Pastel Landscape Drawings and Watercolors

Vibrant large-scale pastel landscape of colorful reflections rippling on a calm lake with three small ducks and a boat by an unknown artist (American, 20th Century). Signed with the ...

Armand Nakache was the foremost champion of Expressionism in France, an area unfairly shunned by a society more attracted to the charms of classical painting, Impressionism, Post-Imp...

Brightly colored Fauvist coastal landscape of a vivid purple cypress tree at the edge of the water, under a bright yellow sky and orange sun by Karen Druker (American, 1945). Signed ...

Work on cardboard

Pastel on paper Elena Borstein currently lives and works in New York City and the Adirondack Mountains. Born in Hartford, Connecticut, She received her B.S. Degree from Skidmore Col...

Original Pastel of Mallards flying over Wetlands in the English Countryside by 20th Century British Artist, Wendy Reeves. Art measures 20 x 14 inches F...

Original Pastel Drawing of Cattle in English Countryside by 20th Century British Artist, Wendy Reeves. Art measures 22 x 14 inches Frame measures 30 x 24 inches Wendy Reeves gar...

LARRY HOROWITZ (American b. 1956) "Purple Mountains," 1988, pastel on paper Hand signed and dated L/R, "Horowitz '88," Dimensions sight 19 1/2" x 23", framed, 26 1/2" x 30 1/2". Larry Horowitz is an American landscape painter. He was born in 1956 in New York City and graduated from SUNY Purchase and immediately won the prestigious and coveted position as apprentice to Wolf Kahn. Horowitz's work captures the beauty of the American landscape with expert use of texture and color that invites imagination and discovery. Although he paints en plein air, he has a firm grounding in abstract expressionism through his education with former students from the Bauhaus and Hans Hofmann school. He has combined both points of view to develop his unique language. His work follows in the tradition of great Modernist American landscape painters Arthur Dove, Georgia O'Keefe and Charles Burchfield but with a more modern, Fauvist color palette. He was included in the show "In the Country, By the Sea" at Madelyn Jordan Gallery along with David Kimball Anderson, Stanley Boxer, Byron Browne, Derek Buckner, Richard Diebenkorn, Larry Kelsey, Gary Komarin, and Susan Wides. Horowitz has also shown at Images Gallery along with Gary Bukovnik, Helen Frankenthaler, Larry Horowitz, Alex Katz, Robert Motherwell, Don Nice, Philip Pearlstein, Joseph Raffael, Hunt Slonem, Carol Summers and Neil Welliver. Horowitz has exhibited extensively both in the US and Canada and is included in numerous private, corporate and public collections. LARRY HOROWITZ Born in 1956 in New York City EDUCATION 1971-76 Private study with Maxim Bugzester, New York, NY 1974 Art Students League, New York, NY 1974-78 B.F.A., State University of New York, Purchase, NY ART FAIRS 2019 Art New York Pier 94 presented by Art Miami, New York, NY 2017 Art Market SF, San Francisco, CA 2017 Seattle Art Fair, Seattle, WA 2015 Art Silicon Valley, CA 2014 Boston International Art Fair, Boston, MA ONE-PERSON EXHIBITIONS 2022 Franklin Bowles Galleries, New York, NY 2022 Hagan Fine Art, Charleston, SC 2021 Elder Gallery, Charlotte, NC 2021 Trinity Galleries, St. John, New Brunswick, Canada ​2020 Cove Gallery, Wellfleet, MA 2020 Lorimer Gallery, Prince Edward Island, Canada 2019 Eisenhauer Gallery, Edgartown, MA 2018 Elder Gallery of Contemporary Art, Charlotte, NC 2016 Art Gallery at the Rockefeller Park Preserve, Pleasantville, NY 2015 Newbury Fine Art, Boston, MA ​2015 Chandon Winery Gallery, Yountville, CA 2013 Meredith Long & Co., Houston, TX 2011 Munson Gallery, Chatham, MA 2010 Franklin Bowles Galleries, San Francisco, CA 2010 Cove Gallery, Wellfleet, MA 2010 Aerie Art Gallery, Rehoboth Beach...

Silver Plume, Colorado - near Georgetown, mountain landscape with fall colors, Aspen and Pine trees, river, houses and mountains by early 20th century Co...

The Landscape is an original Drawing on paper realized by French painter Norbert Meyre in the mid-20 century. Drawing in pencil and pastel.. The artwork is represented through deft...

Sunday Drive, Original Impressionist Landscape Painting 8" x 10" (HxW) Pastel on Paper Hand-signed by the artist. Journey down a desolate road amongst a beautiful green landscape of...

A sweeping view of Tallinn, Estonia by an unknown artist (20th Century). This detailed charcoal landscape drawing shows a panorama of the beautiful coastal city on the Baltic Sea, complete with small figures walking on a pier, boats in the harbor, and the iconic Alexander Nevsky...

A pastel drawing of Bury Church in Sussex, shown from the grounds in springtime. A small path is seen leading through a meadow towards the church. It is well presented in a wash line...

