Roger Bertin

French Fauvist Gouache and Watercolor Painting Paris Opera or Theater Interior

Watercolor painting of Shul interior in Tzfas, Safed Israel. MORDECHAI AVNIEL Minsk, Belarus, b. 1900, d. 1989 Mordecai Dickstein (later Avniel) was born in 1900 in Minsk, present-day Belarus. He studied fine arts in Yekaterinburg, Russia (1913–19) and at the Bezalel Academy of Art and Design, Jerusalem (1923). Avniel immigrated to Palestine in 1921 where he first worked as a pioneer in citrus plantations near Petah Tikva. In 1923, at the urging of Boris Schatz, he went to Jerusalem to further his art studies at Bezalel. He later taught painting and sculpture at the school, and served a term as director of the Small Sculpture Section of the Sculpture Department (1924–28). From 1935 on, Avniel lived in Haifa. Avniel was also a lawyer and a founding partner of the Haifa firm Avniel, Salomon & Company. Avniel regularly showed his work in group exhibitions of the Painters and Sculptors' Association of Israel. He was awarded the Herman Struck Prize (1952), Tenth Anniversary Prize for Watercolours, Ramat Gan (1958), Histadrut Prize (1961), and First Prize Haifa Municipality (1977). He represented Israel at the 1958 Venice Biennale and the 1962 International Art Seminar at Fairleigh Dickinson University. Avniel was a member of the Artists' Colony in Safed and maintained a studio on Mount Carmel. Mordechai Avniel is best known for his deft and singular landscape work. His works are held in numerous museums and collections both in Israel and abroad, including the Metropolitan Museum, New York and the Carnegie Institute, Pittsburgh, PA. Avniel's manipulations of light and colour share much with those of compatriot artists Shimshon Holzman and Joseph Kossonogi. Education 1913-19 Art School of Katrinburg, Russia 1923 Bezalel School of Art, Jerusalem Selected exhibitions: 2004: Our Landscape: Notes on Landscape Painting in Israel, University of Haifa Art Gallery, Haifa (online catalogue) 1965: Mordechai Avniel Retrospective, Haifa Municipality Museum of Modern Art, Haifa 1964: Galerie Synthèse, Paris 1962: New York University, New York 1961: Rina Gallery of Modern Art, Jerusalem The Autumn Exhibition Rina Gallery, Jerusalem Artists: Dedi Ben Shaul...

Yoshio Aoyama (Japanese, 1894-1996) "Nature Morte". Oil on canvas. 1981. Signed 'Aoyama' (upper left). Signed and titled 'Nature Morte' verso. 15" x 18" ...

Genre: Impressionist Subject: People Medium: Oil Surface: Panel Frederick Serger (given name Frederick Bedrick Sinaberger) was born in 1889 to a family of Jewish manufacturers in the village of Ivancice near Brno Moravia, a province of Czechoslovakia. Showing artistic talent at a young age, he attended art schools in Brno, Vienna, and Munich. During World War I, Serger joined the Austrian Army...

Ernst Oppler (9 September 1867 – 1 March 1929) was a German Impressionist painter and etcher born in Hanover. Oppler at a meeting of the Berlin secession...

Watercolor painting of Old City of Jerusalem MORDECHAI AVNIEL Minsk, Belarus, b. 1900, d. 1989 Mordecai Dickstein (later Avniel) was born in 1900 in Minsk, present-day Belarus. He studied fine arts in Yekaterinburg, Russia (1913–19) and at the Bezalel Academy of Art and Design, Jerusalem (1923). Avniel immigrated to Palestine in 1921 where he first worked as a pioneer in citrus plantations near Petah Tikva. In 1923, at the urging of Boris Schatz, he went to Jerusalem to further his art studies at Bezalel. He later taught painting and sculpture at the school, and served a term as director of the Small Sculpture Section of the Sculpture Department (1924–28). From 1935 on, Avniel lived in Haifa. Avniel was also a lawyer and a founding partner of the Haifa firm Avniel, Salomon & Company. Avniel regularly showed his work in group exhibitions of the Painters and Sculptors' Association of Israel. He was awarded the Herman Struck Prize (1952), Tenth Anniversary Prize for Watercolours, Ramat Gan (1958), Histadrut Prize (1961), and First Prize Haifa Municipality (1977). He represented Israel at the 1958 Venice Biennale and the 1962 International Art Seminar at Fairleigh Dickinson University. Avniel was a member of the Artists' Colony in Safed and maintained a studio on Mount Carmel. Mordechai Avniel is best known for his deft and singular landscape work. His works are held in numerous museums and collections both in Israel and abroad, including the Metropolitan Museum, New York and the Carnegie Institute, Pittsburgh, PA. Avniel's manipulations of light and colour share much with those of compatriot artists Shimshon Holzman and Joseph Kossonogi. Education 1913-19 Art School of Katrinburg, Russia 1923 Bezalel School of Art, Jerusalem Selected exhibitions: 2004: Our Landscape: Notes on Landscape Painting in Israel, University of Haifa Art Gallery, Haifa (online catalogue) 1965: Mordechai Avniel Retrospective, Haifa Municipality Museum of Modern Art, Haifa 1964: Galerie Synthèse, Paris 1962: New York University, New York 1961: Rina Gallery of Modern Art, Jerusalem The Autumn Exhibition Rina Gallery, Jerusalem Artists: Dedi Ben Shaul, Lea Nikel, Yossef Zaritsky,Ephraim Fima Roytenberg, Zvi Meirovich, Aharon Kahana, Avigdor Stematsky, Mordechai Levanon, Yosl Bergner, Israel Paldi...

