Items Similar to Journey #28 (monochrome red pen drawing wood detailed oriental dansaekhwa korea)
Want more images or videos?
Request additional images or videos from the seller
1 of 4
Cheolyu KimJourney #28 (monochrome red pen drawing wood detailed oriental dansaekhwa korea)2017
2017
About the Item
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, drawing on paper, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art, abstract drawing, geometric, red, vermillion, nature, fauna, flora, op art, perception, optical, patterns, representation of architecture, creatures, illustration, phantasmagorical, figurative versus abstract
- Creator:Cheolyu Kim (1968)
- Creation Year:2017
- Dimensions:Height: 18.12 in (46 cm)Width: 49.22 in (125 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Quebec, CA
- Reference Number:1stDibs: LU90714731191
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2017
1stDibs seller since 2018
173 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Quebec, Canada
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Journey #35 (monochrome grey noir pen drawing wood detailed oriental dansaekhwaBy Cheolyu KimLocated in Quebec, QuebecCheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...Category
2010s Surrealist Landscape Drawings and Watercolors
MaterialsPaper, Pen
- Journey #27 (monochrome red pen drawing wood detailed oriental dansaekhwa)By Cheolyu KimLocated in Quebec, QuebecCheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, drawing on paper, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...Category
2010s Surrealist Landscape Drawings and Watercolors
MaterialsPaper, Pen
- Journey #36 (monochrome grey black pen drawing wood detailed oriental biomorphicBy Cheolyu KimLocated in Quebec, QuebecCheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in G...Category
2010s Surrealist Landscape Drawings and Watercolors
MaterialsPaper, Acrylic, Pen
- Journey #49 (monochrome grey pen drawing wood detailed oriental dansaekhwa)By Cheolyu KimLocated in Quebec, QuebecCheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...Category
2010s Surrealist Landscape Drawings and Watercolors
MaterialsBirch, Wood Panel, Pen
- Journey #39 (monochrome grey pen drawing wood detailed oriental dansaekhwa)By Cheolyu KimLocated in Quebec, Quebeckeywords; wood, pencil drawing, monochrome, highly detailed, Korean art, dansaekhwa, oriental art, circles, moire, geometric abstraction, intentionally exposed support, line form and color, curvilinear forms, dynamism, contemporary drawing, graphism, repetition, engaged with traditional Korean art...Category
2010s Surrealist Landscape Drawings and Watercolors
MaterialsWood Panel, Pen, Birch
- Journey #54 (monochrome grey pen drawing wood detailed oriental dansaekhwa)By Cheolyu KimLocated in Quebec, QuebecCheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...Category
2010s Surrealist Landscape Drawings and Watercolors
MaterialsBirch, Wood Panel, Pen
You May Also Like
- Pastel-Toned Abstract Surrealist Seascape Under a Big White Cloud DrawingLocated in Houston, TXPastel blue, gray and white abstract surrealist drawing by artist T. Moore. The drawing depicts a calm ocean under a big white cloud. This piece has some impeccable details and is a ...Category
20th Century Surrealist Abstract Drawings and Watercolors
MaterialsArchival Paper, Color Pencil
- "Your New Home, " Abstract Surrealist Landscape Oil Pastel by Reginald K. GeeBy Reginald K. GeeLocated in Milwaukee, WI"Your New Home" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece lower right. It features abstract, surreal, and biomorphic obj...Category
1990s Surrealist Abstract Drawings and Watercolors
MaterialsOil Pastel, Illustration Board
- "Poppy Winged Hybrid Butterfly and Giant Gold Lily, " Mixed Media, David BarnettBy David BarnettLocated in Milwaukee, WI"Poppy Winged Hybrid Butterfly and Giant Gold Lily" is an original mixed media piece by David Barnett, signed in the lower right. It incorporates giclee printing, watercolor, iridesc...Category
Early 2000s Surrealist Landscape Drawings and Watercolors
MaterialsInk, Mixed Media, Acrylic, Watercolor, Foam Board, Giclée
- South, Texas Landscape Surrealist Drawing of a Cigar and a Crop DusterBy Jack BoyntonLocated in Houston, TXSurrealist landscape of South Texas. The subject matter is a cigar that is suppose to look like a bull with a crop duster in the background. The drawing is done in graphite with brig...Category
1980s Surrealist Abstract Drawings and Watercolors
MaterialsInk, Graphite
- Modern Abstract Pink, Green, and Black Amorphous Shape Surrealist LandscapeBy Scott WoodardLocated in Houston, TXModern surrealist landscape drawing by contemporary Houston artist Scott Woodard. The work features an amorphous magenta shape floating in an abstract desert landscape. Signed and da...Category
1980s Surrealist Landscape Drawings and Watercolors
MaterialsPastel
- "And I, With The Wings of an Angel, Motionless in the Air..." Surrealist DrawingLocated in Houston, TXPastel green, blue, gray, and white abstract surrealist drawing by artist T. Moore. The piece depicts a floating book with wings against a lush and serene landscape with a distinct o...Category
1980s Surrealist Abstract Drawings and Watercolors
MaterialsInk, Mixed Media, Color Pencil