Claude Weisbuch

"De La Bataille Vol. 1, Homage a Leonard da Vinci, " signed by Claude Weisbuc

1978

"Parrots" is an original watercolor signed by Alicia Czechowski. The artist signed the piece lower right. This piece depicts six multi-colored parrots in a cage. 16 3/4" x 18" art ...

"Scaredy Cat" is an original watercolor by Julia Taylor. The subject is a fluffy cat who's back is arched in terror. All of the cat's hair is painted on en...

"The Drowning of Brother Tony" is an original pastel drawing on paper by Della Wells. The artist signed the piece in the lower right. In this pastel, an alligator-like creature with an African American child's head thrashes about in the water, upsetting the tiny boat pictured at left and causing the black figure on the lower right to drown. Another female black figure, straddling the alligator's tail, attempts to save Tony, but to no avail. Two open eyes appear in the picture: the alligator seems to clutch one and the other appears on the boat's sail. The alligator holds a pice of melon in his mouth and colorful fish populate the water and sky. Alligators reference Jim Crow caricatures in which black children are chased and eaten by alligators. The alligators are menacing and point to a deeply racist pictorial and real world. The eye represents the all-seeing eye of God...

"Catching A Fish" is an original gouache and watercolor painting on illustration board. It is signed in the lower left by the artist Tom Rost. 25" x 20 5/8" art 30 5/8" x 24 3/4" framed with museum glass Tom Rost spent most of his life in Wisconsin, graduating from the Milwaukee State Teacher's College (now the University of Wisconsin-Milwaukee). He began his artistic career as an illustrator for the Civilian Conservation Corps, the Works Progress Administration, and the Treasury Department. Later, he began illustrating for the Milwaukee Journal and then left to work in New York with the Field...

"Green Rhythms, Melon Dreams" is an original pastel drawing on paper by Della Wells. The artist signed the piece in the lower right. This work features an alligator with what appears...

Watercolor and gold ink on paper. Signed by the artist in pencil, lower right. Art: 10.75" x 8.5" Frame: 17" x 15"

"Learnt to ride him gently up to his fences" by Eric Meade-King (1911-1987) signed by initials lower right in image, inscribed to lower margin in pencil graphite and ink on paper laid to thick card, unframed Image 9.75 x 13.0 inches, overall 11.25 x 13.25 inches A really lovely example of Meade-King's work in those happy days of the 1930's in Britain when a large portion of the population in England relished the heady summer days at country shows, competitive riding and all things sporting. The rider is depicted elegantly and Meade-King has achieved perfect lines in her steed at a gallop towards a fence. Marquees stand proudly in the background with flags fluttering in the breeze of a summer's day. This work forms part of a collection of similar drawings we currently hold by Meade-King. Ideal for a sporting themed interior. Eric Meade-King was a prolific artist of all things sporting and surrounding English country life. Studied at Westminster School of Art in London and benefited from tutelage by Lionel Edwards, whose artistic interests lay in the same subjects. Exhibited at the Royal Institute of Painters in Watercolours, and was the subject of of a one-man exhibition at the Greatorex Galleries in 1937 and 1938 in London. The artist captured the mood of the country sporting circles at the time very nicely, exploring both the social element in addition to equine and ornithological studies. He also authored a book; "The Silent Horn - Summer Sketches of Horse...

Charles Burchfield (American, 1893-1967 Village Scene, 1921 Ink, pencil and watercolor on paper Signed and dated lower right 11 x 8.5 inches 17.75 x 14.75 inches, framed Born in Ash...

From the estate of the artist. In fine condition. Frederick Bosley was an Impressionist painter of the Boston School who most often depicted portraits, figures and still-lifes. The artist was born in Lebanon, New Hampshire in 1881. He studied at the Museum School in Boston from 1900-1906 with Edmund C. Tarbell (1862-1938) and Frank W. Benson (1862-1951), and then in Europe from 1906-1908. Bosley returned to Boston in 1909, obtaining a studio at the Fenway Studios from 1909-1918. He was to become a teacher in his own right, and became the Director at the Museum School from 1913-1931. His many awards include First prize in the 1920 Concord Art Academy Exhibition and a Gold Medal in the Pennsylvania Academy of Fine Arts Exhibition, 1925. His work may be found in the collections of several institutions, including the Boston Museum of Fine Arts, the Farnsworth Museum, the National Academy of Design and the Concord Academy...

Pencil on paper Paper size: 8 x 10.5 inches Stamped with the artist’s atelier stamp ‘ATELIER/RAOUL DUFY’ lower right Provenance: Galerie Fanny Guillon-Laffaille, Paris. Neffe-Dega...

A really super image of a beautiful pussy cat by one of the keystones of the British Modern Art movement, Philip Wilson Steer. The relationship between artists and their pets has oft...

Represented by George Billis Gallery, NYC & LA -- Joseph Piccillo's large-scale canvases contrast masculine and feminine qualities, carefully balancing strength and power beside grac...