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Period: 1910s
Medium: Paper
Paul Schürch (1886-1939) - Romantic Landscape Drawing 1917 Solothurn Switzerland
Located in Meinisberg, CH
Paul Schürch (Swiss, ∗ 14.2.1886 Wangen b. Olten, † 11.12.1939 Bern) Romantic Landscape in area of Solothurn, Switzerland • Charcoal/Pencil drawing delicately heightened in various...
Category

1910s Naturalistic Paper Landscape Drawings and Watercolors

Materials

Laid Paper, Pencil, Pastel, Charcoal

The Fiddler, Small Ink Drawing by John Bauer
Located in Stockholm, SE
This intricate ink drawing by John Bauer, measuring approximately 8 x 5 cm and presented in an oval format, encapsulates a profound expression in its modest size. It features a minus...
Category

1910s Naturalistic Paper Landscape Drawings and Watercolors

Materials

Oak, Paper, Ink

La Roche Posay by Ludovic-Rodo Pissarro - Landscape watercolour
Located in London, GB
La Roche Posay by Ludovic-Rodo Pissarro (1878-1952) Watercolour and pencil on paper 26 x 36.5 cm (10 ¹/₄ x 14 ³/₈ inches) Signed and titled lower left Executed circa 1910 This work ...
Category

1910s Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Pencil

"New York from the Ferry" John Marin, American Modernism Watercolor, Cityscape
Located in New York, NY
John Marin New York from the Ferry, 1914 Signed and dated lower right Watercolor and graphite on paper 11 x 12 3/4 inches Provenance: An American Place, New York Kennedy Galleries, Inc., New York Christie's, New York, March 16, 1990, Lot 278 Private Collection (acquired from the above) Sotheby's New York, American Paintings, Drawings, & Sculpture, October 2, 2014, Lot 10 A major figure in early twentieth-century modernism, John Marin captured the colliding energies of the American urban scene and the vibrant contrasts of natural elements in the coastal landscape of Maine and other countryside locales. As one of the premier watercolorists of his era, Marin developed a light, spontaneous style ideally suited to conveying the freshness and flux of city and country experience -- his watercolors are often considered to match in strength those created by Winslow Homer in previous century. At the same time, Marin's sensitivity to mass, form, color, and line and their dynamic interchanges provided a precedent for the Abstract Expressionist movement of the late 1950s. Marin was born in Rutherford, New Jersey, to a family of European descent. After studying mechanical drawing and mathematics for half a year at the Stevens Institute of Technology in New York, Marin worked as a draftsman for several architects. It was not until he was almost thirty years old that he began to study art. He enrolled at the Pennsylvania Academy of the Fine Arts in Philadelphia from 1899 to 1901, and at the Art Students League in New York from 1901 to 1903, where his teachers were William Merritt Chase and Frank Vincent Dumond. While Marin was attending the League, the radical ideas of Arthur Wesley Dow were being disseminated and had an impact on the direction Marin would soon take in his art. Marin left for Europe in 1905. The next five years, which he spent abroad, were of tremendous importance to his career. He became a significant figure in the expatriate community in Paris, frequenting the Dôme, a café that served as a meeting place for artists and writers. While in Europe, Marin visited the Louvre and the Rijksmuseum in Amsterdam and, despite his claims that he had been indifferent to the Paris art world, he undoubtedly became aware of the art of Paul Cézanne and Henri Matisse. The works Marin created in Europe most strongly reflect the influence of James McNeill Whistler, especially the pastels he rendered in Venice. In the summer of 1909, Marin met Alfred Stieglitz in Paris. In February of the next year, Marin's work was shown along with that of Alfred Maurer at Stieglitz's gallery, 291. After returning to America in the following year, Marin became one of the most consistent members of Stieglitz's inner circle, showing at all three of his galleries -- 291, The Intimate Gallery, and An American Place. After 1910, Marin developed the routine that he would follow for the rest of his life, creating paintings, drawings, and prints in New York City and surrounding areas during the winter, and in the summer, traveling to the country, where he focused on the particular characteristics of the regions that he visited. He worked mainly in watercolor until 1928, when he began also to use oil. Marin never became purely abstract. He formulated a unique style melding influences of the art of the French Fauves, Cézanne, Matisse, and the French Cubists with a personal style of luminescent colors, agile brushwork, and a simultaneously delicate and strong handling. In city views, he used broken lines, a light touch, fluid color, and rhythmic compositions to convey what he described as the "great forces at work." He expressed the warring of the great and the small through relationships between masses. As he said, he sought to express the "pull forces" of the modern urban scene. Often portraying the new tall buildings of New York seen...
Category

