Ink Figurative Drawings and Watercolors

"Two Villages" is a black and white landscape ink drawing by Joan Carl Strauss that unfolds a narrative of hidden rivalry within a picturesque valley. In the heart of a flat-floore...

Alena NADVORNIKOVA (née en 1942) Zoomorphic composition, 1979 India ink on paper Signed and dated "1979" lower left 50 x 32 cm Frame : 60 x 40 cm A Czech artist born in 1942 in Lipn...

Alena NADVORNIKOVA (née en 1942) Dva svety (Two Worlds), 1979 India ink on paper Titled "Dva svety", signed and dated "79" lower left 50 x 32 cm Frame : 60 x 40 cm A Czech artist bo...

"Judy Garland" Legendary Film and Recording Star. Gay Icon. 20th Century Litho Al Hirschfeld (1903 - 2003) Judy Garland 20 x 15 inches (sight) Etching 26 1/2 x 14 3/4 inches Framed...

"They paved paradise and put up a parking lot," Joni Mitchell said. - - Created in 1969, at the dawn of the American environmental movement, artist Richard Erdoes draws a sequential narrative in the form of a coil. From inception to destruction, it illustrates a list of things that humans are doing to destroy the world we live in. The work was commissioned for school-age humans and executed in a whimsically comic way. Yet the underlying narrative is sophisticated and foreshadows a world that could be on the brink of ecological disaster. Graphically and conceptually, this work exhibits an endless amount of creativity and Erdoes cartoony style is one to fall in love with. Signed lower right. Unframed 12.4 inches Width: 12.85 inches Height is the live area. Board is 16x22 inches. Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian opera singer who had died a few weeks earlier in Budapest on June 9, 1912.After his birth, his mother lived with her sister, the Viennese actress Leopoldine ("Poldi") Sangora,He described himself as "equal parts Austrian, Hungarian and German, as well as equal parts Catholic, Protestant and Jew..."[4] Career He was a student at the Berlin Academy of Art in 1933, when Adolf Hitler came to power. He was involved in a small underground paper where he published anti-Hitler political cartoons which attracted the attention of the Nazi regime. He fled Germany with a price on his head. Back in Vienna, he continued his training at the Kunstgewerbeschule, now the University of Applied Arts, Vienna.[5] He also wrote and illustrated children's books and worked as a caricaturist for Tag and Stunde, anti-Nazi newspapers. After the Anschluss of Austria in 1938 he fled again, first to Paris, where he studied at the Academie de la Grande Chaumiere, and then London, England before journeying to the United States. He married his first wife, fellow artist Elsie Schulhof (d. xxxx) in London, shortly before their arrival in New York City. In New York City, Erdoes enjoyed a long career as a commercial artist, and was known for his highly detailed, whimsical drawings. He created illustrations for such magazines as Stage, Fortune, Pageant, Gourmet, Harper's Bazaar, Sports Illustrated, The New York Times, Time, National Geographic and Life Magazine, where he met his second wife, Jean Sternbergh (d. 1995) who was an art director there. The couple married in 1951 and had three children.[6] Erdoes also illustrated many children's books. An assignment for Life in 1967 took Erdoes to the Pine Ridge Indian Reservation for the first time, and marked the beginning of the work for which he would be best known. Erdoes was fascinated by Native American culture, outraged at the conditions on the reservation and deeply moved by the Civil Rights Movement that was raging at the time. He wrote histories, collections of Native American stories...

Bette Midler Legendary Film and Recording Star. Gay Icon. 20th Century Litho Al Hirschfeld (1903 - 2003) Bette Midler 15 x 11 inches (sight) Etching 22 x 18 inches Framed Signed an...

Ink drawing Title "Pink Bug" made by Robert Clarence, framed signed and numbered.

Algesa O'Sickey (American, 1917-2006) Woman Painting Watercolor and ink on green paper Unsigned 9 x 12 inches 13.75 x 16 inches, framed Born Algesa D’Agostino on June 4, 1917, Alges...

Jolanta Johnsson, experienced Polish artist, graduate of the Academy of Fine Arts in Warsaw, PhD of fine arts, university teacher. She currently lives in Sweden. This is how she writes about the drawing: In my intimate drawings, I capture what is closest to me – the private moments that I would hardly want to reveal. And yet, I choose to share them with my audience. The motif of the odalisque, a reclining woman, has long been a popular subject in art. Throughout history, numerous artists have embraced this theme, and some of their paintings depicting reclining women have become iconic, shaping the course of art in their respective eras. Art historians have extensively written about the influence of these works. Notably, the odalisques created by the French painter Jean-Auguste-Dominique Ingres, such as his renowned piece “La Grande Odalisque...

