1910s Abstract Drawings and Watercolors
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Period: 1910s
"View of Village" Early Modern Gestural Abstract Landscape Drawing of Houses
Located in Houston, TX
Early modern landscape drawing by German artist Hermann Max Pechstein. The work features a gestural depiction of a winding path leading into a small village. Signed with a monogram i...
Category
Modern 1910s Abstract Drawings and Watercolors
Materials
Paper, Color Pencil
Two Drawings
By Louis Valtat
Located in New York, NY
Group of two drawings. "Femme assise sur une Chaise," circa 1910. Brush and ink on wove paper, 8 1/2x8 inches. With the artist's initials ink stamp, lower right recto.
"Femme avec ...
Category
Fauvist 1910s Abstract Drawings and Watercolors
Materials
Ink, Pen
Charles Burchfield Watercolor Painting Titled "Love and Kisses", circa 1914
Located in New York, NY
An early work by Charles Burchfield, likely a project for an illustration. A Landscape in pastel colors with a white tree and the text Love and xxx.
Category
1910s Abstract Drawings and Watercolors
Materials
Watercolor, Paper
"Paysage Cubiste" Watercolor 1915 cm. 23, 5 x 18, 5 Cubism
Located in Torino, IT
Survage,Cubism,1915,france
Leopold Survage ( 1879-1968)
Work signed lower right
Provenance :
Gallerie Zlotowski Paris
Galerie Guillermo de Osma ,Madrid
Private collection In Madrid...
Category
Cubist 1910s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Untitled (Figurative Abstraction of Isadora Duncan #7)
Located in Myrtle Beach, SC
Abraham Walkowitz, Untitled (Figurative Abstraction of Isadora Duncan #7), pencil, 1918. Signed and dated in pencil, bottom center. A fine, spon...
Category
American Modern 1910s Abstract Drawings and Watercolors
Materials
Pencil
Picasso, Homme dans un interiéur jouant de la guitare
Located in Miami, FL
Drawn in 1912 by Picasso, this fine piece of work is a recognizable mark of his unique style. "Homme dans un interiéur jouant de la guitare", 1912 is on cream laid paper, with abstra...
Category
Abstract 1910s Abstract Drawings and Watercolors
Materials
Paper, Pencil
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"Composizione geometrica " inchiostro su foglio grigio cm. 17 x 22 1915 ca
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Located in Torino, IT
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Free Shipping
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Located in Miami, FL
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Located in Myrtle Beach, SC
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American Modern 1910s Abstract Drawings and Watercolors
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H 10.5 in W 6.75 in D 0.01 in
Untitled (Figurative Abstraction of Isadora Duncan #4)
Located in Myrtle Beach, SC
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American Modern 1910s Abstract Drawings and Watercolors
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Untitled (Figurative Abstraction of Isadora Duncan #3)
Located in Myrtle Beach, SC
Abraham Walkowitz, Untitled (Figurative Abstraction of Isadora Duncan #3), pen and ink, 1918. Signed in ink, dated in pencil, bottom center. A f...
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American Modern 1910s Abstract Drawings and Watercolors
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Untitled (Figurative Abstraction of Isadora Duncan #2)
Located in Myrtle Beach, SC
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American Modern 1910s Abstract Drawings and Watercolors
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By John Marin
Located in New York, NY
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The Coast, 1914
Watercolor and pencil on paper
15 1/2 x 18 1/2 inches
Signed and dated lower right: Marin 14
Provenance:
Ferdinand Howald, Columbus, Ohio
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American Modern 1910s Abstract Drawings and Watercolors
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"Abstract composition" cm. 36 x 27 Tempera 1920?
Located in Torino, IT
Abstract composition, Russian avant-garde, avant-garde,Constructivism,geometric
Interesting Russian opera, attributed to the avant-garde period around 1910/1920
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By A. Yoshida
Located in Storrs, CT
Cherry Blossoms in a Misty Landscape. c. 1920. Watercolor on paper. 13 1/2 x 6 1/2 (image and sheet). Signed "A. Yoshida' lower right. Housed in a 20 ...
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The Nightmare
By Eugene Higgins
Located in Buffalo, NY
You are viewing a social realist charcoal drawing by well listed American artist Eugene Higgins entitled "The Nightmare".
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Realist 1910s Abstract Drawings and Watercolors
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Gold Leaf
Untitled
Located in Dallas, TX
Edmund D. Kinzinger was born in 1888, to an upper-middle class family in Pforzhein, Germany. In Munich he studied at the Kirr Schule and the Staatliche Akademie, and pursued graduate studies at the Academie Modern, Paris. Before serving in the German Army, Kinzinger was a master student of Adolph Holzel at the Staatcliche Akademie, Stuttgart; he returned to study under Henrich Waldschmidt after nearly five years of artillery service.
Several of Kinzinger’s fellow students in Germany, such as Johannes Itten, would go on to be associated with the Bauhaus school. Coming into contact with all manner of artistic influences in Europe after World War One, Kinzinger’s work may be viewed as a “synthesis” of modernist styles. The influences of Abstract Expressionist, Cubist, and Futurist styles in Kinzinger’s work at this time are symptomatic of his contact with the likes of Hans Hofmann, Pablo Picasso, and Alexander Archipenko. Philip Van Keuren wrote:
“His work closely resembles that of his contemporaries except for the mystical moodiness that seems to lay just under the surface of even the most non-objective works from this period. Their poetic mood springs less from his use of saturated, luminous colors and evocative forms and more from some undeniable power of perception drawn from his sense of the mystery of life. This mystic moodiness has its roots in personal inspirations. In this, Kinzinger drew upon German landscape painting...
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