1910s American Modern Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Vintage French Watercolor - Red Vines
Located in Houston, TX
Eye catching watercolor of bright flowering vines covering a towering column along the serene Riviera, circa 1920. Original one-of-a-kind artwork on paper displayed on a white mat ...
Category

1910s Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Paysage Normand, Port en Bessin by Ludovic-Rodo Pissarro, watercolour, 1914
Located in London, GB
Paysage Normand, Port en Bessin by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 23.5 x 30 cm (9 ¹/₄ x 11 ³/₄ inches) Signed and dated lower right, Ludovic Rodo 1914...
Category

1910s Post-Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Ink, Watercolor

"Bloomfield, New Jersey" Oscar Bluemner, American Modernist, Colorist Landscape
Located in New York, NY
Oscar Bluemner Bloomfield, New Jersey, September 13, 1916 Signed, titled, and dated lower left Crayon on paper 5 x 5 3/4 inches Provenance: Fox Gallery, New York Sheldon Ross Galler...
Category

1910s Paper Landscape Drawings and Watercolors

Materials

Paper, Crayon

India 3 X 19th century Kashmir NW Frontier Field Sketches Manasbal Lake, Kashmir
Located in Norfolk, GB
3 Field, on the spot Sketches NW Frontier India : Manasbal Lake, Kashmir Artist: Unknown Medium: Pen & Ink Created: 1890s Size: 13 x 18 cm each A charming set of on-the-spot sketch...
Category

1910s Other Art Style Paper Landscape Drawings and Watercolors

Materials

Pen, Ink, Paper

Answering the Door Early 20th Century w/c Fauvism Social Realism American Scene
Located in New York, NY
Answering the Door Early 20th Century w/c Fauvism Social Realism American Scene Note: We have three similar in style works from 1911 available now on 1stDibs. All are framed identi...
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1910s American Realist Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

"Backyards" Early 20th Century Watercolor Fauvism Social Realism American Scene
Located in New York, NY
"Backyards" Early 20th Century Watercolor Fauvism Social Realism American Scene Note: We have three similar in style works from 1911 available now on 1stDibs. All are framed identic...
Category

1910s American Realist Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

"View of Village" Early Modern Gestural Abstract Landscape Drawing of Houses
Located in Houston, TX
Early modern landscape drawing by German artist Hermann Max Pechstein. The work features a gestural depiction of a winding path leading into a small village. Signed with a monogram i...
Category

1910s Modern Paper Landscape Drawings and Watercolors

Materials

Paper, Color Pencil

Stein am Rhine, 1912 German Watercolor
Located in Larchmont, NY
Stein am Rhine, 1912 Watercolor on paper 7 x 5 in. Mat: 10 3/4 x 8 3/4 in. Inscribed lower right: Stein a/Rh, Juni 1912 At the point where Lake Constance again becomes the Rhine Riv...
Category

1910s Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Henry John Kinnaird, A Sussex Lane, Antique Watercolour
Located in Cheltenham, GB
This early 20th-century oil painting by British artist Henry John Kinnaird (1880-1920) depicts a quaint pastoral scene in Sussex, England. Tranquillity, harmony and abundant beauty ...
Category

1910s English School Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
Located in New York, NY
Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...
Category

