Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Unknown
Untitled: Seated Rear Nude

Late 20th Century

About the Item

Unknown/Unidentified Artist, "Untitled: Seated Rear Nude", Unsigned Figurative/ Nude Watercolor, Charcoal (Mixed Media) Painting on Paper, 18 x 13, Late 20th Century Colors: Black, Brown, Orange, Yellow, Turquoise Green
More From This SellerView All
  • Untitled: Left Side Seated Nude
    Located in New York, NY
    Unknown/Unidentified Artist, "Untitled: Left Side Seated Nude", Unsigned Figurative/ Nude Watercolor, Charcoal (Mixed Media) Painting on Paper, 18 x 14, Late...
    Category

    Late 20th Century Academic Figurative Drawings and Watercolors

    Materials

    Paper, Watercolor, Charcoal, Mixed Media

  • Untitled: Solo Seated Nude
    Located in New York, NY
    Unknown/Unidentified Artist, "Untitled: Solo Seated Nude", Signed Figurative/ Nude Watercolor, Charcoal (Mixed Media) Painting on Paper, 17 x 14, Late 20th Century Colors: Black, Brown, Orange, Yellow, Turquoise, Green, Purple *Unidentified/ Unknown Artist signature...
    Category

    Late 20th Century Academic Figurative Drawings and Watercolors

    Materials

    Paper, Watercolor, Charcoal, Mixed Media

  • Untitled: Seated Rear Nude 2
    Located in New York, NY
    Unknown/Unidentified Artist, "Untitled: Seated Rear Nude 2", Unsigned Figurative/ Nude Watercolor, Charcoal (Mixed Media) Painting on Paper, 18 x 14, Late 20th Century Colors: Brown...
    Category

    Late 20th Century Academic Figurative Drawings and Watercolors

    Materials

    Charcoal, Mixed Media, Paper, Watercolor

  • Untitled: Women in Bath
    Located in New York, NY
    Unknown/Unidentified Artist, "Untitled: Women In Bath", Signed Figurative/ Nude Watercolor, Charcoal (Mixed Media) Painting on Paper, 14 x 17, Late 20th Century, 1967 Colors: Black,...
    Category

    Late 20th Century Academic Figurative Drawings and Watercolors

    Materials

    Charcoal, Mixed Media, Watercolor, Paper

  • Untitled: Solo Seated Nude Twist
    Located in New York, NY
    Unknown/Unidentified Artist, "Untitled: Solo Seated Nude Twist", Signed Figurative/ Nude Watercolor Painting on Paper, 18 x 14, Late 20th Century Colors: Black, Brown, Orange, Yellow, Turquoise, Green, Purple, Red *Unidentified/ Unknown Artist signature...
    Category

    Late 20th Century Academic Figurative Drawings and Watercolors

    Materials

    Paper, Watercolor

  • Untitled: Three Nude Females
    Located in New York, NY
    Unknown/Unidentified Artist, "Untitled: Three Nude Females", Figurative/ Nude Charcoal signed Drawing on Paper, 24 x 18, Late 20th Century Colors: Black a...
    Category

    Late 20th Century Academic Figurative Drawings and Watercolors

    Materials

    Paper, Charcoal

You May Also Like
  • Nude Sketch #2
    By Ben Fenske
    Located in Sag Harbor, NY
    A rare work on paper by Ben Fenske. A sketch of a female nude, posing. Drawn from direct observation using a live model. White chalk is used to create highlights. Not framed. Wrapped...
    Category

    Early 2000s Academic Nude Drawings and Watercolors

    Materials

    Paper, Charcoal

  • MB 017 (Figurative Life Drawing of Female Nude by Mark Beard)
    By Mark Beard
    Located in Hudson, NY
    Academic style life drawing of female nude with charcoal and graphite by Mark Beard, "MB 017" graphite, Conte crayon and charcoal on Arches paper 30 x 22 inches unframed Signed, lowe...
    Category

    2010s Academic Nude Drawings and Watercolors

    Materials

    Charcoal, Archival Paper, Graphite, Conté

  • 'Ballerina in Repose #2, ' by James Cobb, Charcoal and Conte Drawing, 2021
    Located in Oklahoma City, OK
    This framed 13.5" x 13.5" charcoal and conte drawing by artist James Cobb captures a ballerina in a seated, relaxed pose. The work is on toned gray drawing...
    Category

    2010s Academic Figurative Drawings and Watercolors

    Materials

    Chalk, Conté, Charcoal

  • 1980 Fauno e Ninfa Faun and Nymph Pencil on Paper Figurative Drawing
    Located in Brescia, IT
    This delicate drawing of the dance between a Faun and the Nimph, looks following the Jean Cocteau clean line drawings. We can see in this scene, the grace and simplicity of the Neoc...
    Category

