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Debabrata BasuBeing one with Nature II, Man in His Environment, Charcoal Drawing 'In Stock'2018
2018
About the Item
Debabrata Basu - Being one with Nature II - 26 x 20 inches (unframed size)
Charcoal on Fabriano Paper
Style : Debabrata derives his style and theme by introspecting within himself. The fears of uncertainty, Struggles and anxiety of an artist, the stringent financial conditions and the tough life led by the young artist community are all depicted in his paintings. His paintings helps him vent his emotions on the canvas. He feels all the struggles and challenges in life cannot be controlled.
About the Artist & his work :
Born: 1988, Kolkata.
Childhood life & His Work : Basu, is a self taught artist. His penchant for art inspired him to paint regularly through his entire childhood. As his passion for painting continued very strongly into his adulthood; Basu metamorphosed into a professional artist. Apart from painting all through his childhood, Basu actually started painting professionally in the last 8 years. Debabrata introspects to paint. Insecurity of being a professional artist ,fears of uncertainty, stringent financial condition, struggles and anxiety of an artist until one makes it and gains recognition and success and the tough life led by the young artist community are all depicted in his paintings . Basu has a fantastic command over the brush for someone so young and with no formal education. His paintings help him vent his emotions on the canvas . He feels all the struggles and challenges in life cannot be controlled. Having no control over them he urges them to simply let go.
- Creator:Debabrata Basu (1988, Indian)
- Creation Year:2018
- Dimensions:Height: 34 in (86.36 cm)Width: 28 in (71.12 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Kolkata, IN
- Reference Number:1stDibs: LU60433838911
About the Seller
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- ShippingRetrieving quote...Ships From: Kolkata, India
- Return PolicyA return for this item may be initiated within 7 days of delivery.
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