Rockwell Kent Figure Study Estate stamped lower right Ink on paper 6 x 10 inches Rockwell Kent, though best known as an artist and illustrator, pursued many careers throughout his long life, including architect, carpenter, explorer, writer, dairy farmer, and political activist. Born in Tarrytown, New York, Kent was interested in art from a young age. These ambitions were encouraged by his aunt Jo Holgate, an accomplished ceramicist. Jo came to live with the family after Kent’s father passed away in 1887 and took him to Europe as a teenager. Kent attended the Horace Mann School in New York City, where he excelled at mechanical drawing. His family’s financial circumstances prevented him from pursuing career in the fine arts, however, and after graduating from Horace Mann in 1900, Kent decided to study architecture at Columbia University. Before matriculating at Columbia, Kent spent the first of three consecutive summers studying painting at William Merritt Chase’s art school in Shinnecock Hills, Long Island. There he found a community of mentors and fellow students who encouraged him to pursue his interest in art. At the end of Kent’s third summer at Shinnecock, Chase offered him a full scholarship to the New York School of Art, where he was a teacher. Kent began taking night classes at the art school in addition to his architecture studies, but soon left Columbia to study painting full time. In addition to Chase, Kent took classes with Robert Henri (American, 1865 - 1929) and Kenneth Hayes Miller (American, 1876 - 1952). His classmates included the artists George Bellows (American, 1882 - 1925) and Edward Hopper (American, 1882 - 1967). Kent spent the summer of 1903 assisting the painter Abbott Handerson Thayer (American, 1849 - 1921) at his studio in Dublin, New Hampshire—a position he secured through the recommendation of his Aunt Jo. Thayer gave the young artist time to pursue his own work, and that summer Kent painted several views of the New Hampshire landscape, including Mount Monadnock. In 1905 Kent moved from New York to Monhegan Island in Maine, home to a summer art colony, where he continued to find inspiration in the natural world. Kent soon found success exhibiting and selling his paintings in New York and in 1907 was given his first solo show at Claussen Galleries. The following year he married his first wife, Kathleen Whiting (Thayer’s niece), with whom he had five children. The couple divorced in 1924, and Kent married Frances Lee the following year. They in turn divorced after 15 years of marriage, and the artist then married Sally Johnstone. For the next several decades, Kent lived a peripatetic lifestyle, settling in several locations in Connecticut, Maine, and New York. During this time he took a number of extended voyages to remote, often ice-filled, corners of the globe, including Newfoundland, Alaska, Tierra del Fuego, and Greenland, to which he made three separate trips. For Kent, exploration and artistic production were twinned endeavors, and his travels to these rugged, rural locales provided inspiration for both his visual art and his writings. He developed a stark, realist landscape style in his paintings and drawings that revealed both nature’s harshness and its sublimity. Kent’s human figures, which appear sparingly in his work, often signify mythic themes, such as heroism, loneliness, and individualism. Important exhibitions of works from these travels include the Knoedler Gallery’s shows in 1919 and 1920, featuring Kent’s Alaska drawings...

Olivia Kemp’s ink drawings are both intricate and expansive, fruit of an intuitive stream-of-consciousness approach to drawing. She works in pen on paper w...

Joe "I try to get something accomplished everyday. I ask the Good Lord for Patience and Stregnth" Verso: "I was in for a technical violation. I spent 65 days, but I thank the Lor...

Keith Haring Original Handwritten, hand signed Letter, ca. 1987 Ink on Haring's Private letterhead Stationery, Hand written and hand signed by Keith...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1750. Gouache and ink with gold heightening on cre...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is the perception of positive and ne...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is the perception of positive and ne...

“Dime a Dance” American Art Deco 20th Century Modernism Pin-Up Social Realism Arthur Rosenman Ross (1913 - 1981) “Dime a Dance”, 1933 Watercolor and Ink on Illustration Board 18” x 10 1/2 inches (sight) Signed Arthur Rosenman, ‘33 L/R 29 1/2”H x 25 1/2 inches ( Framed) Provenance: Estate of the artist. The Drawing is in very good condition. The period frame is solid, but could use some restoration. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

Jerry Berneche (1932 - 2016) was a painter and draftsman of representational scenes and portraits featuring extraordinary color work and extremely detailed mark-making. Locally he is...