    1980s Academic Figurative Drawings and Watercolors

    Materials

    Paper

  • Dusk from the Tomb of Lorenzo di Piero de'Medici - Original Ink Drawing
    By Christopher Ganz
    Located in Chicago, IL
    This particular drawing is a study of the sculpture at the Medici Chapel in Florence, Italy. The artist creates a true to life representation of the sculpture in question by incorporating techniques of classical academic drawing such as cross hatching and gesture based mark making in order to create volumes and give the study an overall three-dimensionality. Christopher Ganz Dusk from the Tomb of Lorenzo di Piero de'Medici, by Michaelangelo, in Florence Ballpoint pen 24h x 13w in 61h x 33.29w cm CG0064 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching, Invitational Print Portfolio Monoprint, “The Mind’s Eye" displayed at Mid America Print Council’s National Conference, Southeast Missouri State, Cape Girardeau, MO, Nov. 1 – 3 Contemporary American Realism: Fort Wayne Museum of Art 2012 National Biennial, Fort Wayne, IN, Aug.11-Oct. 28 32nd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 13 – May 23 Juror: Ladislav Hanka, internationally exhibiting printmaker International Expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, “The Enigma” on display in Ann Nathan Gallery space, April 20-23 Spring Group Show, drawings, “Checking Out” and “The Enigma” displayed, April – May 2 Ann Nathan Gallery, Chicago 2011 Prints U.S.A. 2011 – National Juried Exhibition Springfield Art Museum, Missouri, Nov. 18 – Jan. 8 Juror: Elizabeth Wyckoff, Curator of Prints, Drawings & Photographs, St. Louis Art Museum International expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, Checking Out on display in Ann Nathan Gallery space, April 14-17 2010 Contemporary American Realism: Fort Wayne Museum of Art 2010 National Biennial, Fort Wayne, IN, Sept. 3 – Nov. 7; two pieces accepted Cultural Baggage, Invitational Print Portfolio Intaglio print, Super-Heroes go to Hell, after Dore’ displayed at Mid America Print Council’s National Conference, University of Minnesota Minneapolis, MN, Chicago, Oct. 13-16 Art Chicago: International Fair of Contemporary and Modern Art Drawing, The Cyclops on display in Ann Nathan Gallery space, April 29 - May 2 30th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 16 – May 26 Juror: Claudia Berlinski, Senior Lecturer of Printmaking at Akron University, Akron, OH 2009 Are you looking at me? Invitational Print Portfolio Color lithograph, Open and Shut, displayed at IMPACT 6: International Print Conference Centre for Fine Print Research, University of the West of England, Bristol, Sept. 16 – 19 Art Chicago: International Fair of Contemporary and Modern Art Drawing, Self-Checkout on display in Ann Nathan Gallery space, May 1 – 4 Identification Please, Invitational Print Portfolio Intaglio print, Good Cop/Bad Cop displayed at Southern Graphics Council National Conference, Columbia College, Chicago, March 25 – 29 Boston Printmakers 2009 North American Print Biennial – National juried printmaking exhibition Juror: Rebecca Waddell, Curator of Prints at the New York Public Library Boston University’s 808 Gallery, Boston, MA, Feb. 15 – March 30 22nd Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.18 - Feb. 19 Juror: Professor of printmaking at the University of Wisconsin - Parkside Portraits and Beyond, Ann Nathan Galley, Chicago, IL, Jan. 9 - Feb 19 2008 Contemporary American Realism: Fort Wayne Museum of Art 2008 National Biennial, Fort Wayne, IN, Sept13 – Nov. 2; two pieces accepted 28th Annual National Print Exhibition at Artlink - National Juried Exhibition 2008 Artlink Gallery, Fort Wayne, IN, April 11 – May 21 Juror: Mark Pascale, Printmaking Faculty, School of the Art Institute of Chicago and Curator of Prints and Drawing, Art Institute of Chicago “No Danger” - Invitational Portfolio Folded paper airplane lithograph, “The Dream of Flight” displayed at Richmond International Airport as part of the Southern Graphics Council National Conference Virginia Commonwealth University, Richmond, VA, March 26 – April 26 21st Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.20 - Feb. 21 Juror: Karla Hackenmiller, Printmaking Chair and Associate Professor, School of Fine Arts, Ohio University 2007 Singularities – Invitational group exhibit Joan Resnikoff Gallery, Roxbury Community College, Boston, MA Nov. 2 – Dec. 17 Hong Kong Graphics Art Festival 2007: Crossing Boundaries - Invitational international printmaking exchange exhibition School of Design Gallery, Hong Kong Polytechnic University, Kowloon, Hong Kong, China, Nov. 1 – Nov. 16 27th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Brett Colley, Assistant Professor of Art and Design, Grand Valley State University Boston Printmakers 2007 North American Print Biennial – National juried printmaking exhibition Boston University’s 808 Gallery, Boston, MA, Feb. 18 - April 1 Juror: Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, New York 2006 The Printed Image: The First Biennial Midwestern Graphics Juried Exhibition National Juried Printmaking Exhibition Alice C. Sabatini Gallery, Topeka & Shawnee County Public Library, Topeka, KS Aug. 11 - Sept 15 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln 2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006 Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted 26th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History at the University of Toledo 19th University of Dallas Print Invitational - Traveling national invitational exhibition Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007 Juror: Juergen Strunck...
    Category

