Ito Shinsui

Couple Embracing in Street at Night

1928

Provincetown (Sunbathing) Sepia ink on tan paper, 1966 Signed in ink lower center (see photo) Exhibited: Art from Lexington Homes, Lincoln Massachusetts...

Untitled (Joe Louis knocking out Max Schmeling in 1938 rematch) Pen and ink with wash on heavy wove sketchbook paper, 1938 Signed lower right: Fletcher Martin Directly related to Martin's famous painting of 1942 entitled "Lullaby", which was also used in the lithograph of the same name. (see photo) The drawing depicts the third and final knockdown of Max Schmeling in their rematch of 1938. Condition: Mat staining at the edges of the sketchbook page edges Toning to verso from previous framing. Does not affect framed presentation "It was here that Louis first used sport to bridge America's cavernous racial divide. With Hitler on the march in Europe and using Schmeling's victory over Louis as proof of “Aryan supremacy,” anti-Nazi sentiment ran high in the States. Louis had long grown accustomed to the pressures of representing his race but here the burdens were broader and deeper. Now he was shouldering the hopes of an entire nation. A few weeks before the match Louis visited the White House and U.S. President Franklin Delano Roosevelt, whose tenure lasted even longer than Louis' would, told him, “Joe, we need muscles like yours to beat Germany.” Those muscles certainly beat Schmeling on fight night...

Joe "I try to get something accomplished everyday. I ask the Good Lord for Patience and Stregnth" Verso: "I was in for a technical violation. I spent 65 days, but I thank the Lor...

Jazmen Pen and ink on paper, 2013 Signed and titled lower right (see photo) Annotated: “I want to go to Dunbar,…because my friends are there…” Series: The 99% - Highland Hills Exhibited: Valley House Gallery, Everyday Glory, Dec. 4, 2013-Jan. 11, 2014 Illustrated: Everyday Glory, page 45 Condition: excellent Sheet size: 14 x 10 7/16 inches Provenance: Valley House Gallery (no. 18597) Sedrick Huckaby (b. 1975) Born in Fort Worth in 1975, Huckaby has been creating some form of art since his childhood. In 1995, he began his formal art studies at Texas Wesleyan University in Fort Worth. After a brief stay he transferred to Boston University, where he received a BFA degree. He then earned a MFA degree from Yale University in New Haven, Connecticut. Huckaby is known for his powerful use of color and his exploration of cultural roles and the heritage of the African American family. His work has evolved from portraiture to objects and interiors that venerate his personal family legacy rooted in Fort Worth, Texas. Portraying these familiar subjects on a large scale and pushing his use of materials, Huckaby defines the significance of family and tradition while touching on the subject of ethnographic stereotypes in our culture. For the past few years he has concentrated his efforts on a series of quilt paintings. One of the series he created is a tribute to both of his Grandmothers and a celebration of the African American quilting tradition. He used the actual quilts sewn by family members as models for his paintings. These quilts document significant events in his family history. According to Huckaby, the paintings represent an artistic family legacy. The colorful, rhythmic abstracted patterns come together like the musical notes in African American musician John Coltrane's famous jazz composition, A Love Supreme, from which the painting series acquired its name. He has earned national acclaim for his work over the past several years. Huckaby has received the 2001 Louis Comfort Tiffany Award...

Signed and dated lower right Provenance: Estate of the artist Ink on paper

Signed by the artist in ink lower right Preliminary sketch in reverse for the 1928 lithograph "Cornucopia," part of Dehn's Paris Lithographs portfolio An unsigned sketch of tw...

Ink and watercolor on fibrous Japon paper laid down to period cream laid paper, 6 x 7 1/2 inches (155 x 190 mm). Minor toning and some insect damage on the mount, painting itself rem...

Attributed to Ukita Ikkei (1795-1859) Hanging scroll painting of the American ship commanded by Commodore Matthew Perry in Uraga Bay, annotate...

“What he has learned from the art of the museums, Cobb has fully assimilated and modified in the development of his own personal vision. And while enriched by these historical perspe...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. ...

Untitled, 1982 is a sumi ink on paper, 38.25 x 50" image size, signed and dated verso 'SEPT.21 - 82 + K. Haring' and framed in a custom, gold-leaf frame. Haring’s image of a man-eating monster is partly influenced by the artist Hieronymus Bosch as Haring often cited Bosch’s The Garden of Earthly...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...