Polly Kraft American (1928-2017) Umbrella Still Life (1984) watercolor on paper signed lower right 29 1/2 x 41 1/2 inches frame dimensions: 33 x 45 1/4 x 1 1/2 inches, wood frame with acrylic glazing Provenance: East Hampton Collection Fischbach Art Gallery New York, NY label affixed verso Polly Kraft, Known for painting portraits, landscapes, and still-lifes, realist artist Polly Kraft worked in both watercolor and oil. She had the ability to translate a split second glance into a memorable painting.a painter who turned quotidian objects and scenes — a sliced red apple still bearing its seeds, an unmade bed cluttered with mail, a filleted fish vibrant even in death — into works of art resonant with meaning, Her son, Mark Stevens is an art critic who with his wife, Annalyn Swan, co-authored the Pulitzer Prize-winning biography “de Kooning: An American Master” Mrs. Kraft spent a half-century at the center of the Washington establishment as the wife of Joseph Kraft, the syndicated newspaper columnist, and later, after Kraft's death in 1986, of Lloyd Cutler, the high-powered lawyer who was White House counsel to Presidents Jimmy Carter and Bill Clinton. Her marriages took her into the thick and thicket of social life in the capital — a world, she once remarked, where "politicians were mixed in with intellectuals, mixed in with academics, mixed in with movie stars." She counted among her friends members of the Kennedy family, former Washington Post chairman and publisher Katharine Graham, former Post executive editor Benjamin C. Bradlee and diplomats W. Averell and Pamela Harriman. Although oft cited as a doyenne of Georgetown hostesses, Mrs. Kraft professed that she relished neither politics nor Washington’s breed of socializing, which at times approached the intensity of a competitive sport. “When it comes to the poetry of dishevelment, Polly Kraft is one of our more rewarding practitioners,” art critic John Russell wrote in the New York Times in 1981. “She specializes in the domestic pileup — cushions knocked out of shape, books and magazines left askew, hasty departures acted out in verismo style. The point of the paintings lies in the contrast between this archetypal havoc and the order that Mrs. Kraft has imposed upon it.” Classic Americana. Her paintings, mainly watercolors and oil paintings, appeared at venues including the Corcoran Gallery of Art and Addison/Ripley Fine Art in Washington (she was part of their 40 year retrospective along with Lou Stovall, Diana Walker...

Wallpaper Sketch by Josine Vignon (French 1922-2022) pastel/watercolor paper, unframed painting: 19 x 25 inches good condition provenance: from the artists estate, France Josine Vi...

Cy Twombly’s chair by Manuel Santelices Ink, gouache, and watercolor on paper Image size: 12" H x 9" W inches. Unframed 2023 Manuel Santelices explores the world of fashion, soci...

A Room by Axel Vervoort, by Manuel Santelices Ink pen, gouache, and watercolor on paper Image size: 6 in. H x 8 in. W One of a Kind Unframed 2021 The w...

A watercolor painting with golden foil in the interior. A watercolor painting for the interior with bright tropical flowers of Eritrea, decorated with golden foil. Saturated, contras...

The painting for interior Royal Orchid is a delicate, refined watercolor made on cotton paper with multifaceted granulating shades. Beautiful orchid flowers on a platter surrounded b...

Andres Alsina in Paris, 2024 by Manuel Santelices From the series Interiors Ink and watercolor on paper Image size: 11 in. H x 11 in. W Unframed A new series inspired by architectu...