Runoff" ...
Category
1960s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Pencil
Mid Century Coastal Town Landscape Watercolor
Located in Soquel, CA
Charming and colorful mid century watercolor of a small coastal neighborhood and orchard by an unknown artist (American, 20th Century). Initialed and dated "ZD '64" lower right corne...
Category
1960s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Mid Century Carmel Valley Adobe Landscape
Located in Soquel, CA
Elegant mid century landscape by Sidney Williams (American, 20th century). Signed "Sidney Williams" and dated '62 in the bottom left corner. Image size, 16"H x 23"L. A Carmel area wa...
Category
1960s American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Paper
'Torrey Pines Beach, San Diego', Carmel Art Association, Monterey Museum of Art
By Edwin Adamson
Located in Santa Cruz, CA
A view of the famous San Diego state park beach, shown at sunset with figures walking on the shore.
Signed lower right, 'Edwin Adamson', titled verso, 'Torrey Pines Beach' and painted circa 1965.
An alumnus of Hamlin University and the University of Minnesota, Adamson maintained his interest as an amateur watercolorist while pursuing a military career. Retiring with honors in 1978, he expanded his interest in painting and was elected a member of the Carmel Art...
Category
1960s American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Paper
California Seascape, Botanical Study - Double Sided Mid Century Watercolor
By Doris Warner
Located in Soquel, CA
Double-sided mid century watercolor of Pleasure Point Cove, Monterey Bay by listed artist Doris Ann Warner (American, 1925-2010). On verso is a beautiful botanical watercolor study....
Category
1960s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Ward Ranch Landscape
By Leonard Frank Starks
Located in Soquel, CA
"Ward Ranch", a detailed watercolor landscape by Leonard Frank Starks (American, 1891-1986). Unframed. Signed "L F Starks" lower left. Titled "Ward Ranch-Carlotta" and dated "9-69" o...
Category
1960s American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Rag Paper
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"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
By Max Kuehne
Located in New York, NY
Max Kuehne (1880 - 1968)
Train Station, circa 1910
Watercolor on paper
8 1/4 x 10 1/4 inches
Signed lower right
Provenance:
Private Collection, Illinois
Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes.
Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work.
Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri.
A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him.
After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie.
Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically.
Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...
Category
1910s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
"Monhegan Island, Maine, " Edward Dufner, American Impressionism Landscape View
Located in New York, NY
Edward Dufner (1872 - 1957)
Monhegan Island, Maine
Watercolor on paper
Sight 16 x 20 inches
Signed lower right
With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy.
In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines.
Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler.
During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...
Category
Early 20th Century American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Landscape View With Cows Drinking Water by American Artist Hugo Anton Fisher
Located in Stockholm, SE
American artist Hugo Anton Fisher was primarily known for painting landscapes in watercolor. He was born into a family of artists in Kladno, Bohemia....
Category
Late 19th Century American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
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H 11.42 in W 17.52 in
"River Landscape" Julian Alden Weir, American Impressionist, Connecticut Scene
Located in New York, NY
Julian Alden Weir
River Landscape
Signed lower left
Watercolor on paper
9 x 11 1/2 inches
Provenance:
Kraushaar Galleries, New York
Sotheby's Parke Bernet, New York, 1965, Lot 27
E....
Category
Late 19th Century American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Paper
Impressionist scene of sheep grazing in an open pasture
Located in Harkstead, GB
A really atmospheric impressionistic image of sheep grazing in an open pasture with wonderful effects of light and shade.
John Robert Keitley Duff (1862-1938)
Sheep grazing
Signed w...
Category
Early 20th Century American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Pastel
'Moss Beach, Monterey, California', Pacific Coastal Landscape, ASL NYC, Benezit
By Elmer Wachtel
Located in Santa Cruz, CA
An early-20th-century, landscape showing a view of the coastline at Moss Beach in Monterey County with slate-blue skies overhead and a view towards a stand ...
Category
Early 1900s American Impressionist Landscape Drawings and Watercolors
Materials
Gouache, Watercolor, Paper
State Capitol at Night, Sacramento, California
Located in San Francisco, CA
This artwork titled "State Capitol at night, Sacramento, California" c.1960 is a watercolor on paper by noted California artist William Jack Laycox, 1921-1984. It is signed at he low...
Category
Mid-20th Century American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
H 30.5 in W 39.75 in D 1.1 in
Vaches au paturage sur les bords de la Seine
Located in Palm Desert, CA
"Vaches au paturage sur les bords de la Seine (Cows Grazing on the Banks of the Seine)" is a pastel on paper by Alfred Sisley. The artwork is signed lower left, "Sisley". The framed ...