Mixed media, acrylic and ink on paper Nino Devdariani is a Georgian artist born in 1970 who lives and works in Tbilisi, Georgia. Her inspiration is the perception of positive and ne...

Gerard CHARRIERE (1935) Suite of five sketches. Ink and watercolor on paper. A single signed sketch. Folds, stains, small tears depending on the sheets. ...

Ink drawing signed Guillot. Surrealist school. Dated on the back August 1980. Small dirt on the bottom right. 29.5 x 21 cm

Sullo sfondo di un paesaggio dai tratti centro-settentrionali europei-in cui si riconoscono una cappella e il profilo di una città dagli alti pinnacoli-si svolge una scena di svago, ...

Femme à la longue robe orange » est une œuvre d'aquarelle figurative, réalisée à l'encre de Chine sur papier, mesurant 65x50 cm. L'artiste a capturé avec d...

Emperor Jahangir and Empress Nur Jahan exchanging lotus blossoms; a symbol of beauty, purity, honesty, rebirth, self-regeneration, and enlightenment....

Jolanta Johnsson, experienced Polish artist, graduate of the Academy of Fine Arts in Warsaw, PhD of fine arts, university teacher. She currently lives in Sweden. This is how she writ...

A joyful scene of lighthearted merriment in the palace of Jangahir Mahal Agra Circa 1750. Gouache and ink with gold heightening on light weight cream laid paper, 8 1/4 x 6 inches (2...

Vishnu in the form of Krishna being serenaded with his beloved Radha. An illuminated page from the epic of Mahabharata circa 1690. Gouache and ink with gold heightening on cream lai...

Prakash Karmakar - Beach Series 14.5 x 11 inches (unframed size) Ink on Paper 2006 ( Framed and Delivered ) Style : Legendary master artist Lt. Prokash Karmakar from Bengal was sole...

Ink on paper, with frame Nina Narimanishvili is a Georgian artist born in 1999 who lives and works in Tbilisi, Georgia. Nina has been painting since childhood and over time her int...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

11" x 14" Unframed Original - Watercolour, Pen & Ink Hand Signed by Joe Lasker Joe Lasker painted this piece while reflecting on his memories from Europe, where he was in the army d...

RICHARD LONG Untitled (Artist's Hand), 2015 Graphite pencil on paper with red ink and monogram Hand signed in red ink, dated in pencil, stamped with the artist's monogram Unique Orig...

Jolanta Johnsson, experienced Polish artist, graduate of the Academy of Fine Arts in Warsaw, PhD of fine arts, university teacher. She currently lives in Sweden. This is how she writ...

9" x 7" Unframed Original - Pen and Inks Hand Signed by Joe Lasker

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. c 1690. Gouache and ink with heightening in gold on light ...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

A beautiful composition depicting Empress Nur Jahan on a tiger hunt, an act of feminism. Circa 1750. Gouache and ink with heightening in gold on brown laid paper, 12 1/2 x 8 1/4 inches (317 x 210 mm), with a floral-motif border painted in blue and oxblood, the full sheet. With extensive inscriptions in Persian written in black ink on the verso. In good condition with overall toning and minor creasing, all consistent with age. The color is rich and and fresh with bright yellow illumination. In the distance we see the Jahangir Mahal Agra, as well as a sage meditating in his hut. A beautiful composition. Nur Jahan was fond of hunting and often went on hunting tours with her husband and was known for her boldness in hunting ferocious tigers. She is reported to have slain four tigers with six bullets during one hunt. According to Sir Syed Ahmad Khan this feat, inspired a poet to declaim a spontaneous couplet in her honor: "Though Nur Jahan be in form a woman, In the ranks of men she...

Emperor Jahangir depicted with his harem attendees aboard a pleasure cruise, the water filled with lotus blossoms; symbols of paradise itself. Circa 1750. Gouache and ink with gold ...

Emperor Jahangir in his harem surrounded by lotus blossoms; symbols of paradise itself. Circa 1690. Gouache and ink with gold heightening on cream laid paper, 8 1/2 x 6 1/4 inches (...

