Jan Peeter Verdussen

Landscape - Watercolor and Pencil by Jan Peter Verdussen - 18th Century

18th Century

Landscape is a beautiful drawing in pencil and watercolor on paper realized by Jan Peter Verdussen in 1745 ca. In good condition, excpet for some foxing on the right. The artwork r...

Rome is a beautiful artwork realized by Jan Peter Verdussen in 1741. In good condition except for some pencil marks and traces of sealing wax on the back and some diffused foxings. ...

China ink and watercolor on paper. Hand dated. Conditions: Foxing on the top right of the paper

China ink and watercolour on paper. Realized in 1740 ca. Very good conditions. Includes passepartout.

Tribuna della Basilica Labicana is an original old master artwork realized in 16th century by Giovanna Fontana. IIvory colored paper attached on an ivory colored sheet (cm 27 x 36.7...

Chateau fort is an original pencil drawing on paper by Horace Vernet realized in XIX century. Certified by Paul Proutè. Very good conditions, except for a very little rip on the lef...

FRANÇOIS MATHURIN ADALBERT, BARON DE COURCY (1805-1839) 'Le Negrito à l’ancre. Dans le port de la havanne' Indistinctly signed lower left Titled on the mount Pencil and watercolour, heightened with white, on paper, 24.8 x 34.6 cm Literature: The present watercolour will be illustrated in: - Prof. Manuel Garcia’s projected book on the disease and the slave trade provisionally titled “Fighting the Yellow Demon of Fever: The Struggle against Disease in the Illegal Slave Trade”. - Prof. Micael Zeuske’s forthcoming Global history of slave trade. Exhibited: Mexico City, 1998, Palacio Virreinal, El Barón de Courcy, illustrationes de un viaje, 1831-1833, no. 108 Note: Baron de Courcy was in the Caribbean in late 1832 and early 1833, following his tour of Mexico in 1832, on the last leg of his “Grand Voyage...

Ink and watercolor on paper. 3 1/2 x 5 1/4. Unsigned. Excellent condition on cream laid paper, tipped onto a backing sheet at the top corners. Annotated "Tavernier" verso, and "Hendr...

Arriving in Rome in June 1735 as a resident at the Royal Academy, Pierre was unable to attend the Winter Carnival festivities of 1735, which he nevertheless immortalised in an engrav...

Black crayon and graphite with white heightening on blue handmade laid paper. Adhered at all four corners to a period support, on which the title and an illegible date (perhaps 1815) appear to be written in the artist's hand. ________ Aglio was born in Cremona is 1777 and his artistic talent was recognized early in his life. He was promised a place at the University in Milan by the Holy Roman Emperor, however, his formal education was upended before it even began by the invasion of Italy and Austria by Napoleon. Aglio joined the war effort and fought in a series of major battles near Venice before becoming seriously ill. At the age of about 23 he was released from duty, and traveled to Rome to focus on his health, and landscape painting. In Rome, Aglio studied with the renowned artist Campovecchio. At the invitation of well known British architect William Wilkins (designer of the National Gallery and University College London), Aglio relocated to London in 1803. He made London his permanent home, and married Letitia Clarke in 1805. He enjoyed a lucrative career painting frescoes in the interiors of high society townhouses, country manors, and major London concert halls and theaters. Most notably, Aglio painted multiple official portraits of Queen Victoria...

Illustration for book by Agnieszka Frączek 'Who needs a mammoth' JOANNA RUSINEK Printmaker, illustrator of children's books, author of press ill...

Illustration for book by Barbara Stenka 'Stenka's songs' JOANNA RUSINEK Printmaker, illustrator of children's books, author of press illustratio...