1910s American Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Gustav Melcher ( German, 1898 -?) Boats off Venice Italy Ink Water Color c. 1918
By Gustav Melcher
Located in Meinisberg, CH
Gustav Melcher (German, 1898-?) Segelschiffe vor Venedig - Sailing ships off Venice • India ink, water colour wash • Visible image ca. 11.5 x 18 cm • Glased Frame ca. 20 x 25 cm • Verso various inscriptions • Signed lower right Gustav Melcher was a German painter and a pioneer in film, film criticism and film theory and created this clever little picture of the skyline of Venice with various vessels. Going by the various inscriptions an the backing paper, this drawing was made in 1918 when Gustav was twenty years old and passed on three years later to Gertrud Melcher on the 1. 2. 1921. I have no reasons to doubt this information. The small drawing is still in its unopened frame, so maybe there is more information to be discovered , however this will be the privilege of the next owner. The picture also has retained its original antique frame – note that it has lost over the years various sections of the gesso decoration. The very precisely executed drawing is most enjoyable to look at and doing so, remember you are looking through the eyes of a young man, who saw this foreign sea cape over a century ago. Thank you for your interest and please note, that I offer free worldwide shipping on all my items. Gustav Melcher began his studies at the Düsseldorfer Kunstakademie under Peter Janssen and Eduard von Gebhardt. Originaly he was interested in figurative and portrait painting, but after time he decided to pursue the depiction of land- and marinescapes. Durin his studies the young artist undertook trips to visit England, Scotland, Belgium and France and he joined the artist society Malkasten. It was in those days he would hold speeches to his colleges about this new invention called ‘Kintopp’ – Melcher was a great advocate of the moving pictures...
Category

1910s Naturalistic Paper Landscape Drawings and Watercolors

Materials

India Ink, Paper, Watercolor

Henry Robertson ARE, The Beach At Hastings
Located in Cheltenham, GB
This early 20th-century watercolour by English artist Henry Robertson (1848-1930) depicts the beach at Hastings. Nets sprawl from a dormant fishing boat before dapples of beachfront...
Category

1910s English School Paper Landscape Drawings and Watercolors

Materials

Pencil, Paper, Watercolor

Landscape with Gate by Orovida Pissarro - Drawing
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Landscape with Gate by Orovida Pissarro (1893-1968) Pencil on paper 25.7 x 20.4 cm (10 ¹/₈ x 8 inches) Executed circa 1917 Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category

1910s Post-Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Pencil

The Blue Street - Monochrome Rural Town Landscape in Colored Pencil on Paper
Located in Soquel, CA
The Blue Street - Monochrome Rural Town Landscape in Colored Pencil on Paper Delicate drawing of a rural street by Alle Wijtze "Charles" de Somer (Dutch, 1869-1919). One of the arti...
Category

1910s Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Color Pencil

Beauregard House, New Orleans
Located in New Orleans, LA
Louis Oscar Griffith (1875-1956) was an American painter known for his etchings, paintings, and aquatints of landscapes, especially scenes of Brown County, Indiana, New Orleans, LA and Texas. Griffith was born in Indiana in 1875 but later moved to Dallas, TX with his family. As a teen, he took art lessons with acclaimed landscape artist, Frank Reaugh...
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1910s Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Graphite

Three Boats in Maine
Located in Rancho Santa Fe, CA
Signed lower left: “A. Walkowitz" Provenance: Professor Gene DeGruson, Kansas State College, Pittsburg, KS Dirk Soulis Auctions, June 18, 2011, lot 31 Private...
Category

1910s Modern Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

L'église de nuit - Impressionist Watercolor, Figures in Landscape by Henri Duhem
Located in Marlow, Buckinghamshire
Signed impressionist watercolour on paper circa 1910 by French painter Henri Duhem. The piece depicts churchgoers leaving mass walking into the cold night. The crescent moon shines b...
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1910s Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Dunes and Baltic Sea coast near Warnicken 1910 Watercolor
Located in Soquel, CA
Detailed watercolor by German artist Julius Theophil Wentscher (The Elder) (Germany, 1842-1910). Baltic Sea coast near Warnicken, Konigsberg, East Prussia, ...
Category