An unusual horizontal composition with extensive marginalia. Circa 1750. Gouache and ink with gold heightening on light weight cream laid paper, 5 3/4 x 11 3/4 inches (140 x 298 mm...

circa 1750. Gouache and ink with heightening in gold on brown laid paper, 12 1/2 x 8 1/4 inches (317 x 210 mm), with a floral-motif border painted in blue and gold, the full sheet. With extensive inscriptions in Persian written in black ink on the verso. In good condition with extraordinary color. We see Empress Nur Jahan making an offering to a sage in his hut, as Emperor Jahangir looks on from a tree stand. Nur Jahan was fond of hunting and often went on hunting tours with her husband and was known for her boldness in hunting ferocious tigers. She is reported to have slain four tigers with six bullets during one hunt. According to Sir Syed Ahmad Khan this feat, inspired a poet to declaim a spontaneous couplet in her honor: "Though Nur Jahan be in form a woman, In the ranks of men she...

Couple Embracing Sumi ink drawing, c. 1928 Signed lower right: Shinsui (early variant signature) Most probably an illustration for one of the four volum...

Circa 1890. Pencil and black ink on cream laid paper with a border drawn in light blue ink, 6 x 5 1/8 inches (153 x 130 mm). Scattered light surface soiling and multiple soft horizontal folds. Nur Jahan was fond of hunting and often went on hunting tours with her husband and was known for her boldness in hunting ferocious tigers. She is reported to have slain four tigers with six bullets during one hunt. According to Sir Syed Ahmad Khan this feat, inspired a poet to declaim a spontaneous couplet in her honor: "Though Nur Jahan be in form a woman, In the ranks of men she...

Indian ink drawing on paper inspired by the works of Marino Marini, embellished with a beautiful frame, mis. est. cm. h.37x32x2.

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1690. Gouache and ink with gold heightening on light...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...

Queen Victoria’s Daughter, Princess Alice Maud Mary, of the House of Hanover. English ( b.1843 - d.1878 ). Long Life and Happiness – June 11th 1860 Watercolor. Signed and Dated. Image size 12.4 inches x 7.7 inches ( 31.5cm x 24cm ). Frame size 18.5 inches x 15.2 inches ( 47cm x 38.5cm ). Available for sale; this charming and delicate watercolor is by the second eldest daughter of Queen Victoria, Princess Alice Maud Mary of the House of Hanover, and is dated 1860. This original watercolor is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted using conservation materials and non-reflective Tru Vue UltraVue® UV70 glass. This intriguing and gentle piece will be of specific interest to those who have an interest in the Of the British royal family and its history. This antique piece is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. This intriguing and gentle piece will be of specific interest to those who have an interest in the British royal family and its history. A unique and very special painting, this charming delicate watercolour was painted by Princess Alice Mary Maud, of the House of Hanover, the second daughter of Queen Victoria. This is very significant because the artist is now the great- great grandmother of the current monarch, HM King Charles III. The artist herself was an extraordinary woman, the painting was created at a special time and place, and the subject of the painting is a mystery. The painting depicts a winged angel looking down at a small baby lying in a cradle. The angel holds a scroll, emblazoned with “Long life and happiness” A date, “June 8th, 1860”, is written clearly and prominently above the child, signifying a date of birth. The painting is signed simply “Alice” and the date of its completion is recorded as “June 11th, 1860.” The painting demonstrates that the young Princess, just 17 at the time, was an accomplished and sensitive artist. The work commemorates the birth 3 days earlier of a baby whose arrival must have been personally celebrated by the Princess. The identity of this child is a mystery. The fact that the cradle is decorated with blue ribbons and trimmings does not necessarily suggest that this is a male child as the custom of blue for a boy had not yet been adopted at this time. Princess Alice of the United Kingdom became Princess Louis and Grand Duchess of Hesse and by Rhine by marriage. She was born on 25th April 1843 and was the third child and second daughter of Queen Victoria and Prince Albert of Saxe-Coburg and Gotha. Like her siblings she spent her early childhood in the company of her parents and siblings, travelling between the British royal residences. Her birth prompted her parents to purchase Osbourne House on the Isle of Wight, and for Alice this was very much her family home. Here, at her father’s insistence, she and her siblings learnt family values and practical skills such as housekeeping, cooking, gardening and carpentry. During the Crimean War Alice, aged just eleven, toured London hospitals with her mother and elder sister. This triggered her interest in health and public welfare which continued all her life. Alice was considered the most emotionally sensitive of her siblings and was genuinely sympathetic to the burdens of others. Her compassion meant that she took on the role of the family caregiver. She nursed her grandmother, Victoria, Duchess of Kent, mother to Queen Victoria, throughout her final illness, and provided emotional support for all the family after her death. As Alice reached adulthood Queen Victoria made plans for her to be married. Queen Victoria wanted her children to marry for love, but the choice of suitors was nevertheless severely restricted by protocol. After Alice rejected the first two potential suitors her mother and elder sister suggested Prince Louis of Hesse, a minor German royal who was heir to the Grand Duchy of Hesse. He and his brother were invited to Windsor Castle in 1860, ostensibly so that they could watch the Ascot Races in the company of the royal family. In reality, the visit was an opportunity for the Queen to inspect her potential son-in-law. Louis and Alice got on together well, and Alice made it clear that she was attracted to him. They became engaged the following year. The visit to Windsor Castle by the German Princes...