Category
1890s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Pastel
Cattle, Goats and Sheep Grazing, Orientalist Watercolour.
Located in Cotignac, FR
Early 20th century orientalist watercolour of cattle grazing signed Aiveill bottom right.
In art history, Orientalism is the imitation or depiction of aspects in the Eastern world. ...
Category
Early 20th Century American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
H 12.21 in W 14.77 in D 0.91 in
"Old Adobe Village, New Mexico" Alice Schille, Taos Pueblo, Female Impressionist
By Alice Schille
Located in New York, NY
Alice Schille
Old Adobe Village, New Mexico
Signed lower right
Watercolor on paper
5 x 6 inches
Provenance:
Estate of the artist
Keny and Johnson Gallery, Columbus, Ohio
Santa Fe East Galleries, Santa Fe, New Mexico
Private Collection, California
A painter in watercolor and oil, Alice Schille was a prolific artist using modernist styles of Post-Impressionism, Pointillism and Fauvism. Her subjects included portraits of women and children, landscapes with and without figures, a series of scenes of New York City. New Mexico, and Gloucester, Massachusetts. Her paintings also reflected her widespread international travels in Europe, North Africa, Russia, the Middle East, Mexico, and Guatemala.
Although personally very shy, Schille possessed unusual courage and strength of will, which was reflected in both her independent lifestyle and in her work, as she continually worked to master new modes of painting throughout her career. A German critic once referred to Schille as "this daredevil disciple of art who is interested in anything and afraid of nothing."
Alice Schille was born in Columbus, Ohio to a family supported by her father's success in manufacturing. She was raised in Columbus, and by the time she was age six, she determined to be an artist. She graduated at the top of her class from Central High School in 1887, studied from 1891 to 1893 at the Columbus Art School, and returned there as a teacher from 1902 to 1948.
Going to New York City as a young woman, she enrolled in the Art Students League from 1897 to 1899 and then the New York School of Art with William Merritt Chase and Kenyon Cox. (Some years later, she attended Chase's Shinnecock Summer School on Long Island). From 1903 to 1904, Alice Schille was in Paris at the Academie Colarosi, and also studied privately with Raphael Collin, Rene Prinet, Gustave Courtois and Chase, who was then in Europe.
In 1904, five of her paintings were accepted for exhibition at Societe Nationale des Beaux Arts, and from that time on her work was included regularly in important American annual exhibitions including the Pennsylvania Academy, the Corcoran Gallery, American Watercolor Society, Boston Art Club, and the 1987 inaugural exhibition of the National Museum of Women in the Arts in Washington DC.
Between 1905 and 1914, Alice Schille painted in Europe, and during the summers of 1916 to 1918, worked in New York and Gloucester. In 1919, she was in New Mexico. On this trip, her first to the Southwest, she spent a summer in Taos and Santa Fe and painted scenes including the Taos Pueblo, Canyon Road and local Hispanic and Indian figures. Reportedly the Ranchos de Taos Church was one of her favorite subjects. Many of these New Mexico paintings were hung at annual exhibitions of the Philadelphia Water Color Club.
Between 1920 and 1940, she traveled frequently in the summers, returning to New Mexico and going to Central America and Africa. In 1922, she began her first series of North-African watercolors...
Category
1920s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Quail in Flight
By Clay McGaughy
Located in Austin, TX
This active scene depicts a quail quickly flying away from a log while another one waits behind. In the background, a barbed wire fence and a farm house sits amongst rolling hills of...
Category
Late 20th Century American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Archival Paper
La Bastide et le Champ de Coquelicots, Provence, French Rural Scene by JP George
By Yves Brayer
Located in Cotignac, FR
French 1960's gouache and watercolour view of a Provencale bastide, its surrounding farm, countryside and fields of poppies, by J P George. Signed and Dated bottom right.
A super ch...
Category
1960s American Impressionist Landscape Drawings and Watercolors
Materials
Gouache, Watercolor, Paper
H 19.5 in W 25.5 in D 0.5 in
American Impressionist landscape drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic American Impressionist landscape drawings and watercolors available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape drawings and watercolors created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Les Anderson, Laurence Sisson, Arnold A. Grossman, and Joseph Yeager. Frequently made by artists working with Paint, and Watercolor and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Impressionist landscape drawings and watercolors, so small editions measuring 2 inches across are also available. Prices for landscape drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $195 and tops out at $60,000, while the average work sells for $850.
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