1910s Impressionist Paper Landscape Drawings and Watercolors

Materials

Watercolor, Laid Paper

"Old Caravels near La Rabida Convento" in Spain - Palos de la Frontera - Pencil
Located in Soquel, CA
Delicate and precise drawing by Lester G. Hornby (American, 1882-1956). Several boats are depicted at Convento de Santa María de la Rábida. The drawing is highly detailed, with the confident marks of an accomplished artist. Two buildings can be see to the left hand side of the drawing - a wharf house and the La Rabida Monastery. A man tends his fishing boat and few other boats are anchored in the water, including two caravels (a small, fast Spanish or Portuguese sailing ship of the 15th–17th centuries.) The Friary of La Rábida (in full, Spanish: Convento de Santa María de la Rábida) is a Franciscan friary in the southern Spanish town of Palos de la Frontera, in the province of Huelva and the autonomous region of Andalucia. Signed "L. G. Hornby" in the lower left corner. Presented in a new grey mat with foamcore backing. Original tag from Albert Roullier Art Galleries in Chicago has been preserved on verso. Mat size: 11"H x 14"W Paper size: 10"H x 9"W Lester George Hornby (American, 1882-1956) received his early training at the Rhode Island School of Design and the Art Students League in New York. He then journeyed to Paris where he developed his technique further at the major art academies there. Hornby’s progress was rapid; he received his first international recognition in Paris in the prestigious Salon d’Automne of 1907. Completely captivated by Paris and the French countryside, Hornby spent most of his productive years in France, returning intermittently to America. In his later years, he played an active role as teacher and artist in the Rockport art colony. He lived there with Bertha Grover Goodrich, his last wife. They lived in Rockport, Massachusetts until his death in 1956. Together they built the "old on purpose" house using old materials to build a "new" "old" house. Lester is the one who gave the name "Motif #1" to the old fish house that has become so famous. During WWI Hornby was a war correspondent. As did most artists at the time who did illustrations in relation to the war, Hornby had to have war- related pictures approved by the government before being published. In one case the war department refused to give permission because they felt his illustration was so accurate and well done that the enemy would have access to too much information. Hornby worked in the trenches with the men and his work reflects this. At a Philadelphia exhibit of color etchings in 1909 the critic called Hornby "the foremost exponent of this branch of graphic art that America has produced.” The critic Rowland Thomas wrote in 1910 "Hornby is beyond doubt a master etcher with such power of eye and hand as our generation has hardly known before. Not since Whistler posed with the Universe on his needle point has anyone scratched on solid metal lines of such electrifying, such insolently simple conciseness as these- a new old Paris leaps transfigured and revealed for those who will glory in her." Boston critic W.H. Downes found "Hornby's etchings among the best and most artistic being done by any American, and some of the Marne set are masterpieces." A 1928 exhibit of watercolors at the Vose Gallery in Boston won a rave from critic A.J. Philpott "He has been compared to Joseph Pennell but that is not a fair comparison. Hornby is a much more versatile genius than Pennell ever was!" Hornby's work is in the permanent collections of 21 museums worldwide, including the Addison Gallery of American Art, Boston Public Library, Boston Athenauem, Art Institute of Chicago, Detroit Institute of Arts, Rhode Island School of Design, Yale University, Rockport Art Association, and Philadelphia Museum of Art. Member: American Art Association of Paris, Boston Art Club, Guild of Boston Artists, Boston Watercolor Club, Brooklyn Society of Etchers, Chicago Society of Etchers, Caof. Society of Etchers, New York Society of Etchers, Gloucester SA, Painter-Gravers of America, Providence Art Club, Providence Watercolor Club, Rockport Art Association, NSAA, SC., Soc. Amis de l'Eau-Forte, Paris. Exhibits: Paris Salons, Dresden International Exhibition, doll & Richards Gallery, Boston Public Library, Irving & Casson, Roullier Gallery, Kennedy Gallerys, Grace Horne Gallery, Goodspeed's Boston, Venice International Exhibition, Lotos Club, Anderson Gallery, Swedish International Exhibition, Fine Art Society, London, Boston City...
Category