Carcassonne Citadel, France - Pastel Drawing by Charles Sumner Schneider Dramatic black and white pastel drawing of Carcassonne Citadel, France by Ohio artist and Architect Charles ...

This artwork "Napa Vineyard" c.2000 is a color pastel on paper by noted American artist Reif Ray Charles Erickson, 1949-2015. It is signed at the lower left corner by the artist. The artwork size is 12.25 x 19.25 inches, Framed size is 24.5 x 31.5 inches. Custom framed in a wooden gold and black frame, with gold color bevel and fabric matting. It is in excellent condition, the frame has very minor restorations, practically invisible. About the artist: Reif Erickson...

Early 20th Century French pastel drawing of a beach scene in the South of France by noted fauvist artist Auguste Chabaud. Carrying the stamped atelier signature, possibly from his 'Blue Period'. Auguste CHABAUD was born in Nîmes on October 3, 1882. At the age of fourteen Chabaud joined the Ecole des Beaux-Arts in Avignon. In 1899 he went to Paris to continue his artistic training at the Academie Julian and the Ecole des Beaux Arts. There he met Henri Matisse and André Derain. In 1900 he returned to his parents' vineyard in southern France briefly before returning to Paris. In 1901, he was forced to leave Paris again in order to secure his livelihood. He worked on a ship and got to know the West African coast. Upon his return in 1907 and in the following years, he became acquainted with and captured in his paintings the excitement of the Parisian nightlife. In the Paris neighbourhood Montmartre, where he had his studio, he painted various scenes of Parisian life and cafe society. At the same time, he continued to paint Provence and took part in the Salon des Indépendants and the Salon d’Automne, where he exhibited with the Fauves. Chabaud's Cubist phase began in 1911, where he also began sculpting. In the following years he had many exhibitions, including 1913 in New York, where his works were exhibited alongside those of artists such as Matisse, Derain, Vlaminck and Picasso. After his return from the first World War Chabaud settled down in Graveson. From 1920 he had his "blue period". He used the Prussian Blue as the only colour in his works. From then, he focused exclusively on the south of France. He painted scenes of rural life, the farmers, and the hills and trails of the Alpilles. A very important retrospective exhibition of his work took place in Paris in 1952, which gave him the opportunity to return to Paris, which he had left in 1914. Another retrospective exhibition in Paris took place in 1965 commemorating the tenth anniversary of his death. He died in 1955 in Graveson. In 1966, he was represented at the exhibition “Le Fauvisme français et les débuts de l’impressionnisme Allemand” (French Fauvism...

Landscape is a beautiful artwork in pastel realized by the artist Maxime Juan. Hand-signed on the lower left. The state of preservation is excellent. Maxime Juan is a Spanish artist...

Bright Fauvist landscape of Half Dome in Yosemite National Park, with beautiful use of color by Karen Druker (American, 1945). Signed "Druker" in the lower right corner. Presented in...

Margie Dickson "Pueblo 2" Original Pastel on Paper 20th Century Dimensions 18.5" wide x 14.5" high The frame measures 29.25" wide x 25.25" high Signed and titled lower left Good ...

Weeping Willow is a drawing in pencil and pastel on paper artwork realized by an anonymous artist of the XX century. Good conditions, aged. Margins have some cutaways. Included the...

A fine pastel drawing, depicting a view of a park covered in yellow flowers with a park bench. Unsigned. Well-presented in a card mount and in a wooden frame. On wove.

"1940 - Number Nine" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes colo...

Landscape is a beautiful pastel drawing on cream-colored paper, realized by the artist Pierre Segogne. Hand-signed on the lower right corner. The state of preservation is very good...

Mountain Village is an original drawing in pencil and pastel on paper realized in 1957 by Werner Epstein. Hand-signed and dated on the lower left in pencil. The state of preservation is very good except for a small rip at the top right. Applied on a white Passepartout: 40 x 30 cm The artwork represents a beautiful mountain village landscape...

Rock is beautiful artwork in the pastel realized by the artist Maxime Juan. Hand-signed on the lower left, dated /80. The state of preservation is very good just with the small miss ...

Sketch in The Garden is an original drawing in Ink, Watercolor, and pastel in the first half of the 20th Century. Good conditions. The artwork is depicted through strong strokes an...

Open field with tree and building

Leon Dolice American, 1892-1960 Manhattan Skyline Pastel on paper 19 by 12 in. W/frame 25 by 18 in. Signed lower right The romantic backdrop of Vi...

Countryside with Farmhouses is an original artwork, realized by Pierre Segogne in the 1950s. Hand-signed on the lower right margin in pencil by the artist: P. Segogne. Mixed colore...

Abstracted Bay Area skyline against a pink sunset creates beautiful and soft geometries in this small pastel urban landscape by San Francisco artist Chris Cacciotti (American, 20th C...

A luminous landscape depicting a scene of traditional Plains America-Indian culture, masterfully rendered by David Sanders (1936 - 2013) in pastel on pap...

