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Caroline Blum
Argus, abstract geometric pattern, blue work on paper

2019

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  • Sketch (Maumere), black and white abstract expressionist work on paper
    By Lydia Janssen
    Located in New York, NY
    Sketch (Maumere), 2018 Ink, charcoal, and pencil on paper 22 × 30 inches unframed 27.5 x 35 inches framed Since moving to Ubud (Bali, Indonesia) in August 2018 Lydia has been invest...
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    2010s Abstract Expressionist Abstract Drawings and Watercolors

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    Paper, Charcoal, Ink

  • Daily Drawing Series - 40 Days, original drawings, large scale installation
    By Francie Hester
    Located in New York, NY
    The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...
    Category

    2010s Abstract Abstract Paintings

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    Paper, Mixed Media, Wax, Acrylic

  • Untitled, Small Works No. 51, green geometric abstraction, work on paper
    By Sasha Hallock
    Located in New York, NY
    Between September 2018 and April 2019, I created 100 small paintings consecutively. I endeavored to make nothing else and viewed the project as an opportunity to experiment and solid...
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    2010s Abstract Abstract Drawings and Watercolors

    Materials

    Paper, Watercolor, Wood Panel, Color Pencil, Graphite

  • For Finn, Small Works No. 69, green geometric abstraction, work on paper
    By Sasha Hallock
    Located in New York, NY
    Between September 2018 and April 2019, I created 100 small paintings consecutively. I endeavored to make nothing else and viewed the project as an opportunity to experiment and solid...
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    2010s Abstract Abstract Drawings and Watercolors

    Materials

    Paper, Watercolor, Wood Panel, Color Pencil, Graphite

  • Grape Escape, purple abstract watercolor painting on archival paper
    By Lisa Fellerson
    Located in New York, NY
    Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...
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    2010s Abstract Expressionist Abstract Drawings and Watercolors

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    Watercolor, Archival Paper

  • When in Rose, pastel pink abstract watercolor painting on archival paper
    By Lisa Fellerson
    Located in New York, NY
    Lisa Fellerson’s paintings provoke an interplay and tension between line, shape, and color. With no preconceived idea in mind, she begins by dripping, scrapping, and gouging acrylic ...
    Category

    2010s Abstract Expressionist Abstract Drawings and Watercolors

    Materials

    Watercolor, Archival Paper, Charcoal, Mixed Media

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  • Moons of Jupiter (Study I): Black and White Abstract Geometric Graphite Drawing
    By David Dew Bruner
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    Small abstract geometric drawing of circular white moons on a gray graphite background with grid patterns “The Moons of Jupiter (Study I)” by Hudson Valley artist, David Dew Bruner,...
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  • Abstract Geometric Illusory Line Art in Ink on Paper by Geraldine Heib
    Located in Soquel, CA
    Abstract Geometric Illusory Line Art in Ink on Paper by Geraldine Heib In this line abstract by Jerry O'Day (American, 1912), lines intersect and layer in straight and rounded ways giving a sense of movement to the piece. O'Day uses simple ink on paper and pure geometric form in the Minimalist style of the 1960s. Unsigned, but was acquired with a collection of the artist's work. Mat size: 39"H x 27"W Paper size: 30"H x 20"W Image size: 27"H x 16"W Jerry O'Day is also known as Geraldine Heib. Born in Oakland, California, on June 17, 1912. Geraldine Heib assumed the name Jerry O'Day at an early age. She grew up in Washington and studied in Seattle at the Cornish School of Fine Arts. Upon moving to the San Francisco Bay area in 1938, she further studied with Bufano as a muralist for two years. O'Day wed sculptor David Lemon and had a gallery in a converted cod fishery in Belvedere from 1942 until 1963. At that time, the couple moved to a houseboat in Sausalito, where she remained until her demise on March 30, 1986. Post War California artist, Jerry O'Day studied at the Cornish School of Fine Arts in Seattle; studied with Beniamino Bufano for two years. She lived in the artist's colony at the Cod fishery with artist David Lemon on Belvedere Island in the San Francisco Bay Area from 1942 - 1963. Solo Exhibitions: City of Paris, Rotunda Gallery; Lucien Labaudt Gallery, 1963; Torrance Gallery, San Anselmo, 1955; Marin Art Gallery, Sausalito, 1956; Palace of The Legion of Honor, San Francisco, 1962; East & West Gallery, Fillmore Street, San Francisco; Landmarks Gallery, Marin County, 1991. Selected Group Exhibitions: 65th Annual Painting and Sculpture Exhibition of the San Francisco Art Association at the San Francisco Museum of Art, 1945; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963. Source: David J Carlson...
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  • The sprinkling of defiled persons (drawing)
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    This is an original drawing on paper by Hunter Stabler measuring 12”h x 12”w x 2.5”d framed. The piece is made from graphite, ink, transfer paper and Gelly Roll® pen on paper. Hunter Stabler was born in Jefferson City, Missouri and was raised in upstate South Carolina. He received a BFA in painting from The Maryland Institute, College of Art and an MFA in painting from the University of Pennsylvania. He is currently pursuing an MFA in Digital Art at Louisiana State University. His work has been widely exhibited across the United States and internationally including exhibitions at the Morbid Anatomy Museum in Brooklyn, NY, The Shelburne Art Museum in Shelburne, VT, the Hunterdon Art Museum in Clinton, NJ, and the Islip Art Museum in East Islip, NY. His hand-cut paper artwork has been published in the books High Touch: Tactile Design and Visual Explorations, Push Paper, Strangers in the Nest (a book of Poems by Anselm Berrigan, Letterpress printed with images accompanying each poem), and published in Laminate Magazine, First Look Magazine, and American Craft Magazine. He was named “Philadelphia’s Next Hot...
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