1910s American Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Pencil

Grand Arbre dans la Sente by Ludovic-Rodo Pissarro - Watercolour
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Grand Arbre dans la Sente by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 28 x 38 cm (11 x 15 i...
Category

1910s Fauvist Paper Landscape Drawings and Watercolors

Materials

Watercolor, Paper, Ink

Paysage à Chippenfield by Ludovic-Rodo Pissarro - Landscape watercolour
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Paysage à Chippenfield by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 23 x 33 cm (9 x 13 inche...
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1910s Post-Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Ink, Watercolor

Fleurs d'automne - Impressionist Watercolor, Flowers Autumn Landscape by H Duhem
Located in Marlow, Buckinghamshire
A beautiful watercolour on paper circa 1910 by Henri Duhem depicting an autumn landscape - with a path weaving through broken fences, yellow flowers and a bare tree, with a cottage i...
Category

1910s Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

In the Orchard - Impressionist Watercolor, Figure in Landscape by Henri Duhem
Located in Marlow, Buckinghamshire
A beautiful and delicate watercolour on paper circa 1910 by French impressionist painter Henri Duhem. The work depicts a woman in a blue dress in an orchard in autumn. The trees in t...
Category

1910s Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Waves
Located in New York, NY
Waves 1913 Inscribed in ink and pencil, recto; Extensive notes in pencil, verso Watercolor and graphite on cream wove paper 3.5 x 5.5 inches This work is offered by ClampArt in N...
Category

1910s Contemporary Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Graphite

"Sierra Maestre" Cuban Landscape
Located in Soquel, CA
Idyllic watercolor of grassland and mountains in Cuba by Leonard Lester (English, 1870-1952). A large, grasy field stretches out from the viewer, lush a...
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1910s American Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

La Vue - Lac Geneva -Impressionist Watercolor, Mountain & Lake Landscape H Duhem
Located in Marlow, Buckinghamshire
A beautiful watercolour on paper circa 1919 by French impressionist painter Henri Duhem depicting a view of Lake Geneva in Montreux, Switzerland with the mountains beyond. Signatur...
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1910s Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Canadian Modernist Pastel Painting Drawing Trees Purple Green Framed 1915
Located in Buffalo, NY
A charming and well conceived Canadian modernist drawing. Unsigned but from the period of such well known artists as David Milne. Housed in a period frame the presentation n the wa...
Category

1910s Modern Paper Landscape Drawings and Watercolors

Materials

Paper, Pastel

'Alpine Landscape in Piedmont', Munich School Professor
Located in Santa Cruz, CA
Signed lower left, 'Hans Blum' (German, 1858-1942) and painted circa 1911. Provenance: Exhibited, 'Jubiläums- Ausstellung der Münchener Künstler-Genossenschaft', München 1911 ('Anniversary Exhibition of the Munich Artists' Cooperative'). Label verso. Hans Blum studied at the Munich Academy of Fine Arts with Ludwig von Löfftz and Ludwig Lindenschmit the Younger. He first worked as a portraitist in Nuremberg but later turned to genre painting, which he often carried out in the style of plein-air painting. Blum exhibited his Italian alpine...
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1910s Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Gouache, Illustration Board

Tranquil Stream - Early 20th Century Forest Landscape
By Joseph Anthony Kahler
Located in Soquel, CA
Early and rare 20th century watercolor landscape of a stream in the forest by Joseph Anthony Kahler (Austrian/American, 1852-1937). This beautiful Northern California scene of the McCloud River near Mount...
Category

1910s American Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Arcade dans la Neige - Impressionist Watercolor, Night Landscape by Henri Duhem
Located in Marlow, Buckinghamshire
Signed landscape watercolour on paper circa 1910 by French impressionist painter Henri Duhem. The work depicts a snow covered archway in a village on a clear winter's evening. Sign...
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1910s Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Painter in the Jardin de Luxembourg, Paris
Located in London, GB
'Painter in the Jardin de Luxembourg, Paris', pastel on fine art paper, French School (1919). An intriguing depiction of a hatted-woman dressed in white at her easel in the park. A b...
Category