Leon Dolice American, 1892-1960 Manhattan Skyline Pastel on paper 19 by 12 in. W/frame 25 by 18 in. Signed lower right The romantic backdrop of Vi...

Paul Fortis Windswept Trees Original Pastel Pastel dimensions 1.5" wide x 6.5" high The frame measures 18.5" wide x 15" high Signed by the artist Very good vintage condition - L...

'Study for Connecticut at Putney' is an original pastel drawing by American artist Wolf Kahn. The landscape is an exploration of color and light: it is rendered in cool blues and purples with fields of subtle yellow, the pastels treated with the same gesture as Kahn's paintbrush on a canvas. Indeed, this pastel was a study executed en plein air for a painting – the painting now sometimes called 'Bend in the River' – that he later created in the studio. This process of creating studies, selecting the best of the studies, and then recreating them as paintings was typical of Kahn's studio process and makes this pastel a significant example of the artist's creative output. 9 x 11 inches, artwork 15.5 x 18.13 inches, frame Signed 'W. Kahn' lower right Framed to conservation standards using archival materials including 100 percent rag matting. Housed in a gold finish wood moulding. Acquired directly from the artist. Wolf Kahn, the youngest of four siblings, was born into a well-to-do artistic family. His father was the conductor of the Stuttgart Philharmonic Symphony, and his mother came from a family of art collectors.(1) During 1938, Kahn took his first art lessons, but most of his initial drawings were of military or historical events. The next year Kahn was sent to England for safety following the ascendancy of Hitler to power, and in 1940, he immigrated to the United States. In 1942, he entered New York's High School of Music and Art, and while there, he was employed by a commercial art firm doing illustrations. After a stint in the Navy, Kahn entered Hans Hofmann's school, and among his fellow students were Neil Blaine, Jane Freilicher, Allan Kaprow and Larry Rivers. His initial results were done with a dark palette and abstracted forms, and although Hofmann's style of teaching was difficult, Kahn has consistently praised him for teaching him the value of control and understanding.(2) Kahn's first exhibition was a 1951 group show in a loft with several other artists in lower Manhattan. From this impromptu show, a group effort evolved called the Hansa Gallery Cooperative.(3) In 1953, Wolf Kahn had a one-man show at this gallery, which was reviewed by Fairfield Porter, and at this same time bolder, more vivid colors began to appear in his work. By the mid-1950's, on a summer trip to Provincetown, Kahn's paintings indicated a new direction of softening warm colors in the manner of Bonnard. He was included in Meyer Shapiro's seminal exhibition, The New York School: The Second Generation at the Jewish Museum, and by the end of the 1950s, he had developed his abstracted landscape style for which he is best known. In 1966, he made his first "barn" painting on Martha's Vineyard that reduced the complexities of detail of the architecture to a more basic shape, a stylistic convention that is evident in the Museum's painting. Kahn has since commented frequently on his use of color as a unique and specific component of each work as the situation demands, where the gradual buildup of the colors resembles the beauty and translucent nature of pastels.(4) Since then Kahn has had one-person exhibitions at the Kansas City Art Institute, Chrysler Museum, San Diego Museum of Art, Fort Lauderdale Museum of Art and the Columbus Museum, among others. His work is in the permanent collections of numerous museums throughout the United States. Footnotes: 1. Much of the biographical information is drawn from Justin Spring, Wolf Kahn (New York: Harry N. Abrams, 1996). 2. Spring, 21. Wolf Kahn draws this from a 1973 address to the College Art Association. 3. This group included Jane Wilson...

Considered one of the early "California Impressionists" Carl Sammons is known for plain air landscapes that featured the flowering plants native to the coasts, mountains, and desert...

Cityscape Reflections - Misty Morning. 1980. Lithograph with pastel coloring. Czestochowski 42. Edition 40. 14 x 10 3/16 (sheet 18 x 14). Tape stains in the margins, not affecting th...

James Wilson Rayen's 'Untitled Pastel #11' is a 15 x 15 inch pastel drawing on paper from a series of studies of spring and summer rural landscapes. This piece depicts three flowerin...

Unexpected materials, found and manufactured, perch precariously on torn edges and bifurcated sheets of large paper. Here, fluid calligraphic lines are posed against the veracity of ...

Joanne Seltzer was born in Philadelphia, Pennsylvania and raised in Charleston, West Virginia. After having majored in journalism at Northwestern University (she graduated in 1963), she gained her fine arts degree at the University of Michigan. Ms. Seltzer has also attended the New School for Social Research, the Pratt Institute and New York University, at Which she gained invaluable experience in photography, silkscreen and design. In Addition, Ms. Seltzer has lectured at several institutions, including the school of Visual Arts in New York, the University of Virginia and the University of Iowa. she is in the collection of the Brooklyn Museum and the Indianapolis Museum of Art and has showed at Un jardin secret - Collection Monique Dorsel et Emile Lanc - Centre de la Gravure et de l'Image imprimée, La Louvière along with Jean Tinguely, Francois Morellet, Georg Baselitz, Berto Lardera...

Coal & dry pastel on paper