    21st Century and Contemporary Academic Figurative Drawings and Watercolors

    Materials

    Pen, Paper

  • La femme préhistorique (Prehistoric Woman)
    By James Jacques Joseph Tissot
    Located in New Orleans, LA
    James Tissot was among the most successful and critically acclaimed artists of the Victorian era. Although the artist is celebrated for his elegant scenes of fashionable life in Paris and London, this work is a fascinating rarity within his oeuvre. In this monumental pastel, Tissot depicts a prehistoric woman draped in a tiger skin, presented with a striking pose and heroic air. His delicate portraiture, combined with his fascination with conveying texture, demonstrates why he was one of the most revered artists of his generation, and La femme préhistorique illustrates the remarkable technique for which he was renowned. This work was completed in preparation for a series of works exploring the Old Testament undertaken by Tissot from 1899-1902 that remained unfinished at the time of his death. A portion of this series focused on illustrations of Adam and Eve, and among these sketches were images of a nude Eve partially draped in animal furs. Towards the end of his life, following his conversion to Catholicism, biblical subjects became important to the artist. A few years before this work was completed, Tissot embarked upon a highly ambitious group of nearly 300 watercolors illustrating the New Testament, presenting the illustrated epic in its entirety at the Paris Salon of 1894. Both of these series were a critical artistic departure for the artist, stemming from a desire to create works separated from his typical images of modern society. This pastel imagines Eve as the prototype of womanhood in the guise of a prehistoric woman. Tissot rarely painted the nude, and his skill as a draftsman highlights the figure's natural beauty, contrasting it with the stark landscape surrounding her. Although a study, this monumental work is incredibly well-finished and highly engaging, with the statuesque model commanding the majority of the canvas. Her pose is strong and theatrical, and she addresses the viewer with a direct, confident gaze. The imagined historical subject of this drawing is grounded by Tissot’s exceptional attention to detail. A master of conjuring an array of textures, Tissot showcased this ability in this work by juxtaposing many types of fabrics and natural elements within one composition. The tiger skin with which the woman partially covers herself was a favorite studio prop of Tissot’s, appearing in many of his most influential works from the period, including several paintings of his partner and favorite model Kathleen Newton. It, in particular, showcases the artist’s understanding of texture, yet it also serves as an exotic element that elevates the sensuality of the scene when placed against the woman’s bare skin. Born in 1836 in the port town of Nantes, Tissot traveled to Paris at the age of 20 in order to join the studios of Hippolyte Flandrin and Louis Lamothe. During this period, he became close with James Abbott McNeill Whistler, Edgar Degas and Edouard Manet, and the impact of these friendships is reflected in his portraits of modern life. Having enjoyed considerable success in Paris during the 1860s, Tissot fought in the Siege of Paris, and after the fall of the Commune in 1871, he went to London, where he stayed for the next ten years. He was met with incredible success there, and he also met the love of his life, Kathleen Newton, a divorcée, with whom he lived from about 1876 until her death in 1882. Today he is regarded among the great masters of Belle Époque painting, and his works can be found in important collections worldwide, including the Metropolitan Museum of Art, the Brooklyn Museum, the National Gallery of Art, the Musée d’Orsay, the Tate Gallery and many others. This pastel remained in Tissot's private collection until his death in 1902 and is referenced in the posthumous 1902-3 valuation of Tissot's home at 64 avenue du Bois...
    Category

    Early 20th Century Academic Nude Drawings and Watercolors

    Materials

    Laid Paper, Canvas, Oil Pastel, Pastel

Recently Viewed

View All