1910s Paper Landscape Drawings and Watercolors

Materials

Paper, Pastel

"Boats at Low Tide", Early 20th Century Coastal Landscape Watercolor
Located in Soquel, CA
Idyllic early 20th century seascape of small boats on the shore by Melvena M. Wade, pioneer California watercolor artist (Canadian/America...
Category

1910s American Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Four Balinese, Bali (1910)
Located in Amsterdam, NL
Four Balinese, 1910 Signed and dated bottom left Pencil and ink on paper, 15.6 x 23 cm In ebonized frame with white mount. Literature: W.O.J. Nieuwenkamp, Zwerftochten op Bali, Amsterdam, 1910, p. 36 WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art...
Category

1910s Art Nouveau Paper Landscape Drawings and Watercolors

Materials

Paper, Pencil

Weltevreden, Kebon Sirih, & Vlucht voor de bui (Fleeing the rain)
Located in Amsterdam, NL
Weltevreden, Kebon Sirih, & Vlucht voor de bui (Fleeing the rain) Executed between February 20 and March 2, 1918 Double sided drawing in graphite pencil on paper Images: c. 33 x 5...
Category

1910s Art Nouveau Paper Landscape Drawings and Watercolors

Materials

Paper, Graphite

Stone Statue, Madura, India, 1914
Located in Amsterdam, NL
Stone statue in the temple at Madura, India, 1914 Signed with initials and dated, bottom left Pencil on paper, 25.4 x 16.7 cm Literature: Ernst Braches en J.F. Heijbroek, W.O.J. ...
Category

1910s Art Nouveau Paper Landscape Drawings and Watercolors

Materials

Paper, Pencil

Part of the ring-wall of the Taj Mahal, Agra, India, 1914
Located in Amsterdam, NL
Part of the ring-wall of the Taj Mahal, Agra, India, 1914 Signed with initials and dated bottom right Black chalk on paper, 45.5 x 53 cm Literature: Ernst Braches en J.F. Heijbro...
Category

1910s Art Nouveau Paper Landscape Drawings and Watercolors

Materials

Chalk, Paper

Stone Statue, Madura, India, 1914
Located in Amsterdam, NL
Stone statue in the temple at Madura, India, 1914 Signed with initials top right Pencil on paper, 21.2 x 16.7 cm Literature: Ernst Braches en J.F. Heijbroek, W.O.J. Nieuwenkamp,B...
Category

1910s Art Nouveau Paper Landscape Drawings and Watercolors

Materials

Pencil, Paper

“Schooners, Fowey Harbour, Cornwall”
Located in Southampton, NY
Beautiful watercolor on archival paper by the British artist, Eyres Simmons. Signed lower left. The scene is of Fowey Harbour in Cornwall, England with schooners moored in harbor. ...
Category

1910s Post-Impressionist Paper Landscape Drawings and Watercolors

Materials

Watercolor, Archival Paper

Antique French Landscape Painting
Located in Houston, TX
Enchanting watercolor cityscape of a grand river entrance to the elevated old-world town of Entrevaux by French artist Henri Michaux (1899-1984), circa 1920. Signed lower left. Orig...
Category

1910s Other Art Style Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Early 20th Cent. Figurative -- Fontainebleau Forest and Women Gathering
By C. Harry Allis
Located in Soquel, CA
A lush, historic watercolor figurative landscape by C. Harry Allis (American, 1870-1938). Signed and dated "C. Harry Allis 1919" lower right. Displ...
Category

1910s American Impressionist Paper Landscape Drawings and Watercolors

Materials

Watercolor, Paper

Early 20th Century Blue Pond by the Path Landscape
Located in Soquel, CA
Charming vintage watercolor of a turquoise blue pond along a country path. Signed by the artist, lower center; "Paule East." Presented in a vintage oak wood...
Category

