Moisey Kogan

Winter Village Scene

circa 1990

Artist: Joseph Solman, American (1909 - ) Title: Monhegan Cove Year: 1937 Medium: Gouache on black paper, signed and dated l.c. Size: 8.5 x 12 inches Frame Size: 18 x 22 inches

Artist: Yohanan Simon (1905-1976) Title: Landscape Medium: Gouache on paper laid to card Date: 1962 Signature: Signed and dated in Hebrew Paper Size: 16.75 x 21 inches Frame Size: 24...

Artist: Joseph Solman, American (1909 - ) Title: Provincetown Dock Year: 1962 Medium: Gouache on black paper, signed and dated l.c. Size: 9 x 11.5 inches Frame Size: 19 x 22 inches

Trees Richard C. Karwoski, American (1938–1993) Date: 1984 Watercolor on Canvas, signed Size: 50 x 67 in. (127 x 170.18 cm)

Waterscape Chaim Gross, Austrian (1901–1991) Date: 1948 Watercolor on Paper, signed and dated in pen lower right Size: 15 x 23 in. (38.1 x 58.42 cm)

Artist: Jon Carsman, American (1944 - 1987) Title: Blue Waves Year: 1976 Medium: Watercolor on Paper, signed and dated Size: 39.5 x 28 in. (100.33 x 71.12 cm)

This mid-19th-century Swiss school drawing depicts the beautiful Esplanade de Montbenon in Lausanne, Switzerland. The picturesque gardens of the Esplanade de Montbenon provide a spl...

French 1960's gouache and watercolour view of a Provencale bastide, its surrounding farm, countryside and fields of poppies, by J P George. Signed and Dated bottom right. A super ch...

Watercolor on paper of a sailboat in repose, flying a Cuban flag, in a tropical setting as if some grand adventure is waiting. Presented under glass and sign...

Joseph Yoakum Andes Mountains Peru So America, circa 1960s Colored pencil and ballpoint pen on paper 7 1/4 x 10 1/2 inches Provenance: Karen Lennox Gallery, Chicago Private Collection, South Dakota Yoakum began drawing in the early 1960s. Most of his work consists of radiantly colored landscapes with mountains, water, trees, and winding roads in abstract and complex configurations. his period of greatest activity — 1965 to 1970 — when he usually made one drawing a day. Yoakum maintained he had seen all the places represented in his drawings, a statement that may not be true in some instances. He traveled a great deal, beginning in his early teens when he ran away from home and became a circus handyman. Yoakum’s drawings can be considered memory images growing out of either actual or imagined experiences. All of his drawings have titles that grew longer and more specific over the years. He dated his works with a rubber stamp — an oddly impersonal, labor-saving device. Although Joseph Yoakum gave vastly different accounts of his background, he was, throughout his life, classified as an African American. Sometimes Yoakum claimed that he was a full-blooded ​“Nava-joe” Indian, one of twelve or thirteen children born to a farmer on an Indian reservation in Window Rock, Arizona. At other times he insisted that he was of African-American descent. He described his mother as a strong woman who was a doctor and knowledgeable in the use of herbal medicines. Yoakum’s family moved to Kansas City, Missouri, during his early childhood. His father was employed briefly in the railroad yards prior to settling permanently on a farm in nearby Walnut Grove...

Mid-century French gouache and watercolor of peaceful and serene scene of North African Casbah, circa 1950. Signature and title lower right. Original artwork on paper displayed on a...

Bright African market scene from Madagascar in bold reds and earth tones in watercolor by artist French resident artist to the colonial governor Stéphan...