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Alexander Calder
Plumbings II - Alexander Calder, modern, american, illustration, design

1973

$152,250

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Alexander Calder (1898-1976) Plumbings II 1973 gouache and ink on paper 74.9 x 109.9 cm signed and dated ‘Calder 73’ (lower right) Price: $152,250 USD (inc. import VAT) Provenance: Galerie Maeght, Paris Private collection (acquired from the above in 1977) Notes: This work is registered in the archives of the Calder Foundation, New York, under application number A12274 Alexander Calder was an acclaimed and influential American artist whose career spanned much of the 20th century. He developed a new method of sculpting by blending and twisting wire to create three-dimensional figures in space. Although best known for his mobiles, Calder's oeuvre also included a vast repertoire of signature paintings and drawings. Created 3 years before his death, Plumbings II presents a rare departure from Calder's late monumental, abstract works. In this colourful portrayal, Calder revisits the industrial materials which inspired and informed so much of his artistic practice. Categories: Plumbings II, Alexander Calder, modern, american, illustration, design, decorative, modern art, calder, gouache, work on paper, paper, ink, clock, industrial, original, yellow, orange, red, blue, industry, factory

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About Alexander Calder (Artist)

The American sculptor Alexander Calder is known as the father of the mobile, a moving artwork composed of delicately balanced sculptural forms suspended from the ceiling. Because his parents, both artists themselves, did not want him to suffer the hardships of trying to make a living in art, they encouraged the young Calder to study mechanical engineering at the Stevens Institute of Technology, in Hoboken, New Jersey. He worked a number of jobs, including as a hydraulic engineer and draftsman for the New York Edison Company, before deciding to pursue an artistic career. He never abandoned his engineering background, however, applying his understanding of gears and moving parts in all his artworks, from mechanical toys like the Cirque Calder (1931) to his free-standing abstract sculptures, called stabiles.


     In 1926, Calder moved to Paris and established a studio in the Montparnasse quarter. He began creating the many parts of his famous miniature circus from found materials, such as wire, string, cloth, rubber and cork. Designed to be transportable, Cirque grew to fill five suitcases over the years. Always interested in putting forms in motion, Calder also pioneered a new art form called wire sculptures, which he described as “drawings in space.” Like his famous mobiles, the wire sculptures were suspended so that they turned with any movement of the air, presenting different forms when viewed from different angles.


     In the 1950s, Calder returned to his roots in mechanical engineering, creating monumental abstract sculptures that verged on the architectural. He worked from loose gestural drawings like this preparatory sketch for his Man Stabile, from 1966. Throughout his career, he also worked as a set designer for the theater, as well as an illustrator and printmaker, producing vibrant, whimsical drawings for books and journals, such as this stunning lithograph of an elephant and two cats.

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