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Marjorie Organ
Marjorie Organ Sketch of a French Police Man, Charcoal on Paper

1920

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  • Charcoal Drawing by Albert Lorey Groll, American
    By Albert Groll
    Located in Hallowell, ME
    17" x 23.5" in the frame and mat. Provenance: Kennedy Galleries, NYC Signed lower left.Bio : Born in New York City, Albert Lorey Groll became a much admired, successful western desert landscape...
    Category

    Early 20th Century American Impressionist Landscape Drawings and Waterco...

    Materials

    Charcoal

  • Albert Lorey Groll, American 1866-1952 Pencil sketch.
    By Albert Groll
    Located in Hallowell, ME
    6.5" x 8" pencil on paper. Crows in a landscape. In custom mat from Kennedy Galleries, approx 14" x 20"Born in New York City, Albert Lorey Groll became a much admired, successful western desert...
    Category

    Early 20th Century American Impressionist Landscape Drawings and Waterco...

    Materials

    Pencil

  • C. Griffin, American 20th C Floral Bouquet Still Life in a Vase, 20th C.
    Located in Hallowell, ME
    Signed lower left and verso--C Griffin. American there are a couple of possibilities. A very finished still life.
    Category

    1940s American Impressionist Still-life Paintings

    Materials

    Oil

  • John Winthrop Andrews American 1879-1964, Mountain landscape.
    By John Winthrop Andrews
    Located in Hallowell, ME
    16" x 20" oil on canvas, signed lower right. Thought to be a view in Western North Carolina but could just have easily have been painted in Connecticut. John Winthrop Andrews (1879-1964) John Winthrop Andrews was born on August 31, 1879 in Newtonville, Massachusetts. He studied at the Massachusetts School of Art with Frank Vincent DuMond, Edward Hamilton, and Joseph DeCamp. "DuMond was an influential teacher, counting among his students J. Winthrop Andrews and Gifford Beal. Along with Andrews, DuMond exhibited a painting called October in the first exhibit of the Yonkers Art Association (1916)." Source: The Hudson River Museum provided source material to Resource Library for the aforementioned article on Paintbox Leaves (2010 Exhibition at the Hudson River Museum): Autumnal Inspiration from Cole to Wyeth. J. Winthrop Andrews was best known as a painter of colorful landscapes and seascapes. The artist visited Bermuda from about 1910, the same year as his marriage to Alice G. Blaisdell. Andrews' Bermuda paintings...
    Category

    1930s American Impressionist Landscape Paintings

    Materials

    Canvas, Oil

  • American School Table Top Still Life, signed Lerner, dated 1951
    Located in Hallowell, ME
    Oil on canvas, 14" x 16"--signed Lerner and I have not cleaned this painting. Right out of the house sold as is for this price. Three possibilities of identity of the artist yet to...
    Category

    1950s American Impressionist Still-life Paintings

    Materials

    Oil

  • Ink Drawing of a Peasant Holding a Cane, dated '62
    Located in Hallowell, ME
    Fine quality ink drawing fully signed and dated although I cannot break the signature. I put it in a custom frame. Ink on toned paper.
    Category

    1960s Impressionist Portrait Drawings and Watercolors

    Materials

    Ink

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  • Mid Century Nude Figure Study of a Black Woman
    By Raul Anguiano
    Located in Soquel, CA
    Compelling mid century nude figure study of a black woman reclining by Raul Anguiano (Mexican/American, 1915-2006), 1968. Signed and dated lower left hand corner "R. Anguiano." Presented in wood frame under plexiglass. Image size: 25"H x 34"W. Framed size: 35"H x 43.75"W. Raúl Anguiano was born in Guadalajara, Jalisco, on February 26th, 1915. He started drawing cubist pictures at the age of 5, taking as his first models movie stars, as Mary Pickford, Pola Negri and Charlie Chaplin. Anguiano first artistic influence or aesthetic emotion came from the Holy Family by Rafael Sanzio. At the age of 12, Anguiano attended Guadalajara's Free School of Painting under the tuition of Ixca Farias. From 1928 to 1933, he studied with the Master painter José Vizcarra, the disciple of Santiago Rebull and José Salomé Piña, and organised the group "Young Painters of Jalisco" with other artists. During this period, Anguiano worked with different kinds of models: workmen, employees and a few intellectuals like Pita Amor. In 1934 Anguiano moved to Mexico City. He began teaching in primary schools and taught drawing and painting at La Esmeralda academy and the UNAM School of Art. Anguiano was a member of the Mexican Artistic Renaissance movement which was started in the 1920's by the Mexican School of Art in which he belonged. This renaissance began with the San Carlos Academy movement -- among whose leaders were Ignacio Asúnsolo and Jose Clemente Orozco -- and which emerged out of the students' and teachers' discontent with the traditional paintings methods (academicism), and the close contact that the young artists had with the problems of Mexico and its people, explaining the marked critical realism to the painters of the time, including Anguiano himself. The same year, Anguiano received a commission to paint his first mural, Socialist Education, a 70 meters fresco located at A. Carrillo School in Mexico City. Other works followed, including Mayan rituals (oils on canvas and wood), for the Mayan Hall in the National Museum of Anthropology, and Trilogy of Nationality (acrylic on canvas and wood), for the Attorney General's Office. In 1936 he moved into his surrealist period, which lasted almost a decade. He painted circus performers and prostitutes. The most notable among his works of the time are: The Madame (gouche, 1936), The Clown's Daughter (oil, 1940), the Pink Circus Artist and the Grey Circus Artist (oil, 1941). Also during this period, Anguiano produced a series of drawings based on his dreams, with cold tones and silver-greys predominating. In 1937 Anguiano joined the Revolutionary Writers and Artists League. Together, with Alfredo Zalce and Pablo O'Higgins, he was also a founding member of the Popular Graphics Workshop, where artists practised a graphic style based on Mexico's folk traditions. This was due to the powerful influence of the recently discovered Jose Guadalupe Posada and Goya. Raúl Anguiano belonged to the so-called "Third Generation" of post-revolutionary painters, along with Juan O'Gorman, Jorge González Camarena...
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    1960s American Impressionist Nude Paintings

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    Paper, Conté, Charcoal

  • Mid Century Figurative Charcoal Line Drawing, "Girl Walking Away"
    By Mariellen Ehlers
    Located in Soquel, CA
    Wonderful mid century figurative nude charcoal line drawing of a girl walking away by Moni (Mariellen) Ehlers (American, 1926-2007). Charcoal on...
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    1950s American Impressionist Figurative Drawings and Watercolors

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  • "A Grandmother's Delight"
    By Martha Walter
    Located in Lambertville, NJ
    Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...
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  • "Still Life with Fruit" original charcoal drawing by Sylvia Spicuzza
    By Sylvia Spicuzza
    Located in Milwaukee, WI
    In this drawing, Sylvia Spicuzza presents the viewer with a dark, subtle view of two apples, still clinging to their leaves. Examples like this show the ability of Spicuzza to draw i...
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  • Study for Apollo and the Muses
    By John Singer Sargent
    Located in New York, NY
    Image dimensions: 24 x 18 inches Framed dimensions: 34 x 28 inches This is a figure and head study for the extreme right figure depicted in Apollo and the Muses, one of the magnific...
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  • Figure Study For 'Science'
    By John Singer Sargent
    Located in New York, NY
    Image dimensions: 24 ½ x 18 ¾ inches Framed dimensions: 34 x 28 inches This charcoal drawing is a preliminary study for the figure of Science, the subject that comprises the far ri...
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