1M 1 CENT POSTAGE DUE, 2023 by Rodrigo Spinel Chinese ink on Fabriano paper 250 g. Frame size: 43 cm H x 43 cm W x 3 cm D Image size: 30 cm H x 30 cm W Unique Ivory Wood Brown Fra...

2.1M TINTIN EN AMERIQUE, 2023 by Rodrigo Spinel Chinese ink on Fabriano paper 250 g. Frame size: 43 cm H x 34 cm W x 3 cm D Image size: 30 cm H x 21 cm W Unique Ivory Wood Brown F...

Rudolf SCHLICHTER (1890-1955) Seated man ; head studies India ink on paper Signed "R. Schlichter" at the bottom right 59 x 46 cm Missing at the top l...

Per strada (On the Road)  is a drawing on paper, realized around the Seventies by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989). Black China ink (foun...

China ink and watercolour on paper. Realized in 1740 ca. Very good conditions. Includes passepartout.

Interior Design is a beautiful drawing on paper, realized in 1948 by the French architect  Victor Courtray (1897-1971). Ink and watercolor on paper. Hand-signed and dated on the low...

A ink on paper figure study by artist Harold Haydon depicting a conversation. Harold Emerson Haydon was born in Fort William, Ontario, Canada in 1909. Haydon came to Chicago with ...

Sex Appeal is adrawing on paper, realized around the Sixties by the great Italian artist and journalist,  Mino Maccari  (Siena, 1898 - 1989).  Blue ink drawing on paper.  Signed "M...

Edmond Xavier Kapp (British, 1890 – 1978) Listeners Inkpen Signed, inscribed and date ‘Listeners / Kapp 59’ (lower left) 7.5/8 x 10.1/2 in. (19.4 x 26.7 cm.) Edmond Kapp was born in Islington, London, on 5 November 1890, of American and German Jewish parentage. He gave himself the middle initial ‘X’ – sometimes said to stand for Xavier – to distinguish himself from his father Emil Kapp, who was a wine merchant. However, his parents called him ‘Eddie’ while his wife and friends knew him as ‘Peter’. During his early years, Kapp was continually ill and, while convalescing, entertained himself by drawing at home. As his health improved, he attended Dame Alice Owen’s School, Islington (1903-10), with periods at Berlin University (1909) and L’Institut Français pour les Etrangers, Paris (1909). He then read Languages at Christ’s College, Cambridge (1910-13), though spent most of his time writing and drawing. Kapp took a studio in London, and worked intensively until the outbreak of the First World War, contributing to the Daily News, the Onlooker and other periodicals. During the war, he served as a 2nd Lieutenant in the Royal Sussex Regiment on the Western Front, and then in Intelligence, rising to the position of Staff Captain on Haig’s Staff. Finally, he founded and directed the Neutral Press Counter-propaganda Section. In 1919, Kapp returned to London and, after abortive periods at three art schools, worked alone. In that year, he made his name with an exhibition of caricatures, held at Furst’s Gallery, London, and accompanied by a catalogue introduced by Max Beerbohm. This soon led to contracts with three London periodicals and a book of caricatures, Personalities, published by Martin Secker. Through the 1920s and 30s, his drawings of musicians and other personalities appeared in a wide variety of periodicals, most notably Time & Tide; were collected in further volumes; and were exhibited at the Leicester Galleries. He considered himself to be a ‘character-portraitist’, producing images of psychological not satirical power, and disliking the term ‘caricature’. Between the wars, Kapp developed other aspects of his artistic talents, the desire to study and the search for subject matter often taking him abroad. For instance, work at the British Academy, Rome, under Antonio Sciortino...

1.2M BAT MAN, 2023 by Rodrigo Spinel Chinese ink on Fabriano paper 250 g. Frame size: 43 cm H x 34 cm W x 3 cm D Image size: 30 cm H x 21 cm W Unique Ivory ...