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James Nyika
Hole 6, Original Painting

2020

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  • Approaching Storms, Original Painting
    Located in San Francisco, CA

    Artist Comments
    "Ominous is the word that comes to mind when contemplating this scene," says artist James Nyika. "The beach where this was taken was at the Indian Ocean near th...

    Category

    21st Century and Contemporary Abstract Impressionist Drawings and Waterc...

    Materials

    Watercolor

  • November in the Vineyard, Original Painting
    By Catherine McCargar
    Located in San Francisco, CA

    Artist Comments
    Artist Catherine McCargar can't help but be charmed by California's expansive vineyards. Often taking inspiration from the rich and verdant views as she lives in easy travel distance to many of them. In this piece, Catherine offers the viewers a perspective from within a vineyard. Rows and rows of grapevines cover the landscape and nearby trees border the edge adding fiery touches to the scene. Painting the piece in an impressionistic style, Catherine uses deep shadows that highlight autumn light drawing the viewer in to see what she sees.


    About the Artist
    Impressionist Catherine McCargar expresses her deep admiration of nature through landscape paintings of Northern California. While she is well-versed in a range of media, her preferred medium for painting is watercolor. The fluidity of the paint allows her to capture the muted undertones and the fleeting light found in the natural world. While the backgrounds of her paintings are impressionistic, the foregrounds of her paintings are often highly detailed, showcasing her technical mastery over her medium.


    Words that describe this painting: landscape, vineyard, grapes, nature, autumn, fall, season, California, wine country, impressionism, farm, plants, watercolor, paper, travel, impressionism, landscape, travel, watercolor painting, green


    November in the Vineyard...

    Category

    21st Century and Contemporary Abstract Impressionist Drawings and Waterc...

    Materials

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  • Capitol Afternoon, Original Painting
    Located in San Francisco, CA

    Artist Comments
    Artist James Nyika depicts a cold January afternoon before a snowstorm near the US Capitol in Washington DC. Glowing in the afternoon light, James captures the ...

    Category

    21st Century and Contemporary Abstract Impressionist Interior Drawings a...

    Materials

    Watercolor

  • Morning at the Pantheon, Original Painting
    Located in San Francisco, CA

    Artist Comments
    "Bright as a light!" exclaims artist James Nyika. Taking inspiration from a quietly crowded pantheon in Rome, James captures the delightful scene brightly lit under the sun. "When I arrived at this location, I found the square and the sky so beautifully lit by the light of the day. And with very few people around, you could see a lot of the bases of the columns. I wanted to capture the warmth of the sun as it evaporates any lingering dew and 'crispness' of the air."


    About the Artist
    Artist James Nyika paints the glowing atmosphere of cities across the world. As a child growing up in Kenya, he found art materials at the student bookshop and also borrowed just about every art history volume from the British Council library in Nairobi. "I checked out the same books over and over just to stare at the art, to try and understand how it was created," says James. With family encouragement to study engineering, James moved to the U.S. and immersed himself in science studies at Boston University. Several years after embarking on a tech career, he set a goal to create at least one painting a week, never throwing away any works and learning as much as possible in his off hours. Today, James still balances his full-time career designing large software systems with his prolific output as a painter. "Painting is a great antidote to the regularity of a computing profession and I really value it for the uncertainty that it brings - something frowned upon when writing code."


    Words that describe this painting: Pantheon, Rome, monument, columns, tourists, sunlit, sunlight, building, architecture, travel, facade, impressionism, paper, watercolor, architecture, impressionism, travel, watercolor painting, beige


    Morning at the Pantheon...

    Category

    21st Century and Contemporary Abstract Impressionist Interior Drawings a...

    Materials

    Watercolor

  • Moment of Dawn, Original Painting
    Located in San Francisco, CA

    Artist Comments
    "Look backward to move forward," says artist James Nyika. Taking inspiration from this very scene unfolding from his rearview mirror while driving, James paints...

    Category

    21st Century and Contemporary Abstract Impressionist Drawings and Waterc...

    Materials

    Watercolor

  • In the Misty Mooring, Original Painting
    By Judy Mudd
    Located in San Francisco, CA

    Artist Comments
    "I wanted to make the boats in the foreground the focus of this marine scene," says artist Judy Mudd. "Therefore, I reimagined the more complicated image of the...

    Category

    21st Century and Contemporary Abstract Impressionist Drawings and Waterc...

    Materials

    Watercolor

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  • Landscape
    By Merton Clivette
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    Artist: Merton Clivette (American, 1868-1931) Title: Landscape Year: Circa 1925 Medium: Gouache Paper: Heavy Bristol type Size image: 22.75 x 28 inches Paper size: 22.75 x 28 inches Signature: Signed lower left by the artist Condition: Excellent Frame: Unframed About the artist. Clivette was born in Portage, Wisconsin, in 1868 as Merton Clive Cook, the youngest of five (four sons and one daughter). His father was a retired British sea captain, and his mother was an American of French, Scottish and Iroquois Indian stock. He stayed with a circus for about five years, traveling all over the Western United States, Canada and Mexico. They did shows for the army forts, for railroad workers and on Indian Reservations. Clivette settled in San Francisco in 1886, when he was offered a job as a reporter and theatrical writer for the San Francisco Call. He met Frederic Remington during this period. He was the first serious artist Clivette had met and he was an inspiration to him. Clivette had done some drawing and painting on the road during his vaudeville years, he had a natural facility for it, and he had had some formal art training as well. He had had some training in Europe and was aware of the modern art movement in Europe. Later in New York he participated in symposiums and workshops at the Art Students League. Around 1910 he gave up his stage career and began to paint full time. He was about 40 years old and was to continue to paint vigorously and prolifically for the remaining 22 years of his life, His style can be identified with the Expressionist Movement, His subjects include portraits (some quite realistic, others more generalized) Indians and horsemen, laborers, gentlemen and vamps, jungle animals and birds, fish, seascapes and landscapes. He was an active participant in the art world of New York. He was a member of the Society of Independent Artists. In 1923 he showed at the Ainslee Art Gallery at 677 Fifth Ave., in 1925 at the Spanish Society in Brooklyn and in 1927 he had a solo show at the New Gallery, 600 Madison Ave. That same year there was also a solo show of his work in Paris at the Bernheim-Jeune Gallery, which included a catalogue. In 1929 he exhibited at the Art Center of the Roerich Museum in a group show of work from the collection of George Hellman. In 1930 he was in a show at the Museum of Modern Art in New York, "Painting and Sculpture by Living Americans" which also included the work of Stuart Davis, Arthur Dove, William Glackens, Marsden Hartley, Childe Hassam, George Luks and Mark Tobey and sculptors Gaston Lachaise and William Zorach among others. A description and critical analysis of his work in included in the book by Henry Rankin Poore...
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