Sasha Hallock

Untitled, Small Collection No. 3, geometric abstract work on paper

2021

Between September 2018 and April 2019, I created 100 small paintings consecutively. I endeavored to make nothing else and viewed the project as an opportunity to experiment and solid...

Between September 2018 and April 2019, I created 100 small paintings consecutively. I endeavored to make nothing else and viewed the project as an opportunity to experiment and solid...

“This series of paintings was significant for me to make. It marked the return to the studio after a year at home due to the pandemic. New iterations began to emerge (Vessels + Statu...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...

Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...

Jen P. Harris (b. 1977, she/they) is a Los Angeles-based artist working with painting, installation, drawing, collage, and collective projects. Harris holds a B.A. from Yale and an M...

Mixed media Paper size: 21.75 x 14.5 inches Framed size: 36.25 x 29 inches Signed lower left

Mixed media Paper size: 14 x 21 inches Framed size: 28.25 x 35 inches Signed lower right

This is a mixed media monoprint titled Homage a Sam (I first thought it was for Sam Gilliam but the artist told me it was for Sam Francis. He has done a number of these Homages as I ...

The One Who Saw Nothing, 2020 collage on paper 15 3/4 H x 11 13/16 W in. 40 H x 30 W cm The artist’s collages describe a series of faces composed of different materials – cardboards...

ENSO CIRCLE by Lisa Weiss is a Mixed Media on Bhutanese Paper measuring 12.00 X 9.00 in and is priced at $360.00. Lisa Weiss’ work is about mark making, patterning, spontaneous move...