James Daugherty

Abstract Non-Objective Mid 20th Century Color Field Painting James Daugherty

1961

Italian Modern Abstract Work on Paper Color Field Non-Objective European Mid-Century - "Gonage" Dorazio completed "Gonage" in 1949 when just after the artist had been awarded a stipend by the French government and admission to the Academy Beaux Arts. There he met George Braque who became great friends but also an influence on Dorazio, of which "Gonage" is a living testament. "Gonage" actual size of the drawing measures 12 x 9 1/2 inches. It is signed on the lower right. The work is affixed to a 19 x 15 inch board which includes the artist's signature and date. There is a torn table on the lower left entitling the piece "Gonage". Provenance follows this piece as a gift in 1950 to the artist-colleague Luigi Lucioni, who then gifted it in 1955 to his friend, the uncle of the current owner who has owned the work since 1988. Bio Born in Italy, Piero Dorazio studied architecture in Rome. At the same time his first abstract works were executed. In 1947 he received a scholarship from the Ecole Nationale Supérieure des Beaux Arts in Paris, where he contacted Modern artists, who lived in Paris. He founded the galleries "Age d'Or" in Florence and Rome to represent avant-garde arts in Italy. During a one year stay in the USA he got acquainted with leading artists of Abstract Expressionism such as Marc Rothko...

1,000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair. Ilya Bolotowsky (1907-1981) "1939 World’s Fair Mural Study for the Hall of Medical Sciences...

Abstract Cityscape Mid 20th Century Modern Cubist Work on Paper Drawing Ariel 11 x 4 1/2 inches. Framed by Heydenryk. Provenance: Gary Snyder Fine Art B...

Abstract American Modernism Mid-Century WPA Era Drawing Woodstock 20th Century, Sight size is 16 x 12 inches. The drawing is currently at the framers. A photo will be posted asap. A...

American Cubist Abstract Art Deco Avant-Garde Constructivism 20th Century Modern Florence Henri (American, 1893-1982) Composition 18 1/2 x 12 1/2 in...

Abstract Non Objective Work on Paper Guggenheim Woman Artist 1940s Drawing w/c HILLA REBAY (1890 - 1967, GERMAN/AMERICAN) Abstract watercolor and graphite on paper 14 x 16 1/2 inche...

Circa 1968 abstract oil and crayon on board by artist Margo Hoff (1910-2008), estate stamped verso. Abstracted cliff scene painted in shades of red, pink...

'Dinosaur Me & Baby' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). The scribblings of a c...

'Untitled II' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). There is so much energy in th...

'Untitled' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). Beautifully balanced, stunningly...

Jean Cohen Untitled, circa 1960 Signed Lower Right: Jean Cohen Mixed Media on artist board 26 3/4 x 19 inches Jean Cohen was an important American painter whose work spans six decades. Jean Cohen lived on Tenth Street in Manhattan, and was a member of the vibrant Tenth Street Artists Galleries during the 1950s and 1960s. She was married to Alex Katz, was a member of the Area Gallery, and showed her work in the Tanager Gallery as well. She has paintings in the permanent collection of the Metropolitan Museum of Art, the New Jersey State Museum, Museum of Modern Art, the University of Maine, and the Whitney Museum of American Art. She has yet to be given the recognition she deserves. Born 1927 Washington Heights, New York Married to painter Alex Katz 1949-1956 Tanager Gallery NYC 1952-1962 Involved with painter John Grillo 1957-1962 Area Gallery NYC 1960-'65 Split time living between NYC and Provincetown c.1957-1980 Landmark Gallery, NYC 1972-1977 Co Founder in '72. Moved to Long Island '85 Died on Long Island, New York 2013 Education: Cooper Union 1945-1948. Studied with John Ferren, Nicholas Marsicano, Morris Kantor, Leo Manso...

Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash. Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso) Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'. A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist. Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...