1910s American Impressionist Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Antique French Town Watercolor Painting
By Alphonse Soumers
Located in Houston, TX
Mesmerizing one-of-a-kind watercolor of an old town French street scene by artist Alphonse Soumers, circa 1920. Original one-of-a-kind vintage work of art on paper displayed on a w...
Category

1910s Other Art Style Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Drawing "Sommertag am Schlachtensee" 1912 by Lesser Ury
Located in Berlin, DE
Carbon drawing, 1912 by Lesser Ury ( 1861-1931 ). Signed and dated lower left: L.Ury 1912. The drawing will be included in the forthcoming catalogue raisonné. Dimensions: 20.08 x 12...
Category

1910s Paper Landscape Drawings and Watercolors

Materials

Paper, Carbon Pencil

Before the Storm
Located in Buffalo, NY
An original watercolor on paper by American modernist Charles E. Burchfield, created in 1916. This work comes in an archival frame presentation and has been authenticated by the Bur...
Category

1910s Modern Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

French Painting of Pont Nôtre-Dame, Paris, C. 1915
Located in Houston, TX
French ink wash that blends soft greens, browns, and grays in a charming depiction of the Pont Nôtre-Dame in Paris. Circa 1915, this painting offers a historic view of the Pont Nôtre...
Category

1910s Paper Landscape Drawings and Watercolors

Materials

Ink, Paper

Vintage French Watercolor - Windmill
Located in Houston, TX
Picturesque French watercolor of a windmill in tranquil cool hues, circa 1920. Original artwork on paper displayed on a white mat with a gold bord...
Category

1910s Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Untitled (Trees)
Located in Buffalo, NY
An original watercolor on paper by American modernist Charles E. Burchfield, created in 1916. This work comes in an archival frame presentation and has been authenticated by the Bur...
Category

1910s American Modern Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

'Menton, France', École des Beaux-Arts, student of Gustave Boulanger and Gerome
Located in Santa Cruz, CA
Signed lower left, 'A.F. Gorguet' for Auguste François Gorguet (French, 1862-1927), titled 'Menton' and dated with roman numerals 'XI' for 1911; bearing old 'P. Navez' exhibition lab...
Category

1910s Impressionist Paper Landscape Drawings and Watercolors

Materials

Board, Gouache, Watercolor, Paper

Vintage French Watercolor - Edge of the Riviera
Located in Houston, TX
Striking watercolor of a beautiful sunset over a rocky shore along the French Riviera by French artist L. Bourlier, circa 1920. Signed lower left. Original artwork on paper display...
Category

1910s Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Vintage French Watercolor - Crystal Falls
Located in Houston, TX
Magnificent French watercolor of a crystal blue waterfall spilling out from a rocky crevice by artist J. Aucante-Roy, circa 1920. Signed lower right. Original artwork on paper disp...
Category

1910s Paper Landscape Drawings and Watercolors

Materials

Gouache, Paper, Watercolor

Vintage Italian Landscape - Ornate Courtyard
Located in Houston, TX
Exquisite and highly skilled watercolor of an elaborate Italian courtyard accented with radiant foliage and flowers by Flaromia, circa 1920. Signed lower left. Original one-of-a-ki...
Category

1910s Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Vintage French Watercolor Landscape - Lazy River
Located in Houston, TX
Delightful French watercolor of a glassy river lined with vivid green grass and trees dotted in fall colors from 1911. Original one-of-a-kind artwork on paper displayed on a white...
Category

1910s Paper Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Paper landscape drawings and watercolors for sale on 1stDibs.

Find a wide variety of authentic Paper landscape drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, green, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Richard Dupont, Ekaterina Smirnova, Jack Henry, and Marilina Marchica. Frequently made by artists working in the Contemporary, Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Paper landscape drawings and watercolors, so small editions measuring 2.25 inches across are also available Prices for landscape drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $66 and tops out at $45,000, while the average work can